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Chan, Pedith (2020) 'The Discourse of Guohua in Wartime Shanghai.' European Journal of East Asian Studies, 19 (2). pp. 263-296.

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Abstract

This article looks at artists’ engagement with artistic activities carried out in wartime Shanghai, with a particular focus on guohua (lit., ‘national painting’). Drawing on primary sources such as archival materials, diaries, paintings, magazines and newspapers, it explores the layered meanings attached to and social functions of guohua and the institutional structure of the Shanghai art world from the gudao (solitary island) period to the advent of full occupation from December 1941 onwards. As a symbol of Chinese elite culture, guohua continued to dominate the Shanghai art world with support from Wang Jingwei’s regime and the occupying Japanese, and was deemed the root of East Asian art and one of the crucial pillars of the East Asian renaissance in the discourse of the new order of East Asian art. Through closely examining the discourse of guohua in occupied Shanghai, this article advances our understanding of the production and consumption of art in wartime Shanghai by going beyond the paradigmatic binary of ‘collaboration’ and ‘resistance’.

Item Type: Journal Article
SOAS Departments & Centres: Regional Centres and Institutes > SOAS China Institute
Departments and Subunits > School of Arts > Department of the History of Art & Archaeology
ISSN: 15680584
DOI (Digital Object Identifier): https://doi.org/10.1163/15700615-01902010
Date Deposited: 11 Dec 2020 09:13
URI: https://eprints.soas.ac.uk/id/eprint/34414
Funders: Other

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