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Corey, Pamela and Taylor, Nora A. (2019) 'Đổi Mới and the Globalization of Vietnamese Art.' Journal of Vietnamese Studies, 14 (1). pp. 1-34.

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Alternative Location: http://vs.ucpress.edu/content/14/1/1

Abstract

The Đổi Mới reforms triggered significant changes in the Vietnamese art world, including new institutional spaces, platforms for critical discourse, and growing artistic mobility. However, it is important to question the ways in which the use of Đổi Mới as a blanket indicator of artistic reform has further constructed a homogeneous representation of “Vietnamese contemporary art.” The authors consider the relationship of Đổi Mới to the “globalization” of Vietnamese art with attention to questions of art historiography (the coining of such terms as “post-Đổi Mới Vietnamese art”) and disparities in regional developments (positing local art histories against the national narrative).

Item Type: Journal Article
SOAS Departments & Centres: Departments and Subunits > School of Arts > Department of the History of Art & Archaeology
Regional Centres and Institutes
ISSN: 1559372X
DOI (Digital Object Identifier): https://doi.org/10.1525/vs.2019.14.1.1
Date Deposited: 23 Oct 2018 08:39
URI: http://eprints.soas.ac.uk/id/eprint/29798

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