SOAS Research Online

Authored Books

Gray, Nick (2011) Improvisation and composition in Balinese gendér wayang: music of the moving shadows. Farnham, Surrey: Ashgate. (SOAS Musicology Series)

Howard, Keith and Kasmambetov, Saparbek (2011) Singing the Kyrgyz Manas: Saparbek Kasmambetov's Recitations of Epic Poetry. Folkestone, Kent: Brill/Global Oriental.

Book Chapters

Demetriou, Nicoletta (2011) 'Kyriakou Pelagia: the housewife/grandmother-star of Cyprus.' In: Hellier, Ruth, (ed.), Women singers in global contexts: music, biography, identity. Champaign: University of Illinois Press.

Falk, Catherine and Ingram, Catherine (2011) 'From Intangible Cultural Heritage to Collectable Artefact: The Theory and Practice of Enacting Ethical Responsibilities in Ethnomusicological Research.' In: Cribb, R., (ed.), Transmission of academic values in Asian Studies: workshop proceedings. Canberra: Australia-Netherlands Research Collaboration.

Howard, Keith (2011) 'Redefining Koreanness: North Korea, musicology, ideology, and ‘improved’ Korean instruments.' In: Frank, Rüdiger, (ed.), Exploring North Korean Arts. Vienna: University of Wien/MAK, pp. 181-191.

Impey, Angela (2011) 'Songs of the In-Between: Remembering in the Land that memory Forgot.' In: Ian, Peddie, (ed.), Popular Music and Human Rights. London: Ashgate, pp. 39-52. (Ashgate Popular and Folk Music Series)

Ingram, Catherine, Wu, Jialing, Wu, Meifang, Wu, Meixand and Wu, Pinxian (2011) 'Taking the Stage: Rural Kam Women and Contemporary Kam ‘Cultural Development’.' In: Jacka, Tamara and Sargeson, Sally, (eds.), Women, gender and rural development in China. Cheltenham: Edward Elgar, pp. 71-93.

Ingram, Catherine, Wu, Jialing, Wu, Meifang, Wu, Meixiang, Wu, Pinxian and Wu, Xuegui (2011) 'Taking the Stage: Rural Kam Women and Contemporary Kam “Cultural Development”.' In: Jacka, Tamara and Sargeson, Sally, (eds.), Women, Gender and Rural Development in China. Cheltenham: Edward Elgar, pp. 71-93.

Ingram, Catherine, Wu, Meifang, Wu, Pinxian, Wu, Xuegui and Wu, Zhicheng (2011) 'Discussing 'fair use'of archived recordings of minority music from the mountains of southwestern China.' In: Thieberger, Nicholas, Barwick, Linda, Billington, Rosey and Vaughan, Jill, (eds.), Sustainable data from digital research: Humanities perspectives on digital scholarship. Proceedings of the conference held at the University of Melbourne, 12-14th December 2011. Melbourne: Custom Book Centre, pp. 90-118.

Widdess, Richard (2011) 'Dynamics of melodic discourse in Indian music: Budhaditya Mukherjee’s ālāp in rāg Pūriyā-Kalyān.' In: Tenzer, Michael and Roeder, John, (eds.), Analytical and cross-cultural studies in world music. New York: Oxford University Press, pp. 187-224.

Journal Article

Demetriou, Nicoletta (2011) 'Cypriot traditional music in the twentieth century [in Greek].' Chronikó (147). pp. 1-22.

Duran, Lucy (2011) 'Music Production as a Tool of Research, and Impact.' Ethnomusicology Forum, 20 (2). pp. 245-253.

Ha, Guangtian (2011) 'Sociality of Losing? Speculations on the Beijing Olympics and Emergent Forms of Chinese Capitalism.' The International Journal of the History of Sport, 28 (16). pp. 2398-2408.

Harris, Rachel (2011) 'Invitation to a mourning ceremony: perspectives on the Uyghur internet.' Inner Asia, 13 (1). pp. 27-49.

Ingram, Catherine (2011) 'Echoing the environment in Kam big song.' Asian Studies Review, 35 (4). pp. 439-455.

Widdess, Richard (2011) 'Dāphā: dancing gods, virtual pilgrimage and sacred singing in Bhaktapur, Nepal.' Musike, 5/6. pp. 55-79.

Widdess, Richard (2011) 'Implicit Rāga Knowledge in the Kathmandu Valley.' Analytical Approaches to World Music, 1 (1).

Wright, Owen (2011) 'How French is frenkçin?' Journal of the Royal Asiatic Society, Series 3, 21 (3). pp. 261-281.

Monographs and Working Papers

Howard, Keith, Walker, Kim and Pallo, Imre (2011) 20 Years After the Dawkins Review: Tertiary Music Education in Australia. Sydney, Australia: Global Access Partners.

Book Reviews

Demetriou, Nicoletta (2011) 'Review of Paradosiaká: Music, meaning and identity in modern Greece, by Eleni Kallimopoulou.' Ethnomusicology Forum, 20 (1). pp. 112-114.

Howard, Keith (2011) 'Review of Eric C Lai, The Music of Chou Wen-chung.' Ethnomusicology Forum, 20 (1). pp. 110-111.

Howard, Keith (2011) 'Review of Suk-Young Kim, Illusive Utopia: Theater, Film and Everyday Performance in North Korea.' Bulletin of the School of Oriental and African Studies, 74 (3). pp. 528-530.

Howard, Keith (2011) 'Review of Sun Jung, Korean Masculinities and Transcultural Consumption: Yonsama, Rain, Oldboy, K-Pop Idols.' Bulletin of the School of Oriental and African Studies, 74 (3). pp. 528-530.

Tallotte, William (2011) 'Review of Richard K. Wolf (ed.), 'Theorizing the local: Music, Practice, and Experience in South Asia and Beyond'. New York: Oxford University Press, 2009.' Cahiers d’ethnomusicologie, 24 . pp. 267-271.

Translations

Ingram, Catherine, trans. (2011) 爱唱侗歌的凯瑟林 Ai chang Dongge de Kaiselin [Catherine, who loves to sing Kam song]. Bai Chuan (dir.). Guiyang: Guizhou Province TV.

Other

Howard, Keith (2011) ''The Legend of Princess Bari' and 'A Korean Collage'.' Edinburgh International Festival.

Howard, Keith (2011) 'Review of Sanzo (Akdang Eban ADSACD 004, 005, 281).' Songlines (78).

Howard, Keith (2011) ''Tradition and Myth' and 'Korean Instruments'.' Edinburgh International Festival.