SOAS Research Online

Authored Books

McLaren, Anne, English, Alex, He, Xinyuan and Ingram, Catherine (2013) Culture, Heritage, Eco-sites and the State in Contemporary China. Champaign, IL: Common Ground Publishing.

Edited Book or Journal Volume

Howard, Keith and Ingram, Catherine, eds. (2020) Presence Through Sound: Place and Contemporary Music in East Asia. Abingdon: Routledge. (SOAS Studies in Music)

Howard, Keith, ed. (2016) Music as Intangible Cultural Heritage: Policy, Ideology and Practice in the Preservation of East Asian Traditions. Abingdon: Routledge. (SOAS Musicology Series)

Russell, Ian and Ingram, Catherine, eds. (2013) Taking Part in Music: Case Studies in Ethnomusicology. Aberdeen: Aberdeen University Press, in association with the European Seminar in Ethnomusicology.

Book Chapters

Howard, Keith (2020) 'The Constructed Soundscapes of Place in Korea, South and North.' In: Howard, Keith and Ingram, Catherine, (eds.), Presence Through Sound : Music and Place in East Asia. Abingdon and New York: Routledge, pp. 102-117. (SOAS Studies in Music)

Ingram, Catherine and Wu, Zhicheng (2014) 'Beeba (Kam Pipa).' In: Libin, Laurence, (ed.), The Grove Dictionary of Musical Instruments. 2nd ed. Oxford: Oxford University Press.

Ingram, Catherine (2014) 'Muye (Tree Leaf).' In: Libin, Laurence, (ed.), The Grove Dictionary of Musical Instruments. 2nd ed. Oxford: Oxford University Press.

Ingram, Catherine (2013) 'Introduction.' In: Russell, Ian and Ingram, Catherine, (eds.), Taking Part in Music: Case Studies in Ethnomusicology. Aberdeen: Aberdeen University Press, in association with the European Seminar in Ethnomusicology, pp. 1-16.

Ingram, Catherine (2013) 'Understanding Musical Participation: “Listening” Participants and Big Song Singers in Kam Villages, Southwestern China.' In: Russell, Ian and Ingram, Catherine, (eds.), Taking Part in Music: Case Studies in Ethnomusicology. Aberdeen: Aberdeen University Press, in association with the European Seminar in Ethnomusicology, pp. 53-68.

Ingram, Catherine (2012) 'Ee, mang gay dor ga ey (Hey, why don’t you sing)? Imagining the Future for Kam Big Song.' In: Howard, Keith, (ed.), Music as Intangible Cultural Heritage: Policy, Ideology and Practice in the Preservation of East Asian Traditions. Farnham, Surrey: Ashgate, pp. 55-75. (SOAS Musicology Series)

Ingram, Catherine (2012) 'Researching Kam Minority Music in China.' In: Ng, Nicholas, (ed.), Encounters : musical meetings between China and Australia. Toowong, QLD: Australian Academic Press, pp. 63-80.

Ingram, Catherine, Wu, Meifang, Wu, Pinxian, Wu, Xuegui and Wu, Zhicheng (2011) 'Discussing 'fair use'of archived recordings of minority music from the mountains of southwestern China.' In: Thieberger, Nicholas, Barwick, Linda, Billington, Rosey and Vaughan, Jill, (eds.), Sustainable data from digital research: Humanities perspectives on digital scholarship. Proceedings of the conference held at the University of Melbourne, 12-14th December 2011. Melbourne: Custom Book Centre, pp. 90-118.

Falk, Catherine and Ingram, Catherine (2011) 'From Intangible Cultural Heritage to Collectable Artefact: The Theory and Practice of Enacting Ethical Responsibilities in Ethnomusicological Research.' In: Cribb, R., (ed.), Transmission of academic values in Asian Studies: workshop proceedings. Canberra: Australia-Netherlands Research Collaboration.

Ingram, Catherine, Wu, Jialing, Wu, Meifang, Wu, Meixand and Wu, Pinxian (2011) 'Taking the Stage: Rural Kam Women and Contemporary Kam ‘Cultural Development’.' In: Jacka, Tamara and Sargeson, Sally, (eds.), Women, gender and rural development in China. Cheltenham: Edward Elgar, pp. 71-93.

