SOAS Research Online

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Bello, Saheed Adesumbo (2023) 'Ọ̀rúnmìliàn Film-Philosophy: Aesthetics of Èjìgbèdè Ẹ̀kú in Saworoidẹ.' Film and Philosophy: The Journal of the Society for the Philosophic Study of the Contemporary Visual Arts., 27. pp. 89-103.

Bes, Lennart and Branfoot, Crispin (2024) '‘From all quarters of the Indian world’: The temple at Rameshvaram, Hindu kings and Dutch merchants.' Journal of the Royal Asiatic Society, 34 (2). pp. 325-359.

Bonura, Carlo (2021) 'The What-Has-Been and the Now of a Communist Past in Malaya in the Films of Amir Muhammad.' positions: east asia cultures critique, 29 (1). pp. 47-65.

Branfoot, Crispin (2022) 'Building Networks: Architecture, Ornament and Place in Early Modern South India.' In: Ambach, Malini, Buchholz, Jonas and Hüsken, Ute, (eds.), Temples, Texts, and Networks: South Indian Perspectives. Heidelberg: Heidelberg Asian Studies Publishing, pp. 265-290.

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Calo, Ambra (2020) 'Durgā Mahiṣāsuramardinī in Likely Tantric Buddhist Context from the Northern Indian Subcontinent to 11th-Century Bali [Durga Mahiṣāsuramardinī dalam konteks agama Buddha Tantrayana dari Subkontinen India Utara dan Bali pada abad ke-11].' Pratu: Journal of Buddhist and Hindu Art, Architecture and Archaeology of Ancient to Premodern Southeast Asia, 1 (3). pp. 1-20.

Carpenter, John (2008) 'Inventing New Iconographies: Historicist and Nativist Motives in Late-Edo Surimono.' In: Carpenter, John, (ed.), Reading Surimono: The Interplay of Text and Image in Japanese Prints. Leiden: Brill; Boston: Hotei Publishing, pp. 72-83.

Centeno, Marcos (2014) Ainu. Pathways to Memory. .

Centeno, Marcos (2014) 'Demystifying the Notion of Japaneseness: the Documentary 'Ainu. Pathways to memory.' Eikyō, Influencias japonesas (13). pp. 4-7.

Centeno, Marcos (2016) 'Kore-eda’s Our Little Sister: a Return to the Japanese Classicism.' Film Criticism, 40 (3). Michigan , USA: Michigan Publishing, University of Michigan Library.

Centeno, Marcos (2014) 'Las grietas de la imagen. Una mirada a la trastienda de los primeros documentales etnográfico sobre el pueblo ainu (1897-1936).' Secuencias. Revista de historia del cine (40). pp. 62-80.

Centeno, Marcos (2018) 'The Limits of Fiction: Politics and Absent Scenes in Susumu Hani’s Bad Boys (Furyōshōnen, 1960). A Film Re-reading through its Script.' Journal of Japanese and Korean Cinema, 10. pp. 1-15.

Centeno, Marcos (2018) 'Method Directors. Susumu Hani and Yasujirō Ozu: a Comparative Approach across Paradigms.' In: Becker, Andreas, (ed.), Yasujirô Ozu and the Aesthetics of his Time. Darmstadt: Büchner-Verlag, pp. 125-152.

Centeno, Marcos (2019) 'Postwar Narratives and the Avant-garde Documentary: Tokyo 1958 and Furyō Shōnen.' In: Martinez, Dolores, Guarné, Blai and Lozano-Méndez, Artur, (eds.), Persistently Postwar: Media and the Politics of Memory in Japan. Oxford: Berghahn, pp. 41-62.

Centeno, Marcos (2015) 'The Shapes of Otherness: the Representation of the Ainu People in Brodsky’s Travelogues 1918-1919.' Kokoro, Revista para la difusión de la cultura japonesa (17). pp. 14-22.

Centeno, Marcos (2015) Susumu Hani (1950-1960): la aportación teórico-práctica al documental y al cine juvenil japonés. Una aproximación al caso de Hani como precursor de la Nueva Ola. PhD thesis. Universitat de València.

Centeno, Marcos (2016) 'Transcultural Corporeity in Taiyozoku Youth Cinema. Some Notes on the Contradictions of Japaneseness in the Economic Miracle.' In: Becker, Andreas and Adachi-Rabe, Kayo, (eds.), Presentation of Bodies in Japanese Films / Körperinszenierungen im japanischen Film. Darmstadt: Büchner-Verlag, pp. 143-160.

Centeno, Marcos (2009) Transition in the Japanese Youth Cinema (1956-1960): from the Taiyōzoku Phenomenon to the New Wave. Crazed Fruit, Kisses and Cruel Story of Youth. Comparative Analysis, Contextual Parameters and Thematic and Formal Transgressions. MPhil thesis. University of Valencia.

Centeno, Marcos (2010) 'Transition in the Japanese Youth Cinema 1956-1960: From the Taiyozoku Phenomenon to the New Wave.' Cinema & cie: international film studies journal, 10 (14-15). pp. 178-180.

