2024-03-28T13:18:53Z
https://eprints.soas.ac.uk/cgi/oai2
oai:eprints.soas.ac.uk:177
2018-06-22T15:50:55Z
oai:eprints.soas.ac.uk:178
2024-02-09T13:46:13Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32333030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
Goessmann_Kirsch_2007.pdf
indexcodes.txt
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #178
Nostalgia for 'Asian' Traditions and Energy: Encounters with Chinese and Koreans in Japanese TV Drama
Nostalgia for 'Asian' Traditions and Energy: Encounters with Chinese and Koreans in Japanese TV Drama (Text)
Nostalgia for 'Asian' Traditions and Energy: Encounters with Chinese and Koreans in Japanese TV Drama (Other)
Nostalgia for 'Asian' Traditions and Energy: Encounters with Chinese and Koreans in Japanese TV Drama (UNSPECIFIED)
Nostalgia for 'Asian' Traditions and Energy: Encounters with Chinese and Koreans in Japanese TV Drama (UNSPECIFIED)
Nostalgia for 'Asian' Traditions and Energy: Encounters with Chinese and Koreans in Japanese TV Drama (UNSPECIFIED)
Nostalgia for 'Asian' Traditions and Energy: Encounters with Chinese and Koreans in Japanese TV Drama (UNSPECIFIED)
1
2
2014-11-15
Nostalgia for 'Asian' Traditions and Energy: Encounters with Chinese and Koreans in Japanese TV Drama
Department of the Languages and Cultures of Japan and Korea
Department of East Asian Languages & Cultures
Global Ethnographic
White
Bruce
Bruce White
Gössmann
Hilaria
Hilaria Gössmann
Kirsch
Griseldis
Griseldis Kirsch
http://orcid.org/0000-0003-1218-5279
Global Ethnographic
oai:eprints.soas.ac.uk:2989
2024-02-09T13:54:01Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
Prohibition_of_Jiatou_zaju.MING_STUDIES.PDF
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #2989
Prohibition of Jiatou Zaju in the Ming Dynasty and the Portrayal of the Emperor on Stage
Prohibition of Jiatou Zaju in the Ming Dynasty and the Portrayal of the Emperor on Stage (Text)
Prohibition of Jiatou Zaju in the Ming Dynasty and the Portrayal of the Emperor on Stage (UNSPECIFIED)
Prohibition of Jiatou Zaju in the Ming Dynasty and the Portrayal of the Emperor on Stage (UNSPECIFIED)
Prohibition of Jiatou Zaju in the Ming Dynasty and the Portrayal of the Emperor on Stage (UNSPECIFIED)
Prohibition of Jiatou Zaju in the Ming Dynasty and the Portrayal of the Emperor on Stage (UNSPECIFIED)
49
2004
Prohibition of Jiatou Zaju in the Ming Dynasty and the Portrayal of the Emperor on Stage
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Taylor and Francis
Tan
Tian Yuan
Tian Yuan Tan
0147037X
Ming Studies
oai:eprints.soas.ac.uk:2990
2018-06-22T15:53:48Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #2990
“Kang Hai sanqu ji de xin faxian jiqi wenxian jiazhi--du Taiwan guojia tushuguan suocang Pandong yuefu houlu erjuan" (The New Discovery of Kang Hai’s Sanqu Collection and Its Significances--Reading Pandong Yuefu Houlu in the Collection of Taiwan National Library)
2
16
2006
“Kang Hai sanqu ji de xin faxian jiqi wenxian jiazhi--du Taiwan guojia tushuguan suocang Pandong yuefu houlu erjuan" (The New Discovery of Kang Hai’s Sanqu Collection and Its Significances--Reading Pandong Yuefu Houlu in the Collection of Taiwan National Library)
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Tan
Tian Yuan
Tian Yuan Tan
10177558
Zhongguo wenzhe yanjiu tongxun (Newsletter of the Institute of Chinese Literature and Philosophy, Academia Sinica, Taipei)
oai:eprints.soas.ac.uk:2991
2024-02-09T13:54:02Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
Zhongshanlang.Asia_Major.pdf
indexcodes.txt
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #2991
The Wolf of Zhongshan and Ingrates: Problematic Literary Contexts in Sixteenth-Century China
The Wolf of Zhongshan and Ingrates: Problematic Literary Contexts in Sixteenth-Century China (Text)
The Wolf of Zhongshan and Ingrates: Problematic Literary Contexts in Sixteenth-Century China (Other)
The Wolf of Zhongshan and Ingrates: Problematic Literary Contexts in Sixteenth-Century China (UNSPECIFIED)
The Wolf of Zhongshan and Ingrates: Problematic Literary Contexts in Sixteenth-Century China (UNSPECIFIED)
The Wolf of Zhongshan and Ingrates: Problematic Literary Contexts in Sixteenth-Century China (UNSPECIFIED)
The Wolf of Zhongshan and Ingrates: Problematic Literary Contexts in Sixteenth-Century China (UNSPECIFIED)
1
20
2007
The Wolf of Zhongshan and Ingrates: Problematic Literary Contexts in Sixteenth-Century China
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Institute of History and Philology, Academia Sinica
Tan
Tian Yuan
Tian Yuan Tan
00044482
Asia Major: Third series
oai:eprints.soas.ac.uk:2992
2018-06-22T15:53:49Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F73656374696F6E
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #2992
" 'Ye Fashi fushi zhenyao'--Jingshi tongyan zhong de ling yi 'sishi juan' " (A Study of a 'New' Huaben Story in Jingshi tongyan: 'Exorcist Ye Subdues the Demon with a Charmed Rock')
2002
" 'Ye Fashi fushi zhenyao'--Jingshi tongyan zhong de ling yi 'sishi juan' " (A Study of a 'New' Huaben Story in Jingshi tongyan: 'Exorcist Ye Subdues the Demon with a Charmed Rock')
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Xuelin chubanshe
Huang
Lin
Lin Huang
Kow
Mei Kao
Mei Kao Kow
Tan
Tian Yuan
Tian Yuan Tan
oai:eprints.soas.ac.uk:2993
2018-06-22T15:53:49Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F73656374696F6E
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #2993
"Ming zhongye qujia Kang Hai ziliao de xin faxian jiqi jiazhi" (The Discovery of Materials Related to the Mid Ming Writer Kang Hai and Its Significances)
2006-08
"Ming zhongye qujia Kang Hai ziliao de xin faxian jiqi jiazhi" (The Discovery of Materials Related to the Mid Ming Writer Kang Hai and Its Significances)
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Zhonghua shuju
Rong
Guangrun
Guangrun Rong
