SOAS Research Online

Han, Yunzi, ed. (2022) The SOAS Journal of Postgraduate Research, vol. 14 (2020-21). London: SOAS University of London. (Thinking About Disruption)

Agina, Anulika (2022) 'Nigerian Film Audiences on the Internet: Influences, Preferences and Contentions.' In: Musila, Grace, (ed.), Routledge Handbook of African Popular Culture. London: Routledge, pp. 237-259.

Davies, Morgan (2022) 'Review of: Sāraṅgī style in Hindustani music.' Ethnomusicology Forum, 31 (3). pp. 449-451.

Dovey, Lindiwe, Mangalanayagam, Nina and Mistry, Jyoti (2022) 'Perspectives: a round-table discussion on decolonial pedagogies.' Film Education Journal, 5 (1). pp. 24-33.

Han, Yunzi (2022) 'Foreward.' The SOAS Journal of Postgraduate Research, 14 (2020-2021). pp. 1-2.

Han, Yunzi (2022) 'Introduction.' The SOAS Journal of Postgraduate Research, 14 (2020-2021). pp. 3-6.

Horlyck, Charlotte (2022) 'The Moon Jar: The Making of a Korean Icon.' The Art Bulletin, 104 (2). pp. 118-141.

Koo, Lina Shinhwa (2022) 'Structuring Hierarchies: Archaeological and Museum Projects of the Government-General of Korea and its Colonial Legacy.' The SOAS Journal of Postgraduate Research, 14 (2020-2021). pp. 90-112.

Laiapea, Merje (2022) Feeling in Truth. University of the West of England, Bristol. Available from https://screenworks.org.uk/archive/volume-12-2/fee....

Nickols, Joe (2022) 'The Disrupt Project: Nikki S. Lee and Transcategorical Identities.' The SOAS Journal of Postgraduate Research, 14 (2020-2021). pp. 113-135.

Pierson, Stacey (2022) 'The Power of Provenance. Dr Johnson’s Teapot and the Materialization of Fame.' Transfer: Journal for Provenance Research and the History of Collection (1). pp. 29-43.

Savage, Polly (2022) '‘The New Life’: Mozambican Art Students in the USSR, and the Aesthetic Epistemologies of Anticolonial Solidarity.' Art History, 45 (5). pp. 1078-1100.

Tan, Heidi (2022) 'The Shwedagon Pagoda Museum, Yangon.' In: Gods' Collections.

Tan, Heidi (2022) 'Shwezigon Pagoda.' In: Bonfitto, Peter, Louis, (ed.), World Architecture and Society: From Stonehenge to One World Trade Center. Santa Barbara, CA.: ABC-CLIO, pp. 643-648. (World Architecture and Society)

Thomas, Michael W. (2022) 'Conclusion: Of fiker and film.' In: Popular Ethiopian Cinema: Love and Other Genres. London: Bloomsbury, pp. 215-224. (World Cinema)

Thomas, Michael W. (2022) 'Film exhibition in Ethiopia – A long history.' In: Popular Ethiopian Cinema: Love and Other Genres. London: Bloomsbury, pp. 31-65. (World Cinema)

Thomas, Michael W. (2022) 'Introduction: Courtship and the curiosity of cinema in Addis Ababa, Ethiopia.' In: Popular Ethiopian Cinema: Love and Other Genres. London: Bloomsbury, pp. 1-28. (World Cinema)

Thomas, Michael W. (2022) 'Perceiving Amharic film genres.' In: Popular Ethiopian Cinema: Love and Other Genres. London: Bloomsbury, pp. 205-214. (World Cinema)

Thomas, Michael W. (2022) Popular Ethiopian Cinema: Love and Other Genres. London: Bloomsbury. (World Cinema)

Thomas, Michael W. (2022) 'Producing Amharic film genres.' In: Popular Ethiopian Cinema: Love and Other Genres. London: Bloomsbury, pp. 190-204. (World Cinema)

Thomas, Michael W. (2022) 'Promoting Amharic film genres.' In: Popular Ethiopian Cinema: Love and Other Genres. London: Bloomsbury, pp. 177-189. (World Cinema)

Thomas, Michael W. (2022) 'Violence and order in the ልብ አንጠልጣይ ፊልም – lib anteltay film (suspense film).' In: Popular Ethiopian Cinema. London: Bloomsbury, pp. 136-154. (World Cinema)

Thomas, Michael W. (2022) 'The absence of romance and the የቤተሰብ ፊልም – yebeteseb film (family film).' In: Popular Ethiopian Cinema: Love and Other Genres. London: Bloomsbury, pp. 155-174. (World Cinema)

Thomas, Michael W. (2022) 'A history of film production in Ethiopia.' In: Popular Ethiopian Cinema: Love and Other Genres. London: Bloomsbury. (World Cinema)

Thomas, Michael W. (2022) 'The rise of the አስቂኝ የፍቅር ፊልም – assikiñ yefiker film (humorous love film).' In: Popular Ethiopian Cinema: Love and Other Genres. London: Bloomsbury, pp. 121-135. (World Cinema)

Thomas, Michael W. (2022) 'The የፍቅር ፊልም – yefiker film (love film).' In: Popular Ethiopian Cinema: Love and Other Genres. London: Bloomsbury. (World Cinema)

Thomas-Parr, Georgia (2022) 'Big Fangirl Energy: Celebrating Girls Via Exhibitions.' In: Isseldhardt, Tiffany R., (ed.), A Girl Can Do: Recognizing and Representing Girlhood. Wilmington, DE: Vernon Press, pp. 131-158.

Thomas-Parr, Georgia (2022) Oscars: More International Films are Nominated Than Ever – Here’s Why. The Conversation [Opinion Pieces / Media / Blogs]