SOAS Research Online

Duran, Lucy (2012) Growing into Music: Childhood music learning in India, Azerbaijan, Mali, Cuba, Venezuela. . Available from http://www.growingintomusic.co.uk.

Ekinci, Mehmet Uğur (2012) 'The Kevserî Mecmûası Unveiled: Exploring an Eighteenth-Century Collection of Ottoman Music.' Journal of the Royal Asiatic Society, Series 3, 22 (2). pp. 199-225.

Gray, Nick (2012) The Birth of Kala - a Balinese tale. [Performances]

Gray, Nick (2012) The Birth of Kala. [Compositions]

Harris, Rachel (2012) Borderlands: Wu Man and Master Musicians from the Silk Route. Smithsonian Folkways.

Harris, Rachel (2012) The Geographies of Ritual Practice in Rural Uyghur Society. In: Musical Geographies of Central Asia, 16-18 May 2012, SOAS, University of London.

Harris, Rachel (2012) 'Tracks: temporal shifts and transnational networks of sentiment in Uyghur song.' Ethnomusicology, 56 (3). pp. 450-475.

Harris, Rachel (2012) 'The Uyghur Muqam.' In: Levin, Theodore and Kuchumkulova, Elmira, (eds.), Music of Central Asia: an Introduction. Naryn: Aga Khan Trust for Culture and University of Central Asia, pp. 251-260.

Howard, Keith (2012) 'Authenticity and Authority: Conflicting Agendas in the Preservation of Music and Dance at Korea's State Sacrificial Rituals.' In: Howard, Keith, (ed.), Music as Intangible Cultural Heritage: Policy, Ideology and Practice in the Preservation of East Asian Traditions. Farnham, Surrey: Ashgate, pp. 113-140. (SOAS Musicology Series)

Howard, Keith (2012) 'Canonic Repertoires in Korean Traditional Music.' In: Um, Haekyung and Lee, Hyunjoo, (eds.), Rediscovering Traditional Korean Performing Arts. Seoul: Korean Arts Management Service, pp. 88-97. (The Apro)

Howard, Keith (2012) 'Developing SOAS Radio.' In: Itoda, Soichiro, Karlsson, Hans and Aihara, Ken, (eds.), The Tokyo-Edo Radio Challenge: The Role of University Radio in Internationalisation and Social Contribution. Tokyo: Meiji University, pp. 53-59.

Howard, Keith (2012) 'East Asian Music as Intangible Cultural Heritage.' In: Howard, Keith, (ed.), Music as Intangible Cultural Heritage: Policy, Ideology and Practice in the Preservation of East Asian Traditions. Farnham, Surrey: Ashgate, pp. 1-22. (SOAS Musicology Series)

Howard, Keith (2012) 'Jindo: Creating a cultural paradise.' Chindo hakhoe ch'angnim 10-chunyôn kinyôm. pp. 13-28.

Howard, Keith (2012) 'A Kwangdae in Training, 1981–1984: Fieldwork, and learning Korean music in Seoul and Chindo.' Papers of the British Association of Korean Studies, 14. pp. 77-113.

Howard, Keith (2012) 'Review of Dulsori, Korean Drums – Binari: Well Wishing Music.' Songlines (84).

Howard, Keith (2012) 'Review of Gagok (female), Pungnyu (Akdang Eban ADSACD610).' Songlines (83).

Howard, Keith (2012) 'Review of Jongmyo Jeryeak/Ritual Music for the Royal Ancestors.' Songlines (81).

Howard, Keith (2012) 'Review of Vanessa Agnew, Enlightenment Orpheus: The Power of Music in Other Worlds.' Ethnomusicology Forum, 21 (1). pp. 114-116.

Howard, Keith (2012) 'Review, Chôphwagunsaeng.' In: Chôphwagunsaeng. Seoul. pp. 2-5.

Howard, Keith (2012) 'SamulNori: Korean drums (and gongs) of affection.' The World of Music, 1 (1). pp. 15-35.

Howard, Keith and Gorfinkel, Lauren, eds. (2012) Preserving Tradition, Facing the Future: Conservation and Innovation in Chinese Music. Seoul: Chungang University. (Asian Musicology, Vol.19)

Ingram, Catherine (2012) 'Ee, mang gay dor ga ey (Hey, why don’t you sing)? Imagining the Future for Kam Big Song.' In: Howard, Keith, (ed.), Music as Intangible Cultural Heritage: Policy, Ideology and Practice in the Preservation of East Asian Traditions. Farnham, Surrey: Ashgate, pp. 55-75. (SOAS Musicology Series)

Ingram, Catherine (2012) 'Kam “Big Song” Down Under.' New Mandala .

Ingram, Catherine (2012) 'The Multiple Meanings of Tradition: Kam Singing in Southwestern China.' Newsletter of the International Institute for Asian Studies (IIAS), 60 (4-5).

Ingram, Catherine (2012) 'Researching Kam Minority Music in China.' In: Ng, Nicholas, (ed.), Encounters : musical meetings between China and Australia. Toowong, QLD: Australian Academic Press, pp. 63-80.

Ingram, Catherine (2012) 'Tradition and Divergence in Southwestern China: Kam Big Song Singing in the Village and on Stage.' The Asia Pacific Journal of Anthropology, 13 (5). pp. 434-453.

Tallotte, William (2012) 'Captiver/séduire. Note sur la gestuelle des joueurs de hautbois nâgasvaram.' Transposition. Musique et sciences sociales, 2.

Tallotte, William (2012) 'L’œil du hautbois. Son, espace et images divines dans le culte śivaïte, Inde du Sud.' Gradhiva, 15. pp. 202-223.

Tallotte, William (2012) 'Music and Performance. Toda Music.' In: Hockings, Paul, (ed.), Encyclopædia of the Nilgiri Hills. New Delhi: Manohar, pp. 618-624.

Tallotte, William (2012) 'Review of Prithwindra Mukherjee, 'Thât/Mélakartâ. Les échelles fondamentales de la musique indienne du Nord et du Sud'. Paris: Éditions Publibook Université, 2010.' Cahiers d’ethnomusicologie, 25 . pp. 277-280.

Tallotte, William (2012) South India. Music of the Nilgiri Hills: Kota, Toda, Irula, Kurumba. Ocora Radio France C 560250/51. [Audio]

Widdess, Richard (2012) 'Music, meaning and culture.' Empirical Musicology Review, 7 (1–2).