Ingram, Catherine, Wu, Jialing, Wu, Meifang, Wu, Meixiang, Wu, Pinxian and Wu, Xuegui (2011) 'Taking the Stage: Rural Kam Women and Contemporary Kam “Cultural Development”.' In: Jacka, Tamara and Sargeson, Sally, (eds.), Women, Gender and Rural Development in China. Cheltenham: Edward Elgar, pp. 71-93.

Ingram, Catherine (2010) 'A Localized Perspective on China’s Intangible Cultural Heritage: The Case of Kam Big Song.' In: Morrell, E. and Barr, M.D., (eds.), Crises and Opportunities: Past, Present and Future. Canberra: Asian Studies Association of Australia (ASAA) Inc and the University of Adelaide. (Proceedings of the 18th Biennial Conference of the ASAA, 5 - 8 July 2010, held at the University of Adelaide, Australia)

Ingram, Catherine (1997) 'Riley Lee (master of the Japanese shakuhachi).' In: Bebbington, Warren, (ed.), Oxford Companion to Australian Music. Melbourne: Oxford University Press, p. 336.

Journal Article

Ingram, Catherine (2013) 'Preliminary Research into the Influence of the Process of Musical Transmission on the Relationship Between Speech Tone and Melody in Kam Singing Traditions from Southwestern China.' Jahrbuch des Phonogrammarchivs.

Ingram, Catherine (2012) 'The Multiple Meanings of Tradition: Kam Singing in Southwestern China.' Newsletter of the International Institute for Asian Studies (IIAS), 60 (4-5).

Ingram, Catherine (2012) 'Tradition and Divergence in Southwestern China: Kam Big Song Singing in the Village and on Stage.' The Asia Pacific Journal of Anthropology, 13 (5). pp. 434-453.

Ingram, Catherine (2011) 'Echoing the environment in Kam big song.' Asian Studies Review, 35 (4). pp. 439-455.

Ingram, Catherine (2010) 'China’s Kam Minority: A Short Bibliographic Outline of Kam-Related Research Materials in the University of Melbourne Library.' East Asian Library Resources Group of Australia Newsletter, 56.

Ingram, Catherine (2007) ''If You Don't Sing, Friends Will Say You Are Proud': How and Why Kam People Learn to Sing Kam Big Song.' Context: Journal of Music Research, 32. pp. 85-104.

Ingram, Catherine (1994) 'Watching for Hawks (original composition for solo flute).' Context: Journal of Music Research, 7. pp. 28-33.

Conference or Workshop Items

Ingram, Catherine (2009) Dor ga dao (Singing our own songs): How Kam Villagers Negotiate Creative and Collaborative Possibilities in the Performance of Kam Songs. In: Collaborations: Creative Partnerships in Music, June 2009, Monash University Conference Centre, Melbourne..

Book Reviews

Ingram, Catherine (2013) 'Review of Shzr Ee Tan, ‘Beyond “Innocence”: Amis Aboriginal Song in Taiwan as an Ecosystem’ (Farnham: Ashgate, 2012).' Asian Ethnology, 72 (2). pp. 368-370.

Translations

Ingram, Catherine, trans. (2011) 爱唱侗歌的凯瑟林 Ai chang Dongge de Kaiselin [Catherine, who loves to sing Kam song]. Bai Chuan (dir.). Guiyang: Guizhou Province TV.

Ingram, Catherine, trans. (2006) Ga Lao My Love [Big Song, My Love]. Bai Chuan (dir.). Guiyang: Guizhou Province TV.

Ingram, Catherine and Yu, Mingxing, trans. (2006) Xiangyin Xiangyun 湘音湘韵: The Music of Hunan (CD with notes). Changsha: Hunan Electronic and Audio-Visual Publishing House.

Other

Ingram, Catherine (2014) 'Utilising Participation in Musical Ethnographic Fieldwork in Rural China.' Field Research Method Lab, London School of Economics and Political Science .

Ingram, Catherine (2012) 'Kam “Big Song” Down Under.' New Mandala .

Ingram, Catherine (2009) 'China’s 60th Anniversary From the Margins.' New Mandala .

Ingram, Catherine (2004) 'The Fitzroy Youth Music Program. Storybook Project.' Melbourne: Department of Human Services, Government of Victoria.

Ingram, Catherine (1996) 'From Little Things Big Things Grow: The Fitzroy Youth Music Program.' Shout! (Community Music Victoria Newsletter) .