Taplin, Roslyn (2014) 'Contemporary Climate Change Art as the Abstract Machine: Ethico-Aesthetics and Futures Orientation.' Leonardo, 47 (5). pp. 509-510.
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Abstract
The fusion of visual art and climate science to produce something new to mediate the urgency of the climate change issue is explored in relation to Simon O’Sullivan’s conception of contemporary art invoking Deleuze and Guattari’s ethico-aesthetics and futures orientation. The question considered is: Can and does climate change art crystallize a different subjectivity within viewers? Conclusions are that the visual art considered in this article does have the prospect of connecting viewers with some realization of future climate change implications.
| Item Type: | Journal Article |
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| SOAS Departments & Centres: | Departments and Subunits > Interdisciplinary Studies > Centre for Development, Environment and Policy |
| ISSN: | 0024094X |
| Copyright Statement: | ©2014 ISAST |
| DOI (Digital Object Identifier): | https://doi.org/10.1162/LEON_a_00827 |
| Date Deposited: | 23 Jan 2019 15:17 |
| URI: | https://eprints.soas.ac.uk/id/eprint/30189 |
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