Ferrari, Rossella (2011) 'The Stage as a Drawing Board: Zuni Icosahedron’s Architecture Is Art Festival.' TDR: The Drama Review, 55 (1). pp. 137-148.
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Abstract
The multimedia performances of the Architecture Is Art Festival explore the connections of architecture, theatre, and architecture in theatre to voice a number of concerns relating to heritage preservation and technological development, historical memory and current politics. The interrogatives raised by these performances are intimately connected with the ontology of Hong Kong identity and testify to the spirit of traveling—through cultures, media, and disciplines—and the attitude of questioning that has become synonymous with Zuni Icosahedron.
| Item Type: | Journal Article |
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| Keywords: | Architecture, Theatre, Hong Kong, Zuni Icosahedron |
| SOAS Departments & Centres: | Departments and Subunits > Department of East Asian Languages & Cultures Legacy Departments > Faculty of Languages and Cultures > Department of the Languages and Cultures of China and Inner Asia |
| ISSN: | 10542043 |
| Copyright Statement: | © 2011 New York University and the Massachusetts Institute of Technology. This is the published version of record. For information on re-use, please refer to the publisher’s terms and conditions. |
| DOI (Digital Object Identifier): | https://doi.org/10.1162/DRAM_a_00053 |
| Date Deposited: | 21 Feb 2011 09:54 |
| URI: | https://eprints.soas.ac.uk/id/eprint/10345 |
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