Nenadovic, Ana (2019) 'Performing Feminism, Autobiography, and Testimony. Feminist Rap in Latin America.' promptus: Würzburger Beiträge zur Romanistik, 5. pp. 95-114.
|
Text
- Published Version
Available under License Creative Commons Attribution 4.0 (CC-BY 4.0). Download (239kB) | Preview |
|
![[img]](https://eprints.soas.ac.uk/style/images/fileicons/text.png) |
Text
- Draft Version
Restricted to Repository staff only |
Abstract
This article focuses on selected Latin American female rap artists (Anita Tijoux, Rebeca Lane, and the duo Krudas Cubensi), and the way they perform feminism, autobiography and testimony through their lyrics and performances. The analysis concentrates on the synergies between the texts themselves, the official music videos shared on YouTube and the background music. It aims to demonstrate that only such a synergistic approach to rap allows a profound understanding of its particularities and its contributions to feminist discourses and spaces for feminist testimony in the current rise of both right-wing politics and feminist movements on the continent.
| Item Type: | Journal Article |
|---|---|
| SOAS Departments & Centres: | Departments and Subunits > School of History, Religions & Philosophies Departments and Subunits > School of History, Religions & Philosophies > Department of History |
| ISSN: | 23646705 |
| Date Deposited: | 23 Mar 2022 20:14 |
| URI: | https://eprints.soas.ac.uk/id/eprint/36877 |
| Related URLs: |
https://opus.bi ... dex/docId/22185
(Publisher URL)
|
Altmetric Data
There is no Altmetric data currently associated with this item.Statistics
Accesses by country - last 12 months | Accesses by referrer - last 12 months |
Repository staff only
 |
Edit Item |