Tan
Tian Yuan
Tian Yuan Tan
Dong
Jian
Jian Dong
oai:eprints.soas.ac.uk:3028
2020-02-26T18:07:30Z
oai:eprints.soas.ac.uk:3029
2022-06-11T18:03:48Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F73656374696F6E
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #3029
Avant-garde Drama and Theater: China
2007
Avant-garde Drama and Theater: China
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Columbia University Press
Sprinchorn
Evert
Evert Sprinchorn
Cody
Gabrielle
Gabrielle Cody
Ferrari
Rossella
Rossella Ferrari
http://orcid.org/0000-0002-9073-9823
oai:eprints.soas.ac.uk:3030
2022-12-08T10:39:34Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F73656374696F6E
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #3030
Gao Xingjian
2006
Gao Xingjian
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Routledge
Ferrari
Rossella
Rossella Ferrari
http://orcid.org/0000-0002-9073-9823
Wintle
Justin
Justin Wintle
oai:eprints.soas.ac.uk:3031
2020-02-26T18:07:30Z
oai:eprints.soas.ac.uk:3032
2020-02-26T18:07:31Z
oai:eprints.soas.ac.uk:3033
2020-02-26T18:07:31Z
oai:eprints.soas.ac.uk:3902
2022-08-29T06:56:21Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #3902
Verso una nuova concezione teatrale: Huang Zuolin e la xieyi xijuguan. [Towards a New Theatrical Conception: Huang Zuolin and his xieyi xijuguan]
Chinese director Huang Zuolin (1906-1994) was one of the most influential figures in the history of modern Chinese drama and a pioneer in several fields, from stage directing to dramatic theory, from traditional opera to experimental theatre. Throughout his career, Huang realized a profound restructuring of the conception of the drama in China. He was one of the first who introduced Stanislavsky’s method to the Chinese stage– which in the Maoist period would become the sole unquestionable dogma for theatrical production – and one of the first daring to question its overriding dominance, in an attempt to create a novel developmental path for contemporary theatre, and engender an intrinsically Chinese dramatic form able to synthesize the aesthetic and structural features of China’s traditional theatre with the new creative stimuli assimilated from the West: from classical kunqu and Beijing opera to Piscator, Meyerhold and, especially, Brecht. The ideal of a multifunctional stage created through a constant and imaginative relationship with the “Other” represents the core of Huang’s lifelong search, which eventually led him to formulate an original aesthetic concept which he defined as xieyi xijuguan. This paper examines Huang’s major artistic and theoretical achievements, including his comparative studies of the theatrical systems of the so-called 'three great masters of realism” – Brecht, Stanislavsky, and Mei Lanfang – and his definition of “Chinese-style epic drama' (Zhongguoshi shishi ju). The paper mostly focuses on the investigation of the genealogy, essential features, and fundamental significance of the notions of xieyi and xieyi theatre, also exploring the diverse (mis)interpretations of such concepts provided by both Chinese and Western critics since Huang’s first formulation.
2001-2002
6-7
2001-01-01
Verso una nuova concezione teatrale: Huang Zuolin e la xieyi xijuguan. [Towards a New Theatrical Conception: Huang Zuolin and his xieyi xijuguan]
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Università Ca' Foscari di Venezia
Ferrari
Rossella
Rossella Ferrari
http://orcid.org/0000-0002-9073-9823
11265256
Asiatica Venetiana
oai:eprints.soas.ac.uk:3903
2022-05-05T18:03:34Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F73656374696F6E
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #3903
Il selvaggio di Gao Xingjian: nativismo o modernismo? [Gao Xingjian's Wild Man: Nativism or Modernism?]
Wild Man (Yeren, 1985) –the last of Gao Xingjian’s works to be performed in China – is ranked among the finest achievements of Chinese experimental theatre in the 1980s, and regarded as a watershed in his career. Although Gao has repeatedly asserted his refusal of any particular artistic or political affiliation – or '-ism' – his work has been variously associated with both Western modernism and native Chinese 'roots-seeking' trends. Wild Man is highly significant in this respect, since it has been seen as both the climax of the experimentalists’ appropriation of Western avant-garde paradigms such as those of Artaud and Brecht and the starting point for a recuperation of tradition. This critical disagreement and the complexity of cultural relations characterizing the text lead to the question of assessing whether it is primarily founded on a foreign/modernist or indigenous/nativist model. An investigation of the play’s thematic motives, stylistic devices, and cross-cultural legacies reveals, however, its fundamental refusal of any clear-cut designation or unidirectional description. Its multilayered structure makes it neither totally Western nor totally Chinese, neither modernist nor nativist, or better, both modernist and nativist. This essay argues that Wild Man represents Gao’s return to tradition through a modernist gaze, and an attempt to produce a 'Eurasian' theatrical form blurring the boundaries of culture, time and space, and whose essence is not revealed by means of exclusion, but only by means of encounter – of past and present, nativism and modernism, Chineseness and Otherness. Moreover, by embracing and being “retro-influenced” by a number of modernist models that were themselves previously 'contaminated' by Asian traditions, Gao performs here not only an act of productive reception, but also one of cultural re-appropriation.
2005
Il selvaggio di Gao Xingjian: nativismo o modernismo? [Gao Xingjian's Wild Man: Nativism or Modernism?]
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Cafoscarina
Lippiello
Tiziana
Tiziana Lippiello
Scarpari
M.
