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enVaranasi : Published by All India Kashi Raj Trust on behalf of Maharaja Benaras Vidya Mandir TrusDhrupad Annual8610900Dhrupad in Pakistan: the Talwandi gharanaBasra, KhalidWiddess, Richard1989Journal Article/ReviewNA
oai:eprints.soas.ac.uk:69
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The paper reflects on the different types of performance which take place at archaeological sites, as a global phenomenon, and more broadly on the archaeology/ performance interface.application/pdfhttps://eprints.soas.ac.uk/69/1/Lopez_.pdfenArchaeology/Performance. Papers from TAG 2002 conference950900100Choreographing heritage, performing the siteLopez y Royo, AlessandraJournal Article/ReviewNA
oai:eprints.soas.ac.uk:187
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Although Japan is often portrayed as culturally and ethnically highly homogeneous, its music culture has long been extremely diverse, especially so with modernization and globalization. Thus we begin by problematizing the term ‘Japanese music’. We then aim to provide broad historical, cultural and theoretical contexts within which to understand the subsequent genre-specific chapters, by introducing a range of cross-cutting topics, issues and research perspectives - for example: Japan’s interactions with other cultures throughout history; sociocultural contexts of each genre, including issues of patronage, audiences, class and gender; social structures and mechanisms of transmission; music theory in Japan; aesthetic concepts; and research culture. We conclude with a view into the musical future, considering the impact of educational policies, globalization and so forth.application/pdfhttps://eprints.soas.ac.uk/187/1/ARC_to_Jap_Music_-_Ch1_%5BOct_28_proofs%5D.pdfenAshgate Publishing Limited9780754656999900Context and change in Japanese musicTokita, Alison McQueenHughes, DavidBook chapterAO
oai:eprints.soas.ac.uk:188
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This chapter traces the shifting situation and nature of Japanese folk music from ‘traditional’ times to the present day. Topics covered include: importation of the European concept of ‘the folk’; distinction between folk song (min’yō) and folk performing arts (minzoku geinō); folk music in the traditional community; music and local identity, past and present (e.g. local vs national identity; folk music’s role in ‘community building’ in modern Japan); professionalization, commodification, folklorization, secularization and the emergence of stage performances; musical change and the Western impact (e.g. fusion); the rise in popularity of wadaiko, Tsugaru-jamisen and Okinawan music; research history and trends.application/pdfhttps://eprints.soas.ac.uk/188/2/ARC_to_Jap_Music_Ch12_Oct_28.pdfenAshgate Publishing Limited9780754656999900Folk music: from local to national to globalHughes, David W.Hughes, David W.Tokita, Alison McQueen2007-09-01Book chapterAO
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In his study of Maninka and Bamana hunters’ initiation societies (donsotonw), the Malian scholar Youssouf Tata Cissé quotes a significant line from one hunter’s song text: dunun nègè be sogo faa bali la (Those who don’t hunt are crazy for hunters’ music!) (Cissé 1994:207.3 Despite the fact that, in Mali, game is now scarce and protected by legislation, the cultural traditions and moral values of hunters’ societies continue to be of deep symbolic importance for contemporary Malians. The mere sight of a hunter, dressed in the traditional hunter’s cap and tunic of mud-dye cloth, conjures images of Mali’s glorious past, going back to the master hunter (simbon) Sunjata Keita, the founder of the Mali (Mande) empire in 1235.enGarland Publishing9781138177895900Women, Music, and the “Mystique” of Hunters in MaliDuran, LucyMonson, Ingrid2000Book chapterNAhttp://doi.org/10.4324/9780203493052
oai:eprints.soas.ac.uk:798
2022-08-10T19:49:13Z
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enTaylor and Francis17411912900Birds of Wasulu: freedom of expression and expressions of freedom in the popular music of southern MaliDuran, Lucy1995Journal Article/ReviewNAhttp://doi.org/10.1080/09681229508567240
oai:eprints.soas.ac.uk:800
2018-06-22T15:51:39Z
oai:eprints.soas.ac.uk:801
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enTaylor and Francis17411912900Mazar festivals of the Uyghurs: Music, Islam and the Chinese StateHarris, RachelDawut, Rahile2002Journal Article/ReviewNAhttp://doi.org/10.1080/09681220208567330
oai:eprints.soas.ac.uk:802
2018-06-22T15:51:39Z
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enIstanbul: Yeni Turkiye PublicationsThe Turks, Vol.6900Music of the UyghursHarris, RachelMuhpul, Y.Guzel, H.Cem, C.Karatay, O.2002otherNA
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enUniversity of British Columbia Press9780774808743900Cassettes, Bazaars and Saving the Nation: the Uyghur Music Industry in Xinjiang, ChinaHarris, RachelCraig, TimothyKing, Richard2001Book chapterNA
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2022-07-25T13:40:22Z
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enAce Records900Uyghur Musicians from Xinjiang: Music from the Oasis towns of Central AsiaHarris, Rachel2000otherNA
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2023-02-26T10:01:20Z
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enEuropean Foundation for Chinese Music Research09267263900From Shamanic Ritual to Karaoke: the (trans)migrations of a Chinese folksongHarris, RachelKouwenhoven, FrankSchimmelpenninck, Antoinette2000Journal Article/ReviewNA