Centeno, Marcos (2010) 'Use of the Archive Pictures and Political Context in the Japanese New Wave.' Cinéma et Art Contemporain III. pp. 116-122.

Centeno, Marcos (2012) 'Who can say that we should not live like dogs? Retrospective of Shuji Terayama.' Contrapicado. Escritos sobre cine.

Cheong, Conan (2020) 'Kingship and Procreation in a Pyu Viṣṇu Anantaśāyin Stone Relief from Śrīkṣetra [သရေခေတ္တရာရှိ ဗိဿနိုး အနန္တသာရင် ကျောက်စစ်ရုပ်တု၏ မင်းရိုက်ရာ နှင့် စည်ပင်ပြန့်ပွါးခြင်း].' Pratu: Journal of Buddhist and Hindu Art, Architecture and Archaeology of Ancient to Premodern Southeast Asia, 1 (1). pp. 1-16.

Chhum, Menghong (2020) 'Nine Deities Panel in Ancient Cambodia [ផ្ទាំង​ចម្លាក់​ទេព​ប្រាំបួន​អង្គ​ក្នុង​អារ្យធម៌​ខ្មែរ​បុរាណ].' Pratu: Journal of Buddhist and Hindu Art, Architecture and Archaeology of Ancient to Premodern Southeast Asia, 1 (2). pp. 1-17.

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Deol, Jeevan (2003) 'Illustration and Illumination in Sikh Scriptural Manuscripts.' In: Singh, K., (ed.), New Insights into Sikh Art. Mumbai: Marg, pp. 50-67.

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Flügel, Peter (2024) 'Pure Soul and the Jaina Traditions, Syntax and Experience.' Jaina Studies: Newsletter of the Centre of Jaina Studies, 19. pp. 16-22.

Flügel, Peter, Krüger, Patrick and Shah, Priyanka (2023) 'Six Jaina Bronzes.' In: Flügel, Peter, De Jonckheere, Heleen and Söhnen-Thieme, Renate, (eds.), Pure Soul: The Jaina Spiritual Traditions. London: Centre of Jaina Studies, SOAS, pp. 96-103.

Fukunaga, Ai (2018) 'China in Japan: Steeped tea in 18th- and 19th- century Japan.' In: Hagglund, Patrick, (ed.), Influences and inspirations: 400 years of Japanese porcelain. London: The English Ceramic Circle.

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Gore, Charles (2008) 'Mami Wata, an Urban Presence: The Making of a Tradition in Benin City, Nigeria.' In: Drewal, H., (ed.), Sacred Waters: Arts for Mami Wata and Other Divinities in Africa and the Diaspora. Bloomington; Indianopolis: Indiana University Press, pp. 361-382.

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Hammond, Marle (2024) Arab World Cinemas: A Reader and Guide. Edinburgh: Edinburgh University Press.

Hammond, Marlé (2024) 'Religion, Authority, and Morality Codes in Arab Cinema.' In: Mellor, Noha, (ed.), Routledge Handbook on Arab Cinema. Abingdon, Oxon/New York: Routledge, pp. 227-241.

Hamzić, Vanja (2008) Social Responsibility in Advertising. In: 10th Magdalena Festival of Creative Communications, May 2008, Maribor, Slovenia. (Unpublished)

Hylton, Richard (2001) Landscape Trauma in the Age of Scophilia. [Shows/Exhibitions]

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Ichiro, Kataoka and Centeno, Marcos (translated by), trans. (2008) La evolución del Katsudo Shashin Benshi. L’Atalante. Revista Revista de Estudios Cinematográficos (7). Valencia: sociación Cineforum L'Atalante. pp. 37-45.

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Luczanits, Christian (2018) 'Revival and renaissance in Tibetan art: imagining Kashmir and Nepal in the fifteenth and seventeenth centuries.' European Bulletin of Himalayan Research, 52. pp. 93-131.

Luczanits, Christian (2021) 'What is a mandala?' In: Harris, Elizabeth J., (ed.), Buddhism in Five Minutes. Sheffield: Equinox, pp. 254-258. (Religion in 5 Minutes)

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McCain, Carmen (2011) 'FESPACO in a time of Nollywood: The politics of the ‘video’ film at Africa’s oldest festival.' Journal of African Media Studies, 3 (2). pp. 241-261.

McCain, Carmen (2009) 'Reimagining Gender Spaces in Abbas Sadiq and Zainab Idris's video-film Albashi.' In: Falola, Toyin and Ngom, Fallou, (eds.), Facts, Fiction, and African Creative Imaginations. New York: Routledge, pp. 163-189. (Routledge African Studies)

Mirviss, Joan B. and Carpenter, John (1995) The Frank Lloyd Wright Collection of Surimono. New York: Weatherhill; Phoenix, Ariz.: Phoenix Art Museum.

