Howard, Keith (2010) 'World Music: Whose Music and Whose World?' OMNES: The Journal of Migration and Society, 1 (2). pp. 1-34.
Full text not available from this repository.
Abstract
An investigation of commercialized and commodified world music, as it existed in 2010, using industry data as well as looking at ethnomusicological criticisms. Data was also culled from an on-line forum, with commentaries on my inaugural professorial lecture in 2008 and subsequent discussions of the issues raised. This paper was first presented as a keynote at the 2010 Cultural Diversity in Music Education conference in Sydney.
Item Type: | Journal Article |
---|---|
Keywords: | world music, commercialism, commodification, traditional music, multiculturalism, cross-cultural, inter-cultural |
SOAS Departments & Centres: | Legacy Departments > Faculty of Arts and Humanities > Department of Music |
Subjects: | G Geography. Anthropology. Recreation > GN Anthropology M Music and Books on Music > ML Literature of music M Music and Books on Music > MT Musical instruction and study |
ISSN: | 20935498 |
DOI (Digital Object Identifier): | https://doi.org/10.15685/omnes.2010.11.1.2.1 |
Date Deposited: | 29 Jun 2012 14:29 |
URI: | https://eprints.soas.ac.uk/id/eprint/13875 |
Altmetric Data
Statistics
Download activity - last 12 months
Downloads since deposit
6 month trend
6 month trend
Accesses by country - last 12 months | Accesses by referrer - last 12 months |