Savage, Polly (2024) 'Cultural Offensive of the Working Classes.' ARTMargins, 13 (1). pp. 143-148.
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Abstract
In April 1977, after almost two years in power, the Front for the Liberation of Mozambique (Frelimo) announced their plans for the culture of the new nation. Pitched in military terms, and announced in the document translated for the first time here, the “Cultural Offensive of the Working Classes” drew on Marxist theory to define a revolutionary new culture, and to deploy this culture as a weapon in the ongoing struggle to build a postcolonial, postcapitalist society.
| Item Type: | Journal Article |
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| Keywords: | Socialist cultural policy, Mozambique, Revolution, Post-colonial art |
| SOAS Departments & Centres: | Departments and Subunits > School of Arts Departments and Subunits > School of Arts > Department of the History of Art & Archaeology |
| ISSN: | 21622574 |
| Copyright Statement: | This is the version of the article accepted for publication in ARTMargins, 13 (1). pp. 143-148 (2024), published my MIT Press. Re-use is subject to the publisher’s terms and conditions. |
| DOI (Digital Object Identifier): | https://doi.org/10.1162/artm_a_00378 |
| Date Deposited: | 21 Apr 2024 10:08 |
| URI: | https://eprints.soas.ac.uk/id/eprint/41747 |
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