Murphy, Stephen (2022) 'Buddhism on the Khorat Plateau and the Extent of Dvāravatī: How Much Can Sema Stones Tell Us.' In: Revire, Nicolas and Pitchaya, Soomjinda, (eds.), Decoding Southeast Asian Art: Studies in Honor of Piriya Krairiksh. Bangkok: River Books and The Piriya Krairiksh Foundation, pp. 144-153.

Murphy, Stephen A (2024) Buddhist Landscapes: Art and Archaeology of the Khorat Plateau, 7th to 11th Centuries. Singapore: NUS Press. (Art and Archaeology of Southeast Asia: Hindu-Buddhist Traditions)

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Okada, Hidenori, Aguilar, Gonzalo, Fiss, Karen, Keller, Patricia, Pérez-Bowie, José Antonio, Alcoriza, Javier and Centeno, Marcos (translation), trans. (2014) Des)encuentros: ¿Por qué es necesario volver a los clásicos del cine? (Hidenori Okada). L’Atalante. Revista Revista de Estudios Cinematográficos (18). Valencia: Asociación Cineforum L'Atalante. pp. 90-110.

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Pierson, Stacey (2019) 'Chinese porcelain, the East India Company and British cultural identity, 1600-1800.' In: Bentley, Tamara H, (ed.), Picturing Commerce In and From the East Asian Maritime Circuits, 1550-1800. Amsterdam: Amsterdam University Press, pp. 275-292.

Pierson, Stacey (2011) 'From Market and Exhibition to University: Sir Percival David and the Institutionalization of Chinese Art History in England.' In: Rujivacharakul, Vimalin, (ed.), Collecting China: the World, China, and a History of Collecting. Delaware, USA: University of Delaware Press, pp. 130-137.

Pierson, Stacey (2015) '‘Ming: London and Edinburgh’, exhibition review.' The Burlington Magazine, CLVII . pp. 46-48.

Pierson, Stacey (2014) 'Reinventing “China”: Provenance, Categories and the Collecting of Chinese Ceramics, 1910-2009.' In: Steuber, Jason and Lai, Guolong, (eds.), Collectors, Collections and Collecting the Art of China: Histories and Challenges. Florida, USA: University Press of Florida.

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Savage, Polly (2019) 'Avenida Mao Tse Tung (or how artists navigated the Mozambican Revolution).' In: Galimberti, Jacopo, Haro García, Noemi de and Scott, Victoria H. F., (eds.), Art, global Maoism and the Cultural Revolution. Manchester: Manchester University Press, pp. 249-268. (Rethinking Art's Histories)

Savage, Polly (2022) '‘The New Life’: Mozambican Art Students in the USSR, and the Aesthetic Epistemologies of Anticolonial Solidarity.' Art History, 45 (5). pp. 1078-1100.

Savage, Polly and Blackmore, Kara (2021) Art, Autonomy and Parasites: Visual Strategies for Public Health in East and Southern Africa. London: London School of Economics.

Saw, Tun Lin (2023) 'Expecting the Unexpected: New Archaeological Finds at the Shwedagon Pagoda [မျှော်မှန်းမထားသည်များအတွက်ကြိုတင်ပြင်ဆင်ထားပါ – ရွှေတိဂုံစေတီတော်မှ အသစ်တွေ့ရှေးဟောင်းသုတေသနအထောက်အထားများ].' Pratu: Journal of Buddhist and Hindu Art, Architecture and Archaeology of Ancient to Premodern Southeast Asia, 2 (Report 1). pp. 1-20.

Screech, Timon (2006) 'Going to the Courtesans: Transit to the Pleasure District of Edo Japan.' In: Feldman, Martha and Gordon, Bonnie, (eds.), The Courtesan’s Arts: Cross-Cultural Perspectives. New York; Oxford: Oxford University Press.

Screech, Timon (2002) The Lens within the Heart: the Western scientific gaze and popular imagery in later Edo Japan. Richmond: Curzon. (2nd revised ed.)

Screech, Timon (2011) Oranda ga tōru : ningen kōryū no Edo bijutsushi = Dutch in motion : Edo art history of the exchange of persons. Tokyo: Tokyo University Press = Tōkyō Daigaku Shuppankai.

Screech, Timon (2007) 'Owning Edo-Period Paintings.' In: Lillehoj, Elizabeth, (ed.), Acquisition: Art and Ownership in Edo-Period Japan. Warren, CT: Floating World Editions.

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Tan, Heidi (2022) 'The Shwedagon Pagoda Museum, Yangon.' In: Gods' Collections.

Tan, Heidi (2002) 'Southeast Asia Gallery.' Arts of Asia, 32 (6). pp. 54-55.

Thompson, Ashley (2020) 'Anybody: Diasporic Subjectivities and the Figure of the “Historical” Buddha.' In: Flores, Patrick D. and Paracciani, L., (eds.), Interlaced Journeys: Diaspora and the Contemporary in Southeast Asian Art. Hong Kong: Osage Art Foundation, pp. 117-131.

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Zeydabadi-Nejad, Saeed (2010) Politics of Iranian Cinema: Films and Society in the Islamic Republic of Iran. London: Routledge. (Iranian Studies)