Jump to:
C |
D |
G |
M |
P |
SNumber of items at this level: 9.
C
Carpenter, John T.
(2008)
'Inventing New Iconographies: Historicist and Nativist Motives in Late-Edo Surimono.'
In: Carpenter, John T., (ed.),
Reading Surimono: The Interplay of Text and Image in Japanese Prints.
Leiden: Brill; Boston: Hotei Publishing, pp. 72-83.
D
Deol, Jeevan
(2003)
'Illustration and Illumination in Sikh Scriptural Manuscripts.'
In: Singh, K., (ed.),
New Insights into Sikh Art.
Mumbai: Marg, pp. 50-67.
G
Gore, Charles
(2008)
'Mami Wata, an Urban Presence: The Making of a
Tradition in Benin City, Nigeria.'
In: Drewal, H., (ed.),
Sacred Waters: Arts for Mami Wata and Other Divinities in Africa and the Diaspora.
Bloomington; Indianopolis: Indiana University Press, pp. 361-382.
M
Mirviss, Joan B. and Carpenter, John T.
(1995)
The Frank Lloyd Wright Collection of Surimono.
New York: Weatherhill; Phoenix, Ariz.: Phoenix Art Museum.
P
Pierson, Stacey
(2011)
'From Market and Exhibition to University: Sir Percival David and the Institutionalization of Chinese Art History in England.'
In: Rujivacharakul, Vimalin, (ed.),
Collecting China: the World, China, and a History of Collecting.
Delaware, USA: University of Delaware Press, pp. 130-137.
S
Screech, Timon
(2006)
'Going to the Courtesans: Transit to the Pleasure District of Edo Japan.'
In: Feldman, Martha and Gordon, Bonnie, (eds.),
The Courtesan’s Arts: Cross-Cultural Perspectives.
New York; Oxford: Oxford University Press.
Screech, Timon
(2002)
The Lens within the Heart: the Western scientific gaze and popular imagery in later Edo Japan.
Richmond: Curzon.
(2nd revised ed.)
Screech, Timon
(2009)
Ningen kôryû no edo bijutsushi [Ningen kôryû no edo bijutsushi [Edo art and the exchange of persons]].
Tokyo: Tokyo Univ Press.
(Forthcoming)
Screech, Timon
(2007)
'Owning Edo-Period Paintings.'
In: Lillehoj, Elizabeth, (ed.),
Acquisition: Art and Ownership in Edo-Period Japan.
Warren, CT: Floating World Editions.
This list was generated on Thu May 23 00:34:08 2013 BST.