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Howard, Keith (2010) 'World Music: Whose Music and Whose World?' OMNES: The Journal of Migration and Society, 1 (2). pp. 1-34.

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Abstract

An investigation of commercialized and commodified world music, as it existed in 2010, using industry data as well as looking at ethnomusicological criticisms. Data was also culled from an on-line forum, with commentaries on my inaugural professorial lecture in 2008 and subsequent discussions of the issues raised. This paper was first presented as a keynote at the 2010 Cultural Diversity in Music Education conference in Sydney.

Item Type: Journal Article
Keywords: world music, commercialism, commodification, traditional music, multiculturalism, cross-cultural, inter-cultural
SOAS Departments & Centres: Legacy Departments > Faculty of Arts and Humanities > Department of Music
Subjects: G Geography. Anthropology. Recreation > GN Anthropology
M Music and Books on Music > ML Literature of music
M Music and Books on Music > MT Musical instruction and study
ISSN: 20935498
DOI (Digital Object Identifier): https://doi.org/10.15685/omnes.2010.11.1.2.1
Date Deposited: 29 Jun 2012 14:29
URI: https://eprints.soas.ac.uk/id/eprint/13875

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