SOAS Research Online

Abstract

An initial small group of metal sculptures, reportedly from a hoard, first appeared on the art market in 1965. Known as the ‘Prakhon Chai bronzes’ despite the obscurity of their origins, these sculptures were attributed to the 7th to 9th century CE and treated as archaeological works from Prasat Plai Bat II. Over time, their number grew exponentially. However, some have since been identified as forgeries. This research is the first detailed reassessment of this enigmatic group. It unfolds through two major lines of enquiry. First, the art historical analysis reviews the origins of the find alongside the technical aspects, iconography, and style of the over 100 ‘Buddhist’ statues. This investigation re-evaluates whether there is sufficient evidence to establish two propositions: (i) the statues plausibly came from the same origin and time, and (ii) they belonged to the cultural materials of Buddhist communities. Second, the market analysis examines the genesis and development of related narratives and discourses. It assesses how a network of actors influenced and shaped public perceptions about every aspect of the statues. Based on the findings, I contend that the notion of a so-called Prakhon Chai hoard/ group of statues is essentially a market construct.