Rudge, Alice (2019) 'Flexibility and egalitarianism: musical insights from hunter-gatherers.' Ethnomusicology Forum, 28 (2). pp. 163-183.
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Abstract
Among egalitarian hunter-gatherer groups across the African continent, musical practices and egalitarian socialities are argued to be mutually implicated with one another. Southeast Asian hunter-gatherers also practice egalitarianism, however, and their musical practices represent a seeming anomaly alongside those of many African hunter-gatherer groups. Discussion of ‘hunter-gatherer musics’ that includes Southeast Asian perspectives has therefore been absent, even though cross-cultural, continent-spanning research with hunter-gatherers is common on topics such as politics, economics, and subsistence. Insights into egalitarianism can be gained through attention to the diversity in hunter-gatherer musical practices. This discussion of Ju|'hoan (Namibia) and Batek (Malaysia) musical practices demonstrates that egalitarianism can be understood in terms of its flexibility.
Item Type: | Journal Article |
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Keywords: | Hunter-gatherer, egalitarianism, polyphony, aesthetics, diversity, flexibility |
SOAS Departments & Centres: | Departments and Subunits > Department of Anthropology & Sociology |
ISSN: | 17411912 |
Copyright Statement: | This is the version of the article/chapter accepted for publication in Ethnomusicology Forum, 28 (2). pp. 163-183 (2019), published by Taylor and Francis. Re-use is subject to the publisher’s terms and conditions. |
DOI (Digital Object Identifier): | https://doi.org/10.1080/17411912.2019.1683875 |
Date Deposited: | 22 Sep 2023 09:38 |
URI: | https://eprints.soas.ac.uk/id/eprint/40359 |
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