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Mirelman, Sam (2011) 'The False Decipherment of Cuneiform “Notation” in the Early Twentieth Century.' In: Mirelman, Sam, (ed.), The Historiography of Music in Global Perspective. Piscataway: Gorgias Press. (Forthcoming)

Mirelman, Sam, ed. (2011) The Historiography of Music in Global Perspective. Piscataway: Gorgias Press. (Forthcoming)

Mirelman, Sam (2011) '‘Sistrum’ (Nachtrag).' In: Reallexikon der Assyriologie und vorderasiatische Archäologie. UNSPECIFIED. (Submitted)

Mirelman, Sam (2011) 'Tierkapelle.' In: Reallexikon der Assyriologie und vorderasiatische Archäologie. UNSPECIFIED. (Submitted)

Mirelman, Sam and Gabbay, Uri (2011) 'Two Summary Tablets of Balag Compositions with Performative Indications from Late-Babylonian Ur.' Zeitschrift für Assyriologie und vorderasiatische Archäologie . (Forthcoming)

Mirelman, Sam (2011) 'The ala-Instrument: its Identification and Role.' In: Maurey, Y. and Seroussi, E. and Westenholz, J.G., (eds.), Ancient Music in the Near East and the Mediterranean Worlds. Jerusalem: Magnes Press. (Forthcoming)

Mirelman, Sam (2010) 'The Definition of “Music” in Music Archaeology: the Contribution of Historical Ethnomusicology.' In: Eichmann, R. and Koch, L., (eds.), Studien zur Musikarchäologie VII. Rahden/Westfalen: Marie Leidorf Verlag.

Mirelman, Sam (2010) 'Drum Construction in the lilissu Ritual.' Nouvelles Assyriologiques Brèves et Utilitaires, 2010 (2). pp. 50-51.

Mirelman, Sam (2010) 'A New Fragment of Music Theory from Ancient Iraq.' Archiv für Musikwissenschaft, 67 (1). pp. 45-51.

Mirelman, Sam and Sallaberger, Walther (2010) 'The Performance of a Sumerian Wedding Song, CT 58, 12.' Zeitschrift für Assyriologie und vorderasiatische Archäologie, 100 (2).

Mirelman, Sam (2010) 'Performative Indications in Late Babylonian Texts.' In: Pruzsinszky, R. and Shehata, D., (eds.), Musicians and the Tradition of Literature in the Ancient Near East. Vienna: Wiener Offene Orientalistik, pp. 241-264.

Mirelman, Sam (2010) 'The gala Musician Dada and the si-im Instrument.' Nouvelles Assyriologiques Brèves et Utilitaires (33). pp. 40-41.

Mirelman, Sam (2009) 'New Developments in the Social History of Music and Musicians in Ancient Iraq, Syria and Turkey.' Yearbook for Traditional Music, 41 . pp. 12-22.

Mirelman, Sam and Krispijn, Theo (2009) 'The Old Babylonian Tuning Text UET VI/3 899.' Iraq, 71 . pp. 43-52.

Mirelman, Sam (2008) 'Contrafactum in the Ancient Near East.' In: Both, A.A. and Eichmann, R. and Hickmann, E. and Koch, L., (eds.), Studien zur Musikarchäologie VI. Rahden/Westfalen: Marie Leidorf Verlag, pp. 99-110.

Mirelman, Sam (2008) 'Review of E. Hickmann and R. Eichmann (eds.), 'Studien zur Musikarchäologie IV'.' Archiv für Orientforschung, 52 .

Mirelman, Sam (2008) 'Review of M. Schuol, 'Hethitische Kultmusik'.' Archiv für Orientforschung, 52 .

Mirelman, Sam (2008) '‘Tuḫru-Achilles’ tendon?' Nouvelles Assyriologiques Brèves et Utilitaires, 2008 (4). pp. 89-90.

Mirelman, Sam (1998) 'Rush Hour (composition, for ensemble).' Paris: Éditions Una Corda.

Mirelman, Sam (1998) 'Sans Hauteur (composition, for solo piano).' Paris: Éditions Una Corda.

This list was generated on Mon Apr 21 00:43:18 2014 BST.