M. Scarpari
Ferrari
Rossella
Rossella Ferrari
http://orcid.org/0000-0002-9073-9823
oai:eprints.soas.ac.uk:3904
2022-09-23T07:44:35Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #3904
Anarchy in the PRC: Meng Jinghui and his Adaptation of Dario Fo's Accidental Death of an Anarchist
2
17
2005-09-01
Anarchy in the PRC: Meng Jinghui and his Adaptation of Dario Fo's Accidental Death of an Anarchist
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Foreign Language Publications
Ferrari
Rossella
Rossella Ferrari
http://orcid.org/0000-0002-9073-9823
15209857
Modern Chinese Literature and Culture
oai:eprints.soas.ac.uk:3905
2022-07-10T17:17:03Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #3905
Da Madre Courage e i suoi figli a Jiang Qing e i suoi mariti. Percorsi brechtiani in Cina. [From Mother Courage and her Children to Jiang Qing and her Husbands. Brechtian Trajectories in China]
This book examines the fundamental steps of the 'marriage of seduction and betrayal' that underlies the intercultural relationship between Chinese and Brechtian theatres, tracing the reception trajectory of Brecht’s model in China since the 1950s. Through the analysis of major Chinese productions of Brechtian plays and of the work of some of China’s foremost theatre practitioners (Huang Zuolin, Gao Xingjian, Sha Yexin, etc) the book argues that the Chinese reception of the Brechtian paradigm essentially unfolded by means of interaction of two antithetical stages, ultimately producing a final synthesis. The first two steps of such a dialectic trajectory – defined here as 'passive' and 'productive' reception – focus on Huang Zuolin’s productions of Mother Courage and her Children (1959) and Life of Galileo (1979). Albeit marked by unprecedented formal innovation, Courage failed to generate substantial effects in the sociocultural sphere whereas Galileo, despite its fundamental role as socio-political commentary, represented a partial retrogression in aesthetic terms. The synchronization of the formal/aesthetic and ideological/political motors of interculturalism –– both essential in turning artistic exchanges into meaningful sociocultural phenomena – is eventually achieved in a third phase of 'cultural appropriation', in which Brechtian motifs are assimilated and reworked into the local production, often acting as platforms of deconstruction of dominant narratives. In this final stage – exemplified by works such as Sha Yexin’s If I were for Real and Jiang Qing and her Husbands – the encounter 'at the crossroads of culture' culminates in a dual path of aesthetic innovation and cultural critique, thus representing the ultimate synthesis of the process of indigenization of the 'foreign' for the purposes of the 'own', and the highest development of the functions of theatrical interculturalism in relation to the Brechtian model in China.
9788875430535
2004
Da Madre Courage e i suoi figli a Jiang Qing e i suoi mariti. Percorsi brechtiani in Cina. [From Mother Courage and her Children to Jiang Qing and her Husbands. Brechtian Trajectories in China]
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Cafoscarina
Ferrari
Rossella
Rossella Ferrari
http://orcid.org/0000-0002-9073-9823
oai:eprints.soas.ac.uk:3950
2018-06-22T15:54:41Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32333030
74797065733D626F6F6B5F73656374696F6E
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #3950
Spiritual Healing in China? Encounters with the People's Republic of China in Japanese Cinema and TV Drama
2007
Spiritual Healing in China? Encounters with the People's Republic of China in Japanese Cinema and TV Drama
Department of the Languages and Cultures of Japan and Korea
Department of East Asian Languages & Cultures
Harrassowitz Verlag
Schoenbein
M.
M. Schoenbein
Kirsch
Griseldis
Griseldis Kirsch
http://orcid.org/0000-0003-1218-5279
Koehn
S.
S. Koehn
oai:eprints.soas.ac.uk:3955
2022-10-01T17:51:58Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #3955
Yang Lian shige zhong de zhuguanxing. [Subjectivity in Yang Lian's Poetry]
This article makes a bold statement in the field of Translation Studies and diverges from previous literary criticism on Chinese poetry. It begins with the statement that translation provides us with detailed information about the original, which enhance the act of reading. On the basis of the findings of a comparative analysis between different translations of Yang Lian’s work the paper then proceeds to explore the functional significance of some linguistic devices for the coherence of poetic texts. In particular, it focuses on the use of personal pronouns, finding that in almost all Yang Lian’s early poems (from 1979 to 1989) the personal is present through the first personal pronoun I; while in the poems after 1989 the persona pronoun I is less frequent, being substituted by the pronoun of self-address you, or being simply absent. Elaborating on these findings, the paper examines the varieties and possibilities offered by Yang Lian’s poetry: from the early notion of a single identity of the self as a constant poetic voice, to the notion of subjectivity as something which is constantly relational, interactive, context-based. The results are quite striking, pointing at some correspondence between geography and creative process. However, the article argues that this correspondence is not easily classified as exile subjectivity, but is a more complex psychological displacement to be added to the physical one.
49-50
2003-06-01
Yang Lian shige zhong de zhuguanxing. [Subjectivity in Yang Lian's Poetry]
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Zhongguo she hui ke xue chu ban she
Bruno
Cosima
Cosima Bruno
http://orcid.org/0000-0002-6369-3049
7806880208
Shi tansuo [Poetry Exploration]
oai:eprints.soas.ac.uk:4387
2022-08-31T09:42:32Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #4387
Chinese Literary Trends in the Last Quarter of a Century
Autumn
14
2006
Chinese Literary Trends in the Last Quarter of a Century
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Ballyclare
Bruno
Cosima
Cosima Bruno
http://orcid.org/0000-0002-6369-3049
14666421
Black Mountain Review
oai:eprints.soas.ac.uk:4390
2022-09-16T15:45:34Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #4390
Sulla conoscenza deittica di un'altra cultura [On the Deictic Knowledge of Another Culture]
6
2005
Sulla conoscenza deittica di un'altra cultura [On the Deictic Knowledge of Another Culture]
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Rubettino
Bruno
Cosima
Cosima Bruno
http://orcid.org/0000-0002-6369-3049
17224209
Itinerari d’impresa. Management diritto formazione
oai:eprints.soas.ac.uk:4391
2018-06-22T15:55:07Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F73656374696F6E
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #4391
Xi Chuan fang tanlu: da Mina wen
2004
Xi Chuan fang tanlu: da Mina wen
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Chongqing chubanshe
Hua
Guo
Guo Hua
Xi
Chuan
Chuan Xi
Du
Xi
Xi Du
Bruno
Cosima
Cosima Bruno
http://orcid.org/0000-0002-6369-3049
Xianfeng shige dang'an
oai:eprints.soas.ac.uk:4392
2018-06-22T15:55:07Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #4392
Leggendo Qu Youyuan Ouyang Jianghe Xi Chuan Yu Jian [Reading Ouyang Jianghe Xi Chuan Yu Jian Qu Youyuan]
1
1999
Leggendo Qu Youyuan Ouyang Jianghe Xi Chuan Yu Jian [Reading Ouyang Jianghe Xi Chuan Yu Jian Qu Youyuan]
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Associazione Culturale "In forma di parole"
Bruno
Cosima
Cosima Bruno
http://orcid.org/0000-0002-6369-3049
In Forma di parole
oai:eprints.soas.ac.uk:4394
2022-06-22T18:52:24Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F73656374696F6E
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #4394
English/Chinese – Chinese/Chinese. On Reading Poetry through Translation
In this essay I offer a theoretical assessment of the process of translating and propose a formula to represent this process. I also sketch a method to study literature through translation, with the aim of challenging dichotomous views on translation and elaborating a working hypothesis consonant with the mutual articulation and cross-production that I regard as inherent in translation. In discussing this approach to literature, I shall draw attention to the case of translating contemporary Chinese poetry, with reference to the recent debate on the subject.
