Asaba, Yuiko and Kasai, Amane (2024) '"Resonating Across Oceanic Currents" Special Edition Editorial.' East Asian Journal of Popular Culture, 10 (1). pp. 7-12.
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Abstract
Preoccupied with the historical contradictions of seawater as manifested in the early to mid-twentieth century popular music history surrounding Japan, the Introduction to the Special Issue: ‘Resonating Across Oceanic Currents: Maritime Histories of Popular Music in and from Japan, 1920s-60s’ addresses a potentiality of the maritime frame as a method for moving away from historical periodization in popular music studies, and for reconsidering the approaches to ‘the global music history’. Above all, by contributing to the growing scholarship that engages with the oceanic frames as methods ripe for deconstructing music histories, it argues for the potencies of the maritime frame that, in many respects, brings to centre personal narratives, shifting geopolitical positionalities and subjectivities of musicians, listeners and creators in the study of popular music history.
Item Type: | Journal Article |
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Keywords: | colonialism, creativity, memory, Second World War, transwar era, de-imperialization, transpacific studies |
SOAS Departments & Centres: | Regional Centres and Institutes > SOAS Japan Research Centre Departments and Subunits > School of Arts Departments and Subunits > School of Arts > Department of Music |
ISSN: | 20517092 |
Copyright Statement: | This is the version of the article accepted for publication in East Asian Journal of Popular Culture, 10 (1). pp. 7-12 (2024), published by Intellect. Re-use is subject to the publisher’s terms and conditions. |
DOI (Digital Object Identifier): | https://doi.org/10.1386/eapc_00121_2 |
Date Deposited: | 27 Jul 2024 10:33 |
URI: | https://eprints.soas.ac.uk/id/eprint/42290 |
Related URLs: |
https://intelle ... 86/eapc_00121_2
(Publisher URL)
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Funders: | European Union, Other |
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