SOAS Research Online

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Dwyer, Rachel (2009) 'Bimal Roy: a different kind of Hindi cinema.' In: Bhattacharya, Rinki, (ed.), Bimal Roy: the man who spoke in pictures. New Delhi: Penguin, pp. 162-171.

Dwyer, Rachel (2009) 'Depictions of and by religious practitioners in films: Hinduism.' In: Lyden, John, (ed.), Routledge companion to religion and film. New York: Routledge, pp. 141-161.

Dwyer, Rachel (2006) Filming the Gods: Religion and Indian Cinema. Abingdon: Routledge.

Dwyer, Rachel (2009) 'Ich mag es, wenn du zornig wirst: Amitabh Bachchan, Emotionen und Stars im Hindi-film.' In: Tieber, Claus, (ed.), Fokus Bollywood: das indische Kino in wissenschaftlichen Diskursen. Münster: Lit. Verlag, pp. 99-115.

Dwyer, Rachel (2002) Yash Chopra. London: British Film Institute.

Dwyer, Rachel and Patel, D. (2002) Cinema India. The Visual Culture of the Hindi Film. London: Reaktion Books. (Envisioning Asia)

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McCain, Carmen (2016) 'An Evolution in Nollywood, Nigeria’s New Wave: A Conversation with Chris Eneaji.' Black Camera, 7 (2). pp. 194-216.

McCain, Carmen and Ukoh, Africa (2019) Humanity, Culture, and Representation in Theatre and Film: Africa Ukoh, author of 54 Silhouettes, and Carmen McCain in Conversation. Brittle Paper [Opinion Pieces / Media / Blogs]

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Standish, Isolde (2005) A New History of Japanese Cinema: A Century of Narrative Film. New York: Continuum.

Standish, Isolde (2007) 'Transgression and the Politics of Porn. Oshima Nagisa's In the Realm of the Senses (1976).' In: Phillips, Alastair and Stringer, Julian, (eds.), Japanese Cinema: Texts and Contexts. Abingdon: Routledge, pp. 217-228.