1
2006-01-01
English/Chinese – Chinese/Chinese. On Reading Poetry through Translation
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
St Jerome Publishing
Bruno
Cosima
Cosima Bruno
http://orcid.org/0000-0002-6369-3049
Hermans
Theo
Theo Hermans
oai:eprints.soas.ac.uk:4395
2018-06-22T15:55:07Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F726576696577
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #4395
Unreal City. A Chinese Poet in Auckland
187
2006
Unreal City. A Chinese Poet in Auckland
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Cambridge University Press
Bruno
Cosima
Cosima Bruno
http://orcid.org/0000-0002-6369-3049
03057410
The China Quarterly
oai:eprints.soas.ac.uk:4396
2018-06-22T15:55:07Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F726576696577
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #4396
Leaving the World to Enter the World: Han Shaogong and Chinese Root-Seeking Literature
184
2005-12-01
Leaving the World to Enter the World: Han Shaogong and Chinese Root-Seeking Literature
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Cambridge University Press
Bruno
Cosima
Cosima Bruno
http://orcid.org/0000-0002-6369-3049
03057410
The China Quarterly
oai:eprints.soas.ac.uk:4397
2018-06-22T15:55:07Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F726576696577
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #4397
The Invention of a Discourse: Women's Poetry from Contemporary China
183
2005-09-01
The Invention of a Discourse: Women's Poetry from Contemporary China
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Cambridge University Press
Bruno
Cosima
Cosima Bruno
http://orcid.org/0000-0002-6369-3049
03057410
The China Quarterly
oai:eprints.soas.ac.uk:4398
2018-06-22T15:55:07Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F726576696577
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #4398
Book review of 'Transpacific Displacement. Ethnography, Translation, and Intertextual Travel in Twentieth-Century American Literature' by Huang Yunte
173
2003-03-01
Book review of 'Transpacific Displacement. Ethnography, Translation, and Intertextual Travel in Twentieth-Century American Literature' by Huang Yunte
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Cambridge University Press
Bruno
Cosima
Cosima Bruno
http://orcid.org/0000-0002-6369-3049
03057410
The China Quarterly
oai:eprints.soas.ac.uk:4399
2021-01-03T10:37:06Z
7374617475733D756E707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
7375626A656374733D54
74797065733D746865736973
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #4399
Contemporary Chinese Poetry in Translation
2003
Contemporary Chinese Poetry in Translation
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
SOAS Research Theses
China and Inner Asia, SOAS, University of London
SOAS, University of London
Bruno
Cosima
Cosima Bruno
http://orcid.org/0000-0002-6369-3049
oai:eprints.soas.ac.uk:4414
2018-06-22T15:55:08Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D7472616E736C6174696F6E
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #4414
"Tempo" by Liu Yichang; "Il caso Mary" and "Mirabilia dalla citta' fluttuante" by Xi Xi
2008
"Tempo" by Liu Yichang; "Il caso Mary" and "Mirabilia dalla citta' fluttuante" by Xi Xi
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Mondadori
Bruno
Cosima
Cosima Bruno
http://orcid.org/0000-0002-6369-3049
oai:eprints.soas.ac.uk:4415
2018-06-22T15:55:08Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D7472616E736C6174696F6E
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #4415
Translation into Italian of 23 contemporary Chinese poems by Yu Jian; Ouyang Jianhe; Xi Chuan; Qu Youyuan
1999
Translation into Italian of 23 contemporary Chinese poems by Yu Jian; Ouyang Jianhe; Xi Chuan; Qu Youyuan
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Associazione culturale "In forma di parole"
Bruno
Cosima
Cosima Bruno
http://orcid.org/0000-0002-6369-3049
oai:eprints.soas.ac.uk:4416
2018-06-22T15:55:08Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D7472616E736C6174696F6E
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #4416
Translation into Italian of six poems by Yang Lian
2004
Translation into Italian of six poems by Yang Lian
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Skira
Bruno
Cosima
Cosima Bruno
http://orcid.org/0000-0002-6369-3049
oai:eprints.soas.ac.uk:4512
2018-06-22T15:55:14Z
oai:eprints.soas.ac.uk:4683
2020-02-26T18:07:31Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #4683
Transnation/transmedia/transtext: border-crossing from screen to stage in Greater China
1
2
2008
Transnation/transmedia/transtext: border-crossing from screen to stage in Greater China
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Intellect
Ferrari
Rossella
Rossella Ferrari
http://orcid.org/0000-0002-9073-9823
17508061
Journal of Chinese Cinemas
oai:eprints.soas.ac.uk:5303
2020-02-26T18:07:32Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #5303
Dalla Repubblica Popolare alla repubblica pop
3
21
2008
Dalla Repubblica Popolare alla repubblica pop
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
[Abano Terme]: Piovan
Ferrari
Rossella
Rossella Ferrari
http://orcid.org/0000-0002-9073-9823
11212691
Hystrio. Trimestrale di teatro e spettacolo
oai:eprints.soas.ac.uk:5609
2024-02-09T14:01:15Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
Hill_2007_Personalpronomina.pdf
indexcodes.txt
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #5609
Personalpronomina in der Lebensbeschreibung des Mi la ras pa, Kapitel III
Personalpronomina in der Lebensbeschreibung des Mi la ras pa, Kapitel III (Text)
Personalpronomina in der Lebensbeschreibung des Mi la ras pa, Kapitel III (Other)
Personalpronomina in der Lebensbeschreibung des Mi la ras pa, Kapitel III (UNSPECIFIED)
Personalpronomina in der Lebensbeschreibung des Mi la ras pa, Kapitel III (UNSPECIFIED)
Personalpronomina in der Lebensbeschreibung des Mi la ras pa, Kapitel III (UNSPECIFIED)
Personalpronomina in der Lebensbeschreibung des Mi la ras pa, Kapitel III (UNSPECIFIED)
36
2007
Personalpronomina in der Lebensbeschreibung des Mi la ras pa, Kapitel III
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Harrassowitz
Hill
Nathan W.
