SOAS Research Online

Arichi, Meri (2002) Hie-Sanno mandara : The iconography of Kami and sacred landscape in medieval Japan. PhD thesis. SOAS University of London. DOI: https://doi.org/10.25501/SOAS.00028713

Branfoot, Crispin (2002) 'Bhima and Purusamirukam in the Nayaka-period Sculpture of Tamilnadu.' South Asian Studies, 18. pp. 77-82.

Branfoot, Crispin (2002) ''Expanding Form': The Architectural Sculpture of the South Indian Temple c.1500-1700.' Artibus Asiae, 62 (2). pp. 189-245.

Branfoot, Crispin (2002) 'Hindu Art and Architecture by George Michell (2000).' Journal of the Royal Asiatic Society, 12 (1). pp. 111-112.

Dovey, Lindiwe (2002) 'Towards an Art of Adaptation: Film and the New Criticism-as-Creation.' Iowa Journal of Cultural Studies, 2. pp. 51-61.

Gore, Charles (2002) 'Traditions and Transformations in African Religions.' In: Fletcher, Paul, Kawanami, Hiroko, Smith, David and Woodhead, Linda, (eds.), Religion in the Modern World. Abingdon: Routledge, pp. 204-230.

Horlyck, Charlotte (2002) 'Korean Bronze Mirrors and Their Chinese and Japanese Influences.' Orientations, 33 (9). pp. 48-53.

Kang, Jaeho (2002) 'Body, the Media and Society (interview with Brian Turner) (in Korean).' In: Turner, Bryan S., (ed.), The Body and Society (Korean Edition). Seoul: Body and Mind Books, pp. 463-478.

Luczanits, Christian (2002) 'The Wanla Bkra shis gsum brtsegs.' In: Klimburg-Salter, Deborah E. and Allinger, Eva, (eds.), Buddhist Art and Tibetan Patronage Ninth to Fourteenth Centuries. Leiden: Brill, pp. 115-125. (Brill's Tibetan Studies Library, Volume: 2/7)

Redford, Scott (2002) 'Review of: A Historical Archaeology of the Ottoman Empire: Breaking New Ground by Uzi Baram, Lynda Carroll. New York: Kluwer, 2000.' Bulletin of the American Schools of Oriental Research, 326 . pp. 101-103.

Tan, Heidi (2002) 'The Hickley Collection of Blanc de Chine.' Arts of Asia, 32 (6). pp. 112-122.

Tan, Heidi (2002) 'Southeast Asia Gallery.' Arts of Asia, 32 (6). pp. 54-55.

Thompson, Ashley (2002) 'Dancing on Death.' In: Qanāgat bibărṇ̊ : snāṭai silpa = Visions of the future : an exhibition of contemporary Cambodian art. Phnom Penh: Reyum Institute of Arts and Culture.