Corey, Pamela and Taylor, Nora A. (2019) 'Đổi Mới and the Globalization of Vietnamese Art.' Journal of Vietnamese Studies, 14 (1). pp. 1-34.
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Abstract
The Đổi Mới reforms triggered significant changes in the Vietnamese art world, including new institutional spaces, platforms for critical discourse, and growing artistic mobility. However, it is important to question the ways in which the use of Đổi Mới as a blanket indicator of artistic reform has further constructed a homogeneous representation of “Vietnamese contemporary art.” The authors consider the relationship of Đổi Mới to the “globalization” of Vietnamese art with attention to questions of art historiography (the coining of such terms as “post-Đổi Mới Vietnamese art”) and disparities in regional developments (positing local art histories against the national narrative).
| Item Type: | Journal Article |
|---|---|
| SOAS Departments & Centres: | Departments and Subunits > School of Arts > Department of the History of Art & Archaeology Regional Centres and Institutes |
| ISSN: | 1559372X |
| Copyright Statement: | © 2019 by The Regents of the University of California. Copying and permissions notice: Authorization to copy this content beyond fair use (as specified in Sections 107 and 108 of the U. S. Copyright Law) for internal or personal use, or the internal or personal use of specific clients, is granted by the Regents of the University of California for libraries and other users, provided that they are registered with and pay the specified fee via Rightslink® or directly with the Copyright Clearance Center http://www.copyright.com/ |
| DOI (Digital Object Identifier): | https://doi.org/10.1525/vs.2019.14.1.1 |
| Date Deposited: | 23 Oct 2018 08:39 |
| URI: | https://eprints.soas.ac.uk/id/eprint/29798 |
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