oai:eprints.soas.ac.uk:806
2018-06-22T15:51:39Z
oai:eprints.soas.ac.uk:807
2018-06-22T15:51:39Z
oai:eprints.soas.ac.uk:808
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2018-06-22T15:51:39Z
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enSOAS ( London)900Liushui: Flowing WaterHoward, Keith2000otherNA
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enAPA Publications9789812344564900Traditional Architecture (and) Performing Arts (and) The Korean DiasporaHoward, KeithLe Bas, Tom2000Book chapterNA
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2022-10-01T17:31:44Z
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enInternational Institute for Asian Studies09298738900Pop Music in AsiaHoward, Keith2001Journal Article/ReviewNA
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2022-05-26T07:24:01Z
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enAshgate9781840142990900Shamanism, music and the soul trainHoward, KeithHorden, P.2000Book chapterNAhttp://doi.org/10.4324/9781315090894-15
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2018-06-22T15:51:40Z
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enSingapore: Asia Europe Foundation900Unity in diversity: a celebration of the musics of Asia and EuropeHoward, Keith2001otherNA
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2022-01-11T09:17:57Z
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enIIAS09298738900Popular Music in North Korea, and a Critique of Andy Kershaw's 'North Korea-Pleasant Snack Time'Howard, Keith2001Journal Article/ReviewNA
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2022-09-26T15:50:15Z
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enInstitute of Cross-Cultural Studies12260568900Namdo tul norae: Chindo ui muhyong munhwajae [Namdo tul norae: An Intangible Cultural Property from Chindo]Howard, Keith2000Journal Article/ReviewNA
oai:eprints.soas.ac.uk:816
2022-09-27T16:11:29Z
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enTES Global00407887900Seoul to the World, the World to SeoulHoward, Keith2001Journal Article/ReviewNA
oai:eprints.soas.ac.uk:817
2022-08-08T19:24:47Z
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enUniversity of Texas Press00449202900Minyo in Korea: Songs of the people and songs for the peopleHoward, Keith1999Journal Article/ReviewNA
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enMacMillan9780195170672900Byungki Hwang, Kang Sukhi, Kim Chunggil, Kim Kisu, Kim Sunnam, Kim Young-dong, Youngja Lee, Lee Chan Hee, Younghi Pagh-Paan, Byung-dong Paik, Suh Kyungsu, Yi Sung ChunHoward, KeithSadie, Stanley2001Book chapterNA
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2022-01-11T09:21:56Z
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enRoyal Asiatic Society, Korea Branch, Seoul Press9788972250944900Korean Shamanism TodayHoward, KeithHoward, Keith1998Book chapterNA
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enHan'guk umban hak / Korean Discology900Korean Music and World Music: A Consideration of Korean Music Recordings in the International Market PlaceHoward, Keith2000Journal Article/ReviewNA
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2022-05-22T07:36:05Z
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enAshgate9780754602491900Sacred and Profane: Music in Korean Shaman RitualsHoward, KeithMcLeod-O'Keefe, KHarvey, Graham2000Book chapterNAhttp://doi.org/10.4324/9781315092706-4
oai:eprints.soas.ac.uk:822
2018-06-22T15:51:40Z
oai:eprints.soas.ac.uk:823
2022-06-29T19:37:01Z
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enNational Center for Korean Traditional Performing Arts9788885952997900Korean Music: A Listening GuideHoward, Keith1999BookNA
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enUniversity of British Columbia Press9780774808743900Exploding Ballads: The Transformation of Korean Pop MusicHoward, KeithCraig, TimothyKing, Richard2002Book chapterNA
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2022-05-28T08:01:28Z
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enRoutledge9780815310846900Recordings of East Asian Music: KoreaHoward, KeithStone, Ruth2002Book chapterNA
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enRoutledge9780824060411900'Nongak (P'ungmul nori)', 'Contemporary Genres', 'Social and Regional Contexts' and 'Discography'Howard, KeithProvine, RobertTokumaru, YosihikoWitzleben, Lawrence2002Book chapterNA
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2018-06-22T15:51:41Z
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enKorean Commission for UNESCO900Guidelines for a Living Human Treasures SystemHoward, Keith2002otherNA
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enAcademia Koreana of Keimyung University9780965761635900Lee Hye-Ku and the Development of Korean MusicologyHoward, Keith2002Book chapterNA
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2022-08-27T10:47:08Z
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enKeimyung University15207412900Lee Hye-Ku and the Development of Korean MusicologyHoward, Keith2002Journal Article/ReviewNA
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2022-05-31T18:30:12Z
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enAcademy of Korean StudiesEmbracing the Other: The Interaction of Korean and Foreign Cultures900Living Human Treasures from a lost age: current issues in cultural heritage managementHoward, Keith2002Book chapterNA
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enMinsogwon音樂學 論文集 : 仙華 金 靜子 敎授 華甲 紀念 = Essays in musicology : an offering in celebration of Kim, Chong-ja on her sixtieth birthday.900Seoul Blues: the determination of emotion in Korean musicHoward, Keith2002Book chapterNA