Nathan W. Hill
http://orcid.org/0000-0001-6423-017X
0514857X
Zentralasiatische Studien
oai:eprints.soas.ac.uk:5612
2024-02-09T14:01:16Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
Hill_2007_Aspirated_and_Unaspirated_Voiceless_Consonants_in_Old_Tibetan.pdf
indexcodes.txt
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #5612
Aspirated and Unaspirated Voiceless Consonants in Old Tibetan
Aspirated and Unaspirated Voiceless Consonants in Old Tibetan (Text)
Aspirated and Unaspirated Voiceless Consonants in Old Tibetan (Other)
Aspirated and Unaspirated Voiceless Consonants in Old Tibetan (UNSPECIFIED)
Aspirated and Unaspirated Voiceless Consonants in Old Tibetan (UNSPECIFIED)
Aspirated and Unaspirated Voiceless Consonants in Old Tibetan (UNSPECIFIED)
Aspirated and Unaspirated Voiceless Consonants in Old Tibetan (UNSPECIFIED)
Although Tibetan orthography distinguishes aspirated and unaspirated voiceless consonants, various authors have viewed this distinction as not phonemic. An examination of the unaspirated voiceless initials in the Old Tibetan Inscriptions, together with unaspirated voiceless consonants in several Tibetan dialects confirms that aspiration was either not phonemic in Old Tibetan, or only just emerging as a distinction due to loan words. The data examined also affords evidence for the nature of the phonetic word in Old Tibetan.
2
8
2007
Aspirated and Unaspirated Voiceless Consonants in Old Tibetan
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Academia Sinica
Hill
Nathan W.
Nathan W. Hill
http://orcid.org/0000-0001-6423-017X
1606822X
語言暨語言學 / Languages and Linguistics
oai:eprints.soas.ac.uk:5613
2024-02-09T14:01:16Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
Hill_Tibetan_vwa_fax.pdf
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #5613
Tibetan vwa ‘fox’ and the sound change Tibeto-Burman *wa -> Old Tibetan o
Tibetan vwa ‘fox’ and the sound change Tibeto-Burman *wa -> Old Tibetan o (PDF)
Tibetan vwa ‘fox’ and the sound change Tibeto-Burman *wa -> Old Tibetan o (UNSPECIFIED)
Tibetan vwa ‘fox’ and the sound change Tibeto-Burman *wa -> Old Tibetan o (UNSPECIFIED)
Tibetan vwa ‘fox’ and the sound change Tibeto-Burman *wa -> Old Tibetan o (UNSPECIFIED)
Tibetan vwa ‘fox’ and the sound change Tibeto-Burman *wa -> Old Tibetan o (UNSPECIFIED)
Paul Benedict (1972: 34) proposed that Tibeto-Burman medial *-waregularly leads to -0- in Old Tibetan, but that initial *wa did not undergo this change. Because Old Tibetan has no initial w-, and several genuine words have the rhyme -wa, this proposal cannot be accepted. In particular, the intial of the Old Tibetan word vwa 'fox' is v- and not w-.
2
29
2006
Tibetan vwa ‘fox’ and the sound change Tibeto-Burman *wa -> Old Tibetan o
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
University of California, Berkeley
Hill
Nathan W.
Nathan W. Hill
http://orcid.org/0000-0001-6423-017X
07313500
Linguistics of the Tibeto-Burman Area
oai:eprints.soas.ac.uk:5614
2024-02-09T14:01:17Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D7472616E736C6174696F6E
The repository administrator has not yet configured an RDF license.
hil-fee-2008-dalai-vi.pdf
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #5614
Love poems of the sixth Dalai Lama. (1, 2, 4, 25, 34, 36, 50, and 52.)
Love poems of the sixth Dalai Lama. (1, 2, 4, 25, 34, 36, 50, and 52.) (Text)
Love poems of the sixth Dalai Lama. (1, 2, 4, 25, 34, 36, 50, and 52.) (UNSPECIFIED)
Love poems of the sixth Dalai Lama. (1, 2, 4, 25, 34, 36, 50, and 52.) (UNSPECIFIED)
Love poems of the sixth Dalai Lama. (1, 2, 4, 25, 34, 36, 50, and 52.) (UNSPECIFIED)
Love poems of the sixth Dalai Lama. (1, 2, 4, 25, 34, 36, 50, and 52.) (UNSPECIFIED)
Winter
2008
Love poems of the sixth Dalai Lama. (1, 2, 4, 25, 34, 36, 50, and 52.)
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Fee
Toby
Toby Fee
Hill
Nathan W.
Nathan W. Hill
http://orcid.org/0000-0001-6423-017X
00178004
The Harvard Advocate
oai:eprints.soas.ac.uk:5615
2024-02-09T14:01:17Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
Hill_2005_The_Verb_bri_to_write_in_Old_Tibetan.pdf
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #5615
The verb ‘bri ‘to write’ in Old Tibetan
The verb ‘bri ‘to write’ in Old Tibetan (Text)
The verb ‘bri ‘to write’ in Old Tibetan (UNSPECIFIED)
The verb ‘bri ‘to write’ in Old Tibetan (UNSPECIFIED)
The verb ‘bri ‘to write’ in Old Tibetan (UNSPECIFIED)
The verb ‘bri ‘to write’ in Old Tibetan (UNSPECIFIED)
68
2005
The verb ‘bri ‘to write’ in Old Tibetan
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Tokyo: Institute for the Study of Languages and Cultures of Asia and Africa
Hill
Nathan W.
