SOAS Research Online

Tallotte, William (2015) 'Meaningful Adjustments: Musical Performance and Ritual Action in a South Indian Temple.' Analytical Approaches to World Music, 4 (1). pp. 1-22.

Tallotte, William (2014) 'Review of Richard Widdess, 'Dāphā: Sacred Singing in a South Asian City. Music, Performance and Meaning in Bhaktapur, Nepal'. Farnham: Ashgate, SOAS Musicology Series, 2013.' Cahiers d’ethnomusicologie, 27 . pp. 289-292.

Tallotte, William (2014) 'Sa ri gamaka. Notation et pratique de l'ornementation dans la tradition karnatique.' Musicology Today, 19.

Tallotte, William (2013) 'Review of Emmie te Nijenhuis (ed.), 'Kīrtana: Traditional South Indian Devotional Songs. Compositions of Tyāgarāja, Muttusvāmi Dīkṣitar and Śyāma Śāstri'. Leiden and Boston: Brill, 2011.' Cahiers d'ethnomusicologie, 26 . pp. 269-272.

Tallotte, William (2013) South India. Naiyândi mêlam: Music of Possession Cults. Ocora Radio France C 560245. [Audio]

Tallotte, William (2012) 'Captiver/séduire. Note sur la gestuelle des joueurs de hautbois nâgasvaram.' Transposition. Musique et sciences sociales, 2.

Tallotte, William (2012) 'L’œil du hautbois. Son, espace et images divines dans le culte śivaïte, Inde du Sud.' Gradhiva, 15. pp. 202-223.

Tallotte, William (2012) 'Music and Performance. Toda Music.' In: Hockings, Paul, (ed.), Encyclopædia of the Nilgiri Hills. New Delhi: Manohar, pp. 618-624.

Tallotte, William (2012) 'Review of Prithwindra Mukherjee, 'Thât/Mélakartâ. Les échelles fondamentales de la musique indienne du Nord et du Sud'. Paris: Éditions Publibook Université, 2010.' Cahiers d’ethnomusicologie, 25 . pp. 277-280.

Tallotte, William (2012) South India. Music of the Nilgiri Hills: Kota, Toda, Irula, Kurumba. Ocora Radio France C 560250/51. [Audio]

Tallotte, William (2011) 'Review of Richard K. Wolf (ed.), 'Theorizing the local: Music, Practice, and Experience in South Asia and Beyond'. New York: Oxford University Press, 2009.' Cahiers d’ethnomusicologie, 24 . pp. 267-271.

Tallotte, William (2010) 'L’improvisation comme pratique sociale. L’exemple des nâgasvarakkârar, hautboïstes sud-indiens.' Tracés. Revue de Sciences humaines, 18. pp. 105-120.

Tallotte, William (2010) 'Review of Christine Guillebaud, 'Le chant des serpents. Musiciens itinérants du Kerala'. Paris: CNRS Éditions, 2008.' Gradhiva, 12 . pp. 233-234.

Tallotte, William (2010) 'Sans excès. Musique et émotion dans un culte śivaïte du pays tamoul.' Cahiers d’ethnomusicologie, 23. pp. 173-194.

Tallotte, William (2009) 'Review of Rolf Killius, 'Voices for Humans, Ancestors and Gods. A musical journey through India’s interior, East and North-East'. 1 CD Topic Records/World Series, TSCD 933, 2006.' Cahiers d’ethnomusicologie, 22 . pp. 301-305.

Tallotte, William (2009) South India. Flowers and Ashes: Hymns to Shiva. Ocora Radio France C 560197. [Audio]

Tallotte, William (2003) Inde du Sud. Periya mēḷam. Temple de Chidambaram. Ocora Radio France C 560178. [Audio]