Centeno, Marcos (2015) 'The Shapes of Otherness: the Representation of the Ainu People in Brodsky’s Travelogues 1918-1919.' Kokoro, Revista para la difusión de la cultura japonesa (17). pp. 14-22.
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Abstract
The origins of cinema coincided with the growing interest in Ainu culture in the West. It is not surprising that the Ainu people appeared in the first images filmed by the cinematograph in Japan. This essay focus the analysis on the Ainu sequences included in Brodsky’s travelogues, tour documentaries: Beautiful Japan (1918) and A Trip through Japan with the YWCA (1919). His Western look projected an image of an «other», different to the Japanese, contrasting with the assimilation period suffered by the Ainu people at that time. It was an exotic construction which showed a primitivism in decline.
Item Type: | Journal Article |
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Additional Information: | Kokoro Journal Prize for the Dissemination of Japanese Culture 2014 |
Keywords: | ethnographic documentary, Ainu, Benjamin Brodsky, japaneseness, ethnic minorities |
SOAS Departments & Centres: | Departments and Subunits > Department of East Asian Languages & Cultures Legacy Departments > Faculty of Languages and Cultures > Centre for Film Studies Legacy Departments > Faculty of Languages and Cultures > Department of the Languages and Cultures of Japan and Korea |
Subjects: | G Geography. Anthropology. Recreation > GN Anthropology N Fine Arts > N Visual arts (General) |
ISSN: | 21714959 |
Date Deposited: | 21 May 2017 15:58 |
URI: | https://eprints.soas.ac.uk/id/eprint/24129 |
Related URLs: |
https://dialnet ... ta?codigo=14793
https://www.aca ... GUES_1918-1919_ (Author URL) |
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Las formas de la otredad. La representación del pueblo ainu en los travelogues de Benjamin Brodsky (1918-1919). (deposited 19 Aug 2015 11:06)
- The Shapes of Otherness: the Representation of the Ainu People in Brodsky’s Travelogues 1918-1919. (deposited 21 May 2017 15:58) [Currently Displayed]
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