SOAS Research Online

Gerstle, Andrew (2019) ''Sekaiteki bunka isan to shite no yakusha hyōbanki'.' In: Kabuki hyōbank shūsei, no. 2, series 3. Osaka, Japan: Izumi Shoin. pp. 3-4.

Hayakawa, Monta and Gerstle, Andrew (2018) Onna dairaku takara-beki (Great pleasures for women and their treasure boxes), (Tsukioka Settei 3 "Onna dairaku takara-beki' : Kinsei enpon shiryō shūsei VI (Collected Erotic Texts of the Early Modern Period VI). Kyoto, Japan: International Research Center for Japanese Studies. (Kinsei enpon shiryō shūsei VI (Collected Erotic Texts of the Early Modern Period VI)

Gerstle, Andrew and Cummings, Alan (2017) 'Japanese Studies at SOAS, University of London.' In: Guo, Nanyan, (ed.), 世界の日本研究2017: 国際的視野からの日本研究. Kyoto: International Research Center for Japanese Studies, pp. 128-147.

Gerstle, Andrew (2016) '「春画における男色の描写」‘The Representation of male-male Sex in Shunga’.' In: National Institute of Japanese Literature, Tokyo, (ed.), 『もう一つの日本文学史』(An Alternative History of Japanese Literature). Tokyo: Bensei Shuppan, pp. 149-170.

Gerstle, Andrew and Cummings, Alan (2016) 'SOAS, University of London.' In: Cortazzi, Hugh and Kornicki, Peter, (eds.), Japanese Studies in Britain: A Survey and History. Folkestone: Rennaisance Books, pp. 187-211.

Gerstle, Andrew (2015) '‘Representing Theatre: Text and Image in Kabuki and Bunraku’.' In: Shirane, Haruo, Suzuki, Tomi and Lurie, David, (eds.), Cambridge History of Japanese Literature. Cambridge, UK: Cambridge University Press, pp. 424-436.

Gerstle, Andrew (2015) 'Digital Humanities: What Collaborative Projects Can Achieve.' Art Research, 15 (March). pp. 3-11.

Gerstle, Andrew (2015) '‘Parodhi shunga no igi’Significance of Parody Shunga.' In: Proceedings of the 38th International Conference on Japanese Literature. Tokyo: National Institute of Japanese Literature, pp. 239-259.

Gerstle, Andrew, trans. (2015) 「パロディ春本で女性解放運動」『芸術新潮』[Translation of article title: 'Erotic Parodies and Women's Liberation']. Geijutsu Shinchô (March). pp. 64-73.

Gerstle, Andrew (2013) 'Analyzing the Outrageous: Takehara Shunchôsai's Shunga Book. Makura dôji nukisashi manben tamaguki. (Pillow Book for the Young, 1776).' Japan review : bulletin of the International Research Center for Japanese Studies = Nichibunken (26). pp. 169-193.

Gerstle, Andrew and Clark, Timothy, eds. (2013) Shunga: Sex and Humor in Japanese Art and Literature. Kyoto, Japan: International Research Center for Japanese Studies. (Special Issue of Japan Review, No. 26)

Gerstle, Andrew, Clark, Timothy, Ishigami, Aki and Yano, Akiko, eds. (2013) Shunga: Sex and Pleasure in Japanese Art. London: British Museum Press.

Gerstle, Andrew (2012) 'Kabuki and the Cult of the Actor.' In: Folan, Lucie, (ed.), Stars of the Tokyo Stage: Natori Shunsen’s kabuki actor prints. Canberra: National Gallery of Australia, pp. 15-19.

Gerstle, Andrew (2011) Edo onna no shungabon: tsuya to warai no fûfu shinan (『江戸をんなの春画本ー艶と笑の夫婦指南』Shunga books for Edo-period women; charm and humour for couples). Tokyo: Heibonsha. (Heibonsha shinsho, 575)

Gerstle, Andrew (2011) 'Creating Celebrity: Poetry in Osaka Actor Surimono and Prints.' In: Kimbrough, Keller and Shimazaki, Satoko, (eds.), Publishing the Stage: Print and Performance in Early Modern Japan. Boulder: Center for Asian Studies, University of Colorado Boulder. (Boulder books on Asian studies, no. 1)

Gerstle, Andrew and 早川聞多 (2010) 日文研所蔵近世艶本資料集成. 5 月岡雪鼎 2, 艶道日夜女宝記 (Nichibunken shozō kinsei enpon shiryō shūsei. 5 tsukioka settei 2, Bidō nichiya johōki). Kyoto: International Research Center for Japanese Studies. (Nichibunken Sōsho, 44)

Gerstle, Andrew (2010) 'The impact of the Kyôhô Reforms on taboo and censorship of shunga.' In: Murakami-Giroux, Sakae, (ed.), Censure, autocensure et tabous : actes du quatrième Colloque d'études japonaises de l'Université de Strasbourg. Arles: Editions Philipe Picquier, pp. 81-99.

Gerstle, Andrew, trans. (2009) Great Pleasure for Women and Their Treasure Boxes and Love Letters and a River of Erect Precepts for Women by Tsukioka Settei. Hollywood, CA: Highmoonoon.

Gerstle, Andrew and Yano, Akiko, eds. (2009) 流光斎図録:上方役者似顔絵の黎明(Ryûkôsai zuroku:Kamigata yakusha nigao-e no reimei) = Ryûkôsai Catalogue: The Dawn of Osaka Actor Likeness Prints. Nishinomiya: Mukogawa Women’s University.

