SOAS Research Online

A Free Database of the Latest Research by SOAS Academics and PhD Students

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Number of items: 28.

Harris, Rachel and Wood, Abigail, eds. (2018) Sharing Space? Sharing Culture? Applied Experiments in Music-Making Across Borders. Berlin: Verlag für Wissenschaft und Bildung. (The World of Music (new series), Volume 7, Issue 1+2)

Alexander, Phil (2018) 'Our city of love and of slaughter: Berlin klezmer and the politics of place.' Ethnomusicology Forum, 27 (1). pp. 25-47.

Alexander, Phil (2018) 'Sounding the Holocaust, silencing the city: memorial soundscapes in today's Berlin.' Cultural Studies, 33 (5). pp. 778-801.

Bruce, Katie and Impey, Angela (2018) 'Framing Musicians without Borders Peacebuilding Agenda. A Case Study analysis of Soy Música and Palestine Community Music.' SOAS: Self-published.

Cottrell, Stephen and Impey, Angela (2018) 'Community Music and Ethnomusicology.' In: Bartleet, Brydie-Leigh and Higgins, Lee, (eds.), The Oxford Handbook of Community Music. Oxford: Oxford University Press, pp. 525-541. (Oxford Handbooks)

Durán, Lucy and Amico, Marta (2018) 'Grandir en musique chez les jelis du Mande (Mali) : Un entretien avec Lucy Durán.' Cahiers d'Ethnomusicologie, 31. pp. 271-288.

Durán, Lucy and Penn, Helen (2018) 'Growing into Music.' In: Kjørholt, Anne-Trine and Penn, Helen, (eds.), Early Childhood and Development Work. Cham, Switzerland: Palgrave Macmillan, pp. 193-207. (Palgrave Studies on Children and Development)

Grant, Sam (2018) 'Review of: Rosemary Lucy Hill, Gender, Metal and the Media: Women Fans and the Gendered Experience of Music. Palgrave Macmillan, 2016.' Volume!. La revue des musiques populaires, 14 (2). pp. 263-266.

Grant, Sam (2018) 'Review of: Rosemary Overell, Affective Intensities in Extreme Music Scenes: Cases from Australia and Japan.' Volume!. La revue des musiques populaires, 14 (2). pp. 275-278.

Gray, Nick (2018) Segara Madu: Balinese gender wayang. UNSPECIFIED. [Audio]

Harris, Rachel (2018) 'Applied experiments in collaboration along the Silk Road.' World of Music, 7 (1+2). pp. 37-59.

Harris, Rachel (2018) 'Dissonant Voices in China’s Harmonious Society: From Cassettes to WeChat, Nation to Anashid.' In: Manabe, Noriko and Drott, Eric, (eds.), The Oxford Handbook of Protest Music. Oxford: Oxford University Press. (Forthcoming)

Howard, Keith (2018) 'Afterword.' In: Norton, Barley and Matsumoto, Naomi, (eds.), Music as Heritage: Historical and Ethnographic Perspectives. Abingdon and New York: Routledge, pp. 278-284. (SOAS Musicology Series)

Howard, Keith (2018) 'Korean Music : Definitions and Practices.' In: Strohm, Reinhard, (ed.), Studies on a Global History of Music. Abingdon and New York: Routledge, pp. 198-219. (SOAS Musicology Series)

Howard, Keith (2018) 'The Life and Death of Music as East Asian Intangible Cultural Heritage.' In: Hebert, David, (ed.), International Perspectives on Translation, Education, and Innovation in Japanese and Korean Studies. Heidelberg: Springer, pp. 35-55.

Howard, Keith (2018) 'Review of Hyunjoon Shin and Seung-Ah Lee, eds, Made in Korea: Studies in Popular Music.' Bulletin of the School of Oriental and African Studies, 81 (1). pp. 183-185.

Howard, Keith (2018) 'Review of Incoronata Inserra, Global Tarantella: Reinventing Southern Italian Folk Music and Dances.' Journal of Folklore Research .

Howard, Keith (2018) 'Review of Robin P. Harris, Storytelling in Siberia: the olonkho epic in a changing world.' Ethnomusicology Forum, 27 (2). pp. 241-243.

Howard, Keith (2018) 'Review of Ross P. King, Seoul: Memory, reinvention, and the Korean wave.' Korean Studies, 43 . pp. 199-201.

Howard, Keith (2018) 'Review of Tim Hodgkinson, Music and the myth of wholeness: toward a new aesthetic paradigm.' Journal of the Royal Anthropological Institute, 24 (2). pp. 412-413.

Howard, Keith (2018) 'What is it about the Koreans?' In: Hong, Sah-myung, (ed.), Who are Koreans? Seoul: Ta'ung, pp. 7-10.

Howard, Keith and Lekakul, Great (2018) 'K-Pop as a Means to an End among Thai Youth: Korean Wave as Costume, Food, and Image.' Culture and Empathy, 1 (1-4). pp. 18-33.

Hughes, David W. (2018) 'Safeguarding the heart’s home town: Japanese folk song as Intangible Cultural Heritage.' In: Norton, Barley and Matsumoto, Naomi, (eds.), Music as heritage: historical and ethnographic perspectives. Routledge, pp. 144-167. (SOAS Musicology Series)

Impey, Angela (2018) Song Walking: Women, music, and environmental justice in an African borderland. Chicago, IL: University of Chicago Press. (Chicago Studies in Ethnomusicology)

Webster-Kogen, Ilana (2018) Citizen Azmari: Making Ethiopian Music in Tel Aviv. Middletown, Connecticut: Wesleyan University Press. (Music/Culture Series)

Webster-Kogen, Ilana (2018) 'Modalities of Space, Time, and Voice in Palestinian Hip Hop.' In: Frost, Nicola and Selwyn, Tom, (eds.), Travelling Towards Home: Mobilities and Homemaking. New York: Berghahn Books. (Articulating journeys : festivals, memorials, and homecomings ; v 3)

Williams, Richard (2018) 'A Storm of Songs: India and the Idea of the Bhakti Movement. By John Stratton Hawley. (Cambridge, Massachusetts: Harvard University Press, 2015. Pp.xiv+438.).' History of Religions, 57 (4). pp. 446-449.

Williams, Richard (2018) 'A Theology of Feeling: The Radhavallabhi Monsoon in the Eighteenth Century".' In: Rajamani, Imke, Pernau, Margrit and Schofield, Katherine Butler, (eds.), Monsoon Feelings: A History of Emotions in the Rain. New Delhi: Niyogi Books, pp. 71-96.

This list was generated on Sun Oct 24 02:58:34 2021 BST.