Nathan W. Hill
http://orcid.org/0000-0001-6423-017X
03872807
Journal of Asian and African Studies
oai:eprints.soas.ac.uk:5632
2024-02-09T14:01:20Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
once_more_on_the_letter.pdf
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #5632
Once more on the letter འ
Once more on the letter འ (Text)
Once more on the letter འ (UNSPECIFIED)
Once more on the letter འ (UNSPECIFIED)
Once more on the letter འ (UNSPECIFIED)
Once more on the letter འ (UNSPECIFIED)
W. S. Coblin, in a contribution (2002) to the ongoing iscussion about the phonetic value of the Tibetan letter ༢ (transcribed as v), has argued that this character has no phonetic value per se but is rather an orthographic device. A review of the previous literature and consideration of Coblin’s arguments in contrast agree with the finding
that before vowels and the glide -w- the letter v represents a voiced fricative, while before consonants it stands for prenasalization; in the former position, the value [ɣ] is argued for. The use of final -v in Old
Tibetan inscriptions suggests that in that position too -v has the value [ɣ]. Finally, with a view to the internal reconstruction of the Tibetan verbal system, consideration is given to the question of whether the various phonetic values of v- represent a unitary phoneme.
2
28
2005
Once more on the letter འ
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
University of California, Berkeley
Hill
Nathan W.
Nathan W. Hill
http://orcid.org/0000-0001-6423-017X
07313500
Linguistics of the Tibeto-Burman Area
oai:eprints.soas.ac.uk:5633
2024-02-09T14:01:20Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F726576696577
The repository administrator has not yet configured an RDF license.
Hill_2004_compte_rendu.pdf
indexcodes.txt
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #5633
Compte rendu (Review of Paul G. Hackett, 'A Tibetan Verb Lexicon' Ithaca: Snow Lion, 2003.)
Compte rendu (Review of Paul G. Hackett, 'A Tibetan Verb Lexicon' Ithaca: Snow Lion, 2003.) (Text)
Compte rendu (Review of Paul G. Hackett, 'A Tibetan Verb Lexicon' Ithaca: Snow Lion, 2003.) (Other)
Compte rendu (Review of Paul G. Hackett, 'A Tibetan Verb Lexicon' Ithaca: Snow Lion, 2003.) (UNSPECIFIED)
Compte rendu (Review of Paul G. Hackett, 'A Tibetan Verb Lexicon' Ithaca: Snow Lion, 2003.) (UNSPECIFIED)
Compte rendu (Review of Paul G. Hackett, 'A Tibetan Verb Lexicon' Ithaca: Snow Lion, 2003.) (UNSPECIFIED)
Compte rendu (Review of Paul G. Hackett, 'A Tibetan Verb Lexicon' Ithaca: Snow Lion, 2003.) (UNSPECIFIED)
6
2004
Compte rendu (Review of Paul G. Hackett, 'A Tibetan Verb Lexicon' Ithaca: Snow Lion, 2003.)
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Centre National de la Recherche Scientifique (CNRS)
Hill
Nathan W.
Nathan W. Hill
http://orcid.org/0000-0001-6423-017X
17682959
Revue d'études Tibétaines
oai:eprints.soas.ac.uk:5635
2018-06-22T15:56:23Z
oai:eprints.soas.ac.uk:5990
2018-06-22T15:56:44Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32333030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #5990
Partner oder Gegner? Begegnungen mit China, Taiwan und Hongkong in Kinofilm und Fernsehdrama in Japan
Since the end of the 1980s, Japan's interest in its Asian neighbours has grown visibly. Although the political relations are not untroubled, the economical ties between Japan and its neighbouring countries grow closer each year. Even in the cultural sphere, the interest in Asia has increased, which could not only be observed in the rising number of travellers to other Asian countries, but also in an 'Asia boom' in the popular genres of cinema and TV drama. This Asia boom brought more characters fro another Asian country to the big and small screens in Japan than ever before.
Due to the fact that the mass media in general, and the fictional media in particular, reach a wide audience, and in light of the Asia boom, it is necessary to look at the representations of other countries constructed in these genres. These representations alqys yield a great deal of information about the circumstances of the society they are produced and located in. Thus, as Japan's Asian neighbours, but mainly the region of Greater China (The People's Republic of China, Taiwan and Hong Kong), have gained importance,.it is especially vital to look at how this region is (re)presented in Japanese media.
Therefore, this paper deals with the representations of Greater China in cinema and TV drama in Japan, aiming to work out how Greater China is perceived in the Japanese visual media whilst taking social and political conditions at the time of production into account.
31
2008
Partner oder Gegner? Begegnungen mit China, Taiwan und Hongkong in Kinofilm und Fernsehdrama in Japan
Department of the Languages and Cultures of Japan and Korea
Department of East Asian Languages & Cultures
Vereinigung für sozialwissenschaftliche Japanforschung (VSJF)
Kirsch
Griseldis
Griseldis Kirsch
http://orcid.org/0000-0003-1218-5279
03436950
Japan 2008. Politik, Wirtschaft und Gesellschaft
oai:eprints.soas.ac.uk:5998
2024-02-09T14:02:08Z
7374617475733D756E707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32333030
74797065733D636F6E666572656E63655F6974656D
The repository administrator has not yet configured an RDF license.
Kirsch_Japanese_TVCommercials_China.pdf
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #5998
Oolong-Tee oder Instantnudeln - Zum Chinabild in der japanischen Fernsehwerbung
Oolong-Tee oder Instantnudeln - Zum Chinabild in der japanischen Fernsehwerbung (Text)
Oolong-Tee oder Instantnudeln - Zum Chinabild in der japanischen Fernsehwerbung (Other)
Oolong-Tee oder Instantnudeln - Zum Chinabild in der japanischen Fernsehwerbung (UNSPECIFIED)
Oolong-Tee oder Instantnudeln - Zum Chinabild in der japanischen Fernsehwerbung (UNSPECIFIED)
Oolong-Tee oder Instantnudeln - Zum Chinabild in der japanischen Fernsehwerbung (UNSPECIFIED)
Oolong-Tee oder Instantnudeln - Zum Chinabild in der japanischen Fernsehwerbung (UNSPECIFIED)
Asian characters rarely appear in Japanese television commercials, while on the other hand Western characters and sceneries are commonplace. Most Japanese-language publications on Japanese TV commercials have already proved this trend quantitatively, yet qualitative work on Japanese TV commercials is scarce. The aim of that paper is to link a quantitative to a qualitative approach in analysing a sample of the year 2002 in both ways while taking the quantitative background into account to elucidate possible developments. In addition, some older commercials were also included in the sample in order to make a possible change in the patterns of representation more evident.
