Tripp, Charles (2016) 'Art, Power and Knowledge: Claiming Public Space in Tunisia.' Middle East Law and Governance, 9 (2-3). pp. 250-274.
|
Text
- Accepted Version
Download (497kB) | Preview |
Abstract
Charles Tripp argues that through artistic interventions – graffiti, visual street art, performances, demonstrations, banners, slogans – citizens have appropriated the public sphere. Despite the monitoring of political dissent through persuasion or coercion, an activist public has created highly visible public spaces, assisted and encouraged by citizen artists. They have generated debates and have helped to give substance to competing visions of the republic.
| Item Type: | Journal Article |
|---|---|
| Keywords: | Tunisia; art; power; public space; revolution; citizen artists |
| SOAS Departments & Centres: | Legacy Departments > Faculty of Law and Social Sciences > Department of Politics and International Studies |
| ISSN: | 18763367 |
| Copyright Statement: | © Koninklijke Brill NV, Leiden, 2016. This is the accepted manuscript of an article published by Brill in Middle East Law and Governance, available online: https://doi.org/10.1163/18763375-00802007 |
| DOI (Digital Object Identifier): | https://doi.org/10.1163/18763375-00802007 |
| Date Deposited: | 09 Apr 2016 11:45 |
| URI: | https://eprints.soas.ac.uk/id/eprint/22221 |
Altmetric Data
Statistics
Download activity - last 12 months
Downloads since deposit
6 month trend
6 month trend
Accesses by country - last 12 months | Accesses by referrer - last 12 months |
Repository staff only
 |
Edit Item |