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2022-06-02T08:42:49Z
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enVSGAKI Academy of Culture and Arts5896100248900Connections to Siberia in Korean Shaman MusicHoward, KeithDampilova, L. S.2001Book chapterNA
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2022-06-03T08:19:15Z
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enFeedback Studio VerlagThe Ratio book : a documentation of The Ratio Symposium, Royal Conservatory, the Hague, 14-16 December 1992900Mode as a scholarly construct in Korean musicHoward, KeithBarlow, C2001Book chapterNA
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enTES Global00407887900These Chindo puppies might look like dogs to you, but in their own country they are officially listed as Natural Monument No 53Howard, Keith2000-09-29Journal Article/ReviewNA
oai:eprints.soas.ac.uk:835
2022-04-01T07:43:14Z
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enMacMillan9780195170672900North KoreaHoward, KeithSadie, Stanley2001Book chapterNA
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enInstitute of East Asian Studies, University of California9781557290748900Korean Folk Songs for a Contemporary WorldHoward, KeithHesselink, N2001Book chapterNA
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2022-10-01T07:22:10Z
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enMolnar & Kelemen12167827900Shaman music, drumming, and into the "New Age"Howard, Keith2002Journal Article/ReviewNA
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enLondon: SOAS, University of LondonCD900TaanerimweHoward, Keith2002otherNA
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enT-EntertainmentCD : Programme Notes for Kim Duk soo: Spirit of Nature900Spirit of Nature [Program Notes for Kim Duk Soo: Spirit of Nature. In both English and Korean]Howard, Keith2002otherNA
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enReingold00274461900World Music: Notes for the new Edexcel GCSE Music SpecificationHoward, Keith2002Journal Article/ReviewNA
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enBritish Association for Korean Studies09651942900From rap to dance: appropriation and assimilation in Korean pop musicHoward, Keith2003Journal Article/ReviewNA
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2018-06-22T15:51:42Z
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enLondon: SOAS, University of London; AHRB Research Centre for Cross-Cultural Music and Dance PerformanceSOASIS900Sounds for Divine Ancestors: The Music of Nepal's Tamu ShamansHoward, Keith2003otherNA
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enKostritzer Schriften9783980620857900Perspectives on Isang Yun's Second Clarinet QuintetHoward, KeithSpangenberg, MartinAbels, Birgit2003Book chapterNA
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enBritish Library09522360900At the coalface: studying ethnomusicologyHoward, Keith2003Journal Article/ReviewNA
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2018-06-22T15:51:42Z
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enEdinburgh International FestivalP'ansori and Connecting Cultures900'Pansori' 'Sanjo', and 'Nieuw Ensemble'Howard, Keith2003otherNA
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enBerg9781859737033900Chindo: Creating a Cultural ParadiseHoward, KeithDawe, Kevin2004Book chapterNA
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enAshgate9780754651383900Memories of Fieldwork: Understanding "humanly organised sound" through the VendaHoward, KeithReily, Suzel Ana2005Book chapterNA
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enRoutledge9780415943642900Dancing for the Eternal PresidentHoward, KeithJaneiro, Annie2005Book chapterNAhttp://doi.org/10.4324/9780203329757-8
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enCollege de FranceMélanges offerts a Li Ogg e Daniel Bouchez900North Korea: Songs for the Great Leader, with Instructions from the Dear LeaderHoward, KeithOrange, M2001Book chapterNA
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enInternationale Isang Yun Gesellschaft9783883776255900Korean tradition in Isang Yun's compositional styleHoward, KeithSparrer, Walter-Wolfgang1999Book chapterNA
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enNimbus Records900Min'yô: folk song from Japan: Takahashi Yûjirô and friendsHughes, David W.1999otherNA
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enMacmillan9780195170672900East AsiaHughes, David W.Jones, StephenSadie, StanleyTyrrell, John2001Book chapterNA
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2018-06-22T15:51:42Z
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Oral mnemonic systems for transmitting or representing melodies are examined in several diverse music cultures, to demonstrate that certain acoustic—phonetic features of vowels and consonants lead to similar systems of mnemonics existing independently in widely separated cultures. The primary relevant features are Intrinsic Pitch, Intrinsic Intensity and Intrinsic Duration; it is argued that largely subliminal yet universal awareness of these features leads to their use in structuring mnemonic systems. The article also reports on an attempt to begin testing the universal accessibility of the relevant perceptions.enTaylor and Francis17411912900No nonsense: the logic and power of acoustic-iconic mnemonic systemsHughes, David W.2000Journal Article/ReviewNAhttp://doi.org/10.1080/09681220008567302
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