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Items where Subject is "N Fine Arts > N Visual arts (General)"

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Number of items at this level: 23.


Carpenter, John T. (2008) 'Inventing New Iconographies: Historicist and Nativist Motives in Late-Edo Surimono.' In: Carpenter, John T., (ed.), Reading Surimono: The Interplay of Text and Image in Japanese Prints. Leiden: Brill; Boston: Hotei Publishing, pp. 72-83.

Centeno, Marcos (2014) Ainu. Pathways to Memory. .

Centeno, Marcos (2014) 'Desmitificando el mito de la japonesidad: el documental 'Ainu. Caminos a la memoria.' Eikyō, Influencias japonesas (13). pp. 4-7.

Centeno, Marcos (2014) 'Las formas de la otredad. La representación del pueblo ainu en los travelogues de Benjamin Brodsky (1918-1919).' Kokoro, Revista para la difusión de la cultura japonesa (17). pp. 14-22.

Centeno, Marcos (2015) Susumu Hani (1950-1960): la aportación teórico-práctica al documental y al cine juvenil japonés. Una aproximación al caso de Hani como precursor de la Nueva Ola. PhD thesis. Universitat de València.

Centeno, Marcos (2015) 'Transcultural Corporeity in Taiyozoku Youth Cinema. Some Notes on the Contradictions of Japaneseness in the Economic Miracle.' In: Becker, Andreas and Adachi-Rabe, Kayo, (eds.), Shintai/Soma. Presentation of Bodies in Japanese Films. Frankfurt am Main: Goethe-Universität . (Forthcoming)

Centeno, Marcos (2009) Transition in the Japanese Youth Cinema (1956-1960): from the Taiyōzoku Phenomenon to the New Wave. Crazed Fruit, Kisses and Cruel Story of Youth. Comparative Analysis, Contextual Parameters and Thematic and Formal Transgressions. MPhil thesis. University of Valencia.

Centeno, Marcos (2010) 'Transition in the Japanese Youth Cinema 1956-1960: From the Taiyozoku Phenomenon to the New Wave.' In: CINEMA & Cie. International Film Studies Journal,. Carocci editore. pp. 178-180.

Centeno, Marcos (2010) 'Use of the Archive Pictures and Political Context in the Japanese New Wave.' Cinéma et Art Contemporain III . pp. 116-122. (Unpublished)

Centeno, Marcos (2012) 'Who can say that we should not live like dogs? Retrospective of Shuji Terayama.' Contrapicado. Escritos sobre cine .

Centeno , Marcos (2015) 'Las grietas de la imagen. Una mirada a la trastienda de los primeros documentales etnográfico sobre el pueblo ainu (1897-1936).' Secuencias. Revista de historia del cine (40). (Forthcoming)


Deol, Jeevan (2003) 'Illustration and Illumination in Sikh Scriptural Manuscripts.' In: Singh, K., (ed.), New Insights into Sikh Art. Mumbai: Marg, pp. 50-67.


Gore, Charles (2008) 'Mami Wata, an Urban Presence: The Making of a Tradition in Benin City, Nigeria.' In: Drewal, H., (ed.), Sacred Waters: Arts for Mami Wata and Other Divinities in Africa and the Diaspora. Bloomington; Indianopolis: Indiana University Press, pp. 361-382.


Hamzić, Vanja (2008) Social Responsibility in Advertising. In: 10th Magdalena Festival of Creative Communications, May 2008, Maribor, Slovenia. (Unpublished)


Ichiro, Kataoka and Centeno , Marcos (translated by), trans. (2008) La evolución del Katsudo Shashin Benshi. L’Atalante. Revista Revista de Estudios Cinematográficos (7). Valencia: sociación Cineforum L'Atalante . pp. 37-45.


Mirviss, Joan B. and Carpenter, John T. (1995) The Frank Lloyd Wright Collection of Surimono. New York: Weatherhill; Phoenix, Ariz.: Phoenix Art Museum.


Okada, Hidenori and Aguilar, Gonzalo and Fiss, Karen and Keller, Patricia and Pérez-Bowie, José Antonio and Alcoriza, Javier and Centeno, Marcos (translation), trans. (2014) Des)encuentros: ¿Por qué es necesario volver a los clásicos del cine? (Hidenori Okada). L’Atalante. Revista Revista de Estudios Cinematográficos (18). Valencia: Asociación Cineforum L'Atalante . pp. 90-110.


Pierson, Stacey (2011) 'From Market and Exhibition to University: Sir Percival David and the Institutionalization of Chinese Art History in England.' In: Rujivacharakul, Vimalin, (ed.), Collecting China: the World, China, and a History of Collecting. Delaware, USA: University of Delaware Press, pp. 130-137.

Pierson, Stacey (2014) 'Reinventing “China”: Provenance, Categories and the Collecting of Chinese Ceramics, 1910-2009.' In: Steuber, Jason and Lai , Guolong, (eds.), Collectors, Collections and Collecting the Art of China: Histories and Challenges. Florida, USA: University Press of Florida.


Screech, Timon (2006) 'Going to the Courtesans: Transit to the Pleasure District of Edo Japan.' In: Feldman, Martha and Gordon, Bonnie, (eds.), The Courtesan’s Arts: Cross-Cultural Perspectives. New York; Oxford: Oxford University Press.

Screech, Timon (2002) The Lens within the Heart: the Western scientific gaze and popular imagery in later Edo Japan. Richmond: Curzon. (2nd revised ed.)

Screech, Timon (2009) Ningen kôryû no edo bijutsushi [Ningen kôryû no edo bijutsushi [Edo art and the exchange of persons]]. Tokyo: Tokyo Univ Press. (Forthcoming)

Screech, Timon (2007) 'Owning Edo-Period Paintings.' In: Lillehoj, Elizabeth, (ed.), Acquisition: Art and Ownership in Edo-Period Japan. Warren, CT: Floating World Editions.

This list was generated on Thu Nov 26 12:25:46 2015 GMT.