Despite an ‘Asia boom’ in Japan throughout the 1990s, which influenced many other popular genres, Japanese TV commercials were by large unaffected of this trend. In 2002, the Chinese characters did not appear in a large number. In addition, they were still the only other Asians in Japanese commercials and their appearance was strongly linked to the product to be advertised (i.e. Oolong Tea and Chinese food). Hence, stereotypes commonly associated with China were used in abundance in order to create a ‘Chinese flair’ for the Japanese product. While in the 1990s, even Chinese stars appeared only in relation to products of Chinese origin, at the beginning of the new millennium, a certain tendency to dissolve the Chinese stars from this background and to present them in a less stereotypical way could be observed.
IV
2002
Oolong-Tee oder Instantnudeln - Zum Chinabild in der japanischen Fernsehwerbung
Department of the Languages and Cultures of Japan and Korea
Department of East Asian Languages & Cultures
12. German-language conference of Japanese Studies
Bonn
Bier'sche Verlagsanstalt
Horres
Robert
Robert Horres
Oelschleger
Hans Dieter
Hans Dieter Oelschleger
Kirsch
Griseldis
Griseldis Kirsch
http://orcid.org/0000-0003-1218-5279
oai:eprints.soas.ac.uk:6014
2018-06-22T15:56:45Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32333030
74797065733D626F6F6B5F73656374696F6E
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #6014
Japanisch-chinesische Begegnungen im Genre Yakuza-Film [Japanese-Chinese Encounters in the yakuza-film genre]
Throughout the 1990s, an increased number of Chinese characters appearing in the genre of yakuza film could be observed. This increase is part of an Asia boom in Japanese cinema in general. However, this development is paralleled by a discussion on the potential increase of foreign criminality in the non-fictional media in Japan. Many politicians such as Ishihara Shintarō feared that an increased number of foreigners in Japan would also lead to an increased number of crimes.
This paper deals with the representations of Chinese and Taiwanese characters in Japanese yakuza films in relation to the idea of foreign criminality. In these films, Kabukichō in Shinjuku in Tōkyō seems to be like a symbol of foreign/Chinese dominance within Japan when it is turned into a quasi-extraterritorial space with only limited Japanese influence. Depending on the film, the various yakuza groups are trying to contain the influence of the Chinese triads.
Yet analysing the films from a gender perspective, it becomes evident, that only male Chinese characters are portrayed as ‘threatening’ Japan whereas female Chinese characters are often in need of Japanese support and will sacrifice themselves eventually, leading to a chastening inside the Japanese protagonists.
By exploring these various ways of encountering the ‘Other’ in this genre, this paper seeks to work out which concepts of Otherness are used in constructing these representations – and also how the debate on foreign criminality is reflected therein.
27-I.
2009
Japanisch-chinesische Begegnungen im Genre Yakuza-Film [Japanese-Chinese Encounters in the yakuza-film genre]
Department of the Languages and Cultures of Japan and Korea
Department of East Asian Languages & Cultures
EBVerlag
Distelrath
Günther
Günther Distelrath
Kirsch
Griseldis
Griseldis Kirsch
http://orcid.org/0000-0003-1218-5279
oai:eprints.soas.ac.uk:6015
2024-02-09T14:02:11Z
7374617475733D756E707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32333030
74797065733D6F74686572
The repository administrator has not yet configured an RDF license.
Kirsch_Honkonmyojomei_Honke_no_yome.pdf
indexcodes.txt
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #6015
自由のビジョンとしての「アジア」 テレビドラマにおける女性の異文化接触を中心に (テレビドラマ『香港明星迷』と『本家のヨメ』における女性の異文化接触を中心 に)
自由のビジョンとしての「アジア」 テレビドラマにおける女性の異文化接触を中心に (テレビドラマ『香港明星迷』と『本家のヨメ』における女性の異文化接触を中心 に) (Text)
自由のビジョンとしての「アジア」 テレビドラマにおける女性の異文化接触を中心に (テレビドラマ『香港明星迷』と『本家のヨメ』における女性の異文化接触を中心 に) (Other)
自由のビジョンとしての「アジア」 テレビドラマにおける女性の異文化接触を中心に (テレビドラマ『香港明星迷』と『本家のヨメ』における女性の異文化接触を中心 に) (UNSPECIFIED)
自由のビジョンとしての「アジア」 テレビドラマにおける女性の異文化接触を中心に (テレビドラマ『香港明星迷』と『本家のヨメ』における女性の異文化接触を中心 に) (UNSPECIFIED)
自由のビジョンとしての「アジア」 テレビドラマにおける女性の異文化接触を中心に (テレビドラマ『香港明星迷』と『本家のヨメ』における女性の異文化接触を中心 に) (UNSPECIFIED)
自由のビジョンとしての「アジア」 テレビドラマにおける女性の異文化接触を中心に (テレビドラマ『香港明星迷』と『本家のヨメ』における女性の異文化接触を中心 に) (UNSPECIFIED)
The Asia boom in Japanese cinema that has been observed by scholars of Japanese cinema was not without re-percussion on the genre of Japanese television drama. Although throughout most of its history, Japanese TV drama has focused on ‘Japanese’ topics set in Japan – thus underpinning the myth of Japanese homogeneity – in the late 1990s, the genre began to slowly internationalise. In the wake of that ‘internationalisation’, more Asian characters were also brought to the small screens and the genre ‘discovered’ interculturality.
Centring on the content analysis of two TV dramas of the years 2001 and 2002 respectively, this paper aims to work out how the encounter of female characters with another culture took place. The first drama to be analysed, features a young woman of Japanese-Taiwanese parentage coming to Japan whereas the second drama focuses on the encounter of three Japanese women with Hong Kong. In contrasting the encounter of the women with the respective ‘Other’, it shall be elucidated how ‘identities’ are constructed in these two dramas and what kind of gender concepts are portrayed therein.
2004
自由のビジョンとしての「アジア」 テレビドラマにおける女性の異文化接触を中心に (テレビドラマ『香港明星迷』と『本家のヨメ』における女性の異文化接触を中心 に)
Department of the Languages and Cultures of Japan and Korea
Department of East Asian Languages & Cultures
Gössmann
Hilaria
Hilaria Gössmann
Kirsch
Griseldis
Griseldis Kirsch
http://orcid.org/0000-0003-1218-5279
Yonaha
Keiko
Keiko Yonaha
Iwami
Teruyo
Teruyo Iwami
oai:eprints.soas.ac.uk:6045
2024-02-09T14:02:16Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F73656374696F6E
The repository administrator has not yet configured an RDF license.
The_Sovereign_and_the_Theater.TAN.pdf
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #6045
The Sovereign and the Theater: Reconsidering the Impact of Ming Taizu’s Prohibitions
The Sovereign and the Theater: Reconsidering the Impact of Ming Taizu’s Prohibitions (PDF)
The Sovereign and the Theater: Reconsidering the Impact of Ming Taizu’s Prohibitions (UNSPECIFIED)
The Sovereign and the Theater: Reconsidering the Impact of Ming Taizu’s Prohibitions (UNSPECIFIED)
The Sovereign and the Theater: Reconsidering the Impact of Ming Taizu’s Prohibitions (UNSPECIFIED)
The Sovereign and the Theater: Reconsidering the Impact of Ming Taizu’s Prohibitions (UNSPECIFIED)
4
2008
The Sovereign and the Theater: Reconsidering the Impact of Ming Taizu’s Prohibitions
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Society for Ming Studies
Schneewind
Sarah
Sarah Schneewind
Tan
Tian Yuan
Tian Yuan Tan
oai:eprints.soas.ac.uk:6073
2024-02-09T14:02:22Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F726576696577
The repository administrator has not yet configured an RDF license.
Hill_2009_Review_of_Matisoff_2003.pdf
indexcodes.txt
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #6073
Review of Handbook of Proto-Tibeto-Burman: System and Philosophy of Sino-Tibetan Reconstruction. By James A. Matisoff. Berkeley: University of California Press, 2003
Review of Handbook of Proto-Tibeto-Burman: System and Philosophy of Sino-Tibetan Reconstruction. By James A. Matisoff. Berkeley: University of California Press, 2003 (Text)
Review of Handbook of Proto-Tibeto-Burman: System and Philosophy of Sino-Tibetan Reconstruction. By James A. Matisoff. Berkeley: University of California Press, 2003 (Other)
Review of Handbook of Proto-Tibeto-Burman: System and Philosophy of Sino-Tibetan Reconstruction. By James A. Matisoff. Berkeley: University of California Press, 2003 (UNSPECIFIED)
Review of Handbook of Proto-Tibeto-Burman: System and Philosophy of Sino-Tibetan Reconstruction. By James A. Matisoff. Berkeley: University of California Press, 2003 (UNSPECIFIED)
Review of Handbook of Proto-Tibeto-Burman: System and Philosophy of Sino-Tibetan Reconstruction. By James A. Matisoff. Berkeley: University of California Press, 2003 (UNSPECIFIED)
Review of Handbook of Proto-Tibeto-Burman: System and Philosophy of Sino-Tibetan Reconstruction. By James A. Matisoff. Berkeley: University of California Press, 2003 (UNSPECIFIED)
Proposing many new cognate sets and building on many decades of his own previous research, Matisoff (2003) represents a major contribution to Tibeto-Burman linguistics. Unfortunately, Matisoff’s use of Tibetan is marred by errors
of fact and analysis, which together undermine confidence in his reconstructions.
1
10
2009
Review of Handbook of Proto-Tibeto-Burman: System and Philosophy of Sino-Tibetan Reconstruction. By James A. Matisoff. Berkeley: University of California Press, 2003
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Zhong yang yan jiu yuan yu yan yan jiu suo chou bei chu
Hill
Nathan W.
Nathan W. Hill
http://orcid.org/0000-0001-6423-017X
1606822X
語言暨語言學 / Languages and Linguistics
oai:eprints.soas.ac.uk:6419
2018-06-22T15:57:11Z
7374617475733D666F727468636F6D696E67
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #6419
Shixu zhi kangheng: Wang Jiusi quzuo zhong de liangzhong guiyin (Contending with Displacement: Two Forms of Retirement in Wang Jiusi’s Songs and Drama)
After his official career imploded, Wang Jiusi (1468-1551) participated actively in qu writing and later became one of the major qu writers in the mid Ming. Focusing on his qu writings, including both sanqu and drama, this paper explores how Wang Jiusi coped with his displacement from the political and cultural center through his literary pursuits.
Retirement is a major theme in Wang Jiusi’s qu writings. Wang’s representation of retirement shows distinct characteristics from the Yuan and Ming sanqu and drama on the same theme. Furthermore, his sanqu and drama also depict two different forms of retirement respectively. In his sanqu, Wang celebrated the joy of retirement, but he could only do so in the capacity of a dismissed official. The triumph of the world of withdrawal and retirement over the world of chaos and power politics is only achieved after Wang had already been rejected from his official career. By contrast, instead of being dismissed, Du Fu was promoted to the post of Hanlin Academician in the drama Gujiu youchun. Du Fu, in the fictional world of the drama, eventually chooses to retire, a power that neither he nor Wang Jiusi enjoyed in reality. The fictional form of drama has situated the protagonist and the author in a more powerful and subversive position with full control of their own destiny, and has created a more ideal path to retirement.
3
2009
Shixu zhi kangheng: Wang Jiusi quzuo zhong de liangzhong guiyin (Contending with Displacement: Two Forms of Retirement in Wang Jiusi’s Songs and Drama)
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Tan
Tian Yuan
Tian Yuan Tan
Xiju Yanjiu=Journal of Theater Studies
oai:eprints.soas.ac.uk:7114
2024-02-09T14:05:02Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
Xiju_yanjiu_3_(2009).49-74.pdf
indexcodes.txt
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #7114
Shixu zhi kangheng: Wang Jiusi quzuo zhong de liangzhong guiyin 失序之抗衡—王九思曲作中的兩種歸隱 (Contending with Displacement: Two Forms of Retirement in Wang Jiusi's Songs and Drama)
Shixu zhi kangheng: Wang Jiusi quzuo zhong de liangzhong guiyin 失序之抗衡—王九思曲作中的兩種歸隱 (Contending with Displacement: Two Forms of Retirement in Wang Jiusi's Songs and Drama) (Text)
Shixu zhi kangheng: Wang Jiusi quzuo