Gerstle, Andrew (2007) Kinsei enpon shiryo shusei IV: Tsukioka Settei 1: 'Onna shimegawa oeshi-bumi. [Collected Erotic Texts of the Early Modern Period IV: Tsukioka Settei 1: ‘Love Letters and a River of Erect Precepts for Women’]. Kyoto: Kokusai Nihon Bunka Kenkyu Centre.

Gerstle, Andrew (2005) 'The Culture of Play: Kabuki and the Production of Texts.' Oral Tradition, 20 (2). pp. 188-216.

Gerstle, Andrew, Yano, Akiko and Clark, Timothy (2005) Kabuki Heroes on the Osaka Stage 1780-1830. Honolulu: British Museum Press and University of Hawai'i Press.

Gerstle, Andrew (2005) 'Kabuki Heroes on the Osaka Stage: 1780-1830.' Arts of Asia, 3. pp. 87-99.

Gerstle, Andrew (2005) 'Kamigata yakusha to haikai, kyôkaren: shodai Arashi Rikan to sono hiiki tachi.' Ukiyo-e geijutsu, 150. pp. 6-23.

Gerstle, Andrew (2005) '‘Nichi-ei kôryû: “Ôsaka kabuki-ten – yakusha to toshi bunka”.' Waseda daigaku engeki hakubutsukan, 93. pp. 18-23.

Gerstle, Andrew (2005) 'Zuhan kaisetsu.' Ukiyo-e geijutsu, 150. 64-5, 69.

Gerstle, Andrew (2002) 'Chushingura: Kanpei's Suicide.' In: Shirane, Haruo, (ed.), Early Modern Japanese Literature: An Anthology 1600-1868. New York: Columbia University Press, pp. 301-313.

Gerstle, Andrew (2002) 'Gappo at the Crossroads.' In: Shirane, Haruo, (ed.), Early Modern Japanese Literature: An Anthology 1600-1868. New York: Columbia University Press, pp. 435-448.

Gerstle, Andrew (2002) 'The Heike and the Island of Women.' In: Shirane, Haruo, (ed.), Early Modern Japanese Literature: An Anthology 1600-1868. New York: Columbia University Press, pp. 392-410.

Gerstle, Andrew (2002) 'Joruri o yomu: ima to mukashi.' In: Torigoe, B, (ed.), Jorurishu (Shinpen Nihon Bungaku Zenshu series, no. 77). Tōkyō: Shogakukan, pp. 3-5.

Gerstle, Andrew (2002) 'Osaka Kabuki Actor Prints: Artists as Patrons.' In: Yonemura, A, (ed.), Masterful Illusions: Japanese Prints from the Anne van Biema Collection. Seattle: Arthur Sackler Gallery, Smithsonian, pp. 15-23.

Gerstle, Andrew (2002) 'Representing Rivalry and Transition in Kabuki: Arashi Kichisaburo II versus Nakamura Utaemon III.' Andon: bulletin of the Society for Japanese Arts and Crafts, 72/73. pp. 52-64.

Gerstle, Andrew (2001) 'Capturing the Essence of Performance.' Asian Art. (Special Supplement, The Art of Kabuki). vi-vii.

Gerstle, Andrew (2001) Chikamatsu: Five Late Plays. New York: Columbia University Press.

Gerstle, Andrew (2001) 'Japanese Traditional Theatre in the World.' Pacific Friend, 29. pp. 26-27.

Gerstle, Andrew (2000) 'Performance Literature: Japanese Theatre as a Model.' Comparative Criticism, 22. pp. 39-62.

Gerstle, Andrew (2000) 'Takemoto Gidayû to Osaka engeki no kojinshugi.' In: Osamu, Wakita and McClain, James L., (eds.), Kinsei no Ôsaka = 近世の大坂 : 国際交流フォーラム. Osaka: Osaka Daigaku Shuppankai, pp. 149-183.

Gerstle, Andrew (1999) 'Takemoto Gidayu and the Individualistic Spirit of Osaka Theatre.' In: McClain, James L. and Wakita, O, (eds.), Osaka: the Merchant's Capital of Early Modern Japan. Ithaca, N.Y.: Cornell University Press, pp. 104-124.

Gerstle, Andrew (1998) 'Gidayu Botsugo no Chikamatsu: Kokusenya kassen, Kanhasshu tsunagi-uma.' In: Torigoe, B, (ed.), Kabuki Bunraku Vol. 8 Chikamatsu no jidai. Tōkyō: Iwanami Shoten, pp. 165-186.

Gerstle, Andrew (1997) 'Heroic Honor: Chikamatsu and the Samurai Ideal.' Harvard Journal of Asiatic Studies, 57 (2). pp. 307-381.

Gerstle, Andrew (1996) 'Hero as Murderer in Chikamatsu.' Monumenta nipponica, 51 (3). pp. 317-356.

Gerstle, Andrew (1987) 'Flowers of Edo: Eighteenth-century kabuki and its patrons.' Asian Theatre Journal, 4 (1). pp. 52-75.

Gerstle, Andrew (1986) Circles of Fantasy: Convention in the Plays of Chikamatsu. Cambridge, Mass. USA: Harvard University Press. (Harvard East Asian Monographs)