SOAS Research Online

Dolan, Catherine (2002) 'Gender and Witchcraft in Agrarian Transition: The Case of Kenyan Horticulture.' Development and Change, 33 (4). pp. 659-681.

Dolan, Catherine (2002) 'The Meru.' In: Ember, Carol R, Ember, Melvin and Skoggard, Ian, (eds.), Encyclopedia of World Cultures. USA: Macmillan Press, pp. 212-215.

Gygi, Fabio (2002) 'L'objet ne parle pas de lui-même, il faut qu`il soit interrogé: Entretien avec Freddy Raphaël de `Université Marc Bloch à Strasbourg.' In: Korff, Gottfried, (ed.), Kleines aus dem Großen Krieg: Metamorphosen militärischen Mülls. Tübingen: TVV, pp. 164-170.

Hughes, Stephen (2002) 'The 'Music Boom' in Tamil South India: Gramophone, Radio and the Making of Mass Culture.' Historical Journal of Film, Radio and Television, 22 (4). pp. 445-73.

Janowski, Monica and Janowski, Kaz (2002) 'In the Field: inter-cultural communication through radio and other media.' In: Lo Bianco, Joseph, (ed.), Voices from Phnomh Penh. Development and Language: Global influences and local effects. Melbourne: Language Australia Ltd..

Janson, Marloes (2002) The Best Hand is the Hand that Always Gives. Griottes and their Profession in Eastern Gambia. Leiden: CNWS Publications.

Janson, Marloes (2002) 'Book review of Katrin Pfeiffer’s “Sprache und Musik in Mandinka-Erzählungen”.' Journal of Language and Public Culture in Africa, 2 .

Janson, Marloes (2002) 'On the Boundaries of Muslim Gender Ideology.' ISIM Newsletter, 11. p. 28.

Janson, Marloes (2002) 'Praising as a Gendered Activity: How Jalimusoolu and Jalikeolu exercise their Profession in Eastern Gambia.' Mande Studies, 4. pp. 65-82.

Janson, Marloes and Nyang, Sulayman S (2002) 'Gambia.' In: Esposito, John L., (ed.), Encyclopedia of the Islamic World. Oxford: Oxford University Press, pp. 283-286.

Latham, Kevin (2002) 'Rethinking Chinese Consumption: Social Palliatives and the Rhetorics of Transition in Postsocialist China.' In: Hann, C.M., (ed.), Postsocialism. Ideals, Ideologies and Practices in Eurasia. London; New York: Routledge, pp. 217-237.

Marchand, Trevor H.J. (2002) 'Bozo-Dogon Bantering: Policing Access to Djenne's Building Trade with Jests and Spells.' Traditional Dwellings and Settlements Working Paper Series, 145. pp. 23-47.

Marchand, Trevor H.J. (2002) 'Defining 'Tradition' in the Context of Yemen's Building Trade.' Al-Masar Journal, 3 (1). pp. 3-25.

Marchand, Trevor H.J. (2002) 'In the Shadow of a Master.' The British Yemeni Society Journal, 10. pp. 8-15.

Marchand, Trevor H.J. (2002) 'Moulding Minaret Makers in Sana'a.' Bulletin of the Society for Arabian Studies, 7. pp. 18-19.

Marchand, Trevor H.J. (2002) 'Review of "Imagined Masculinities: male identity and culture in the modern Middle East" edited by M. Ghoussoub and E, Sinclair-Webb.' Bulletin of the School of Oriental and African Studies, 65 (1). pp. 183-185.

Marchand, Trevor H.J. (2002) 'Review of "Tradition and Society in Turkmenistan" [by C. Blackwell].' Bulletin of the School of Oriental and African Studies, 65 (3). pp. 592-594.

Marsden, Magnus (2002) 'Mahfils and musicians: new Muslims in Chitral Town, northern Pakistan.' Centre of South Asian Studies Occasional Paper. pp. 1-46.

Matsunaga, Louella (2002) 'Familiarity and Difference: Relocating Sukyo Mahikari in the UK.' In: Prohl, I. and Zinser, H., (eds.), Zen, Reiki, Karate: Japanishche Religiositat in Europa. Hamburg: Tuebingen.

Mosse, David, Gupta, Sanjeev, Mehta, M, Shah, V and Rees, J (2002) 'Brokered livelihoods: debt, labour migration and development in tribal western India.' Journal of Development Studies, 38 (5). pp. 59-88.

Osella, Caroline and Osella, Filippo (2002) 'Introduction.' In: Osella, Filippo, Chopra, Radhika and Osella, Caroline, (eds.), Masculinities in South Asia. Delhi: Kali for Women.

Osella, Caroline and Osella, Filippo (2002) 'Once upon a time in the West? Narrating modernity in Kerala, South India.' In: Parry, Jacqui and Arnold, David, (eds.), Life Stories in South Asia. Oxford: Oxford University Press.

Osella, Caroline and Osella, Filippo (2002) 'Points de vue malayalis sur l’inné et l’acquis’ (Eng. original ‘Some Malayali perspectives on the Nature: Nurture question’).' In: Bouiller, V and Tarabout, Gilles, (eds.), Le Corps en Inde. Paris: CNRS.

Otten, Tina (2002) 'Changing Annual Hunting Festival Chaitra Parba. An Outsiders View.' Adivasi, 40 (1/2). pp. 82-91.

Peel, J.D.Y. (2002) 'African Studies, Religion.' In: Baltes, Paul B. and Smelser, Neil J., (eds.), International Encyclopedia of the Social and Behavioural Sciences. Amsterdam: Elsevier, pp. 259-263.

Peel, J.D.Y. (2002) 'Christianity and the Logic of Nationalist Assertion in Wole Soyinka's Isara.' In: Maxwell, D. and Lawrie, I., (eds.), Christianity and the African Imagination. Essays in Honour of Adrian Hastings. Leiden: Brill, pp. 127-155.

Peel, J.D.Y. (2002) 'Gender in Yoruba Religious Change.' Journal of Religion in Africa, 32 (2). pp. 136-66.

Peel, J.D.Y. (2002) 'La reponse aux critiques de John D. Y. Peel [part of a review symposium devoted to Religious Encounter and the Making of the Yoruba].' Politique Africaine, 87. pp. 209-214.

Pottier, Johan (2002) 'Everybody needs good neighbours: understanding the conflict(s) in Eastern DRC.' Cadernos de Estudos Africanos, 2. pp. 141-166.

Pottier, Johan (2002) Re-Imagining Rwanda. Conflict, Survival and Disinformation in the Late Twentieth Century. Cambridge: Cambridge University Press.

Varzi, Roxanne (2002) 'A Ghost in the Machine: The Cinema of the Iranian Sacred Defense.' In: Tapper, Richard, (ed.), The New Iranian Cinema: Politics, Representation and Identity. London: IB Tauris.

Varzi, Roxanne (2002) 'Picturing Change: Mohsen Makhmalbaf's "Kandahar".' American Anthropologist, 104 (3). pp. 931-934.

West, Harry G. (2002) 'A Review of Makonde (Jesper Kirknaes and Jorn Korn) and of A Host of Devils: The History and Context of the Making of Makonde Spirit Sculpture (Zachary Kingdon).' International Review of African American Art, 35 (4). pp. 84-86.

West, Harry G. and Sharpes, Stacy (2002) 'Dealing with the Devil: Meaning and the Marketplace in Makonde Sculpture.' African Arts, 35 (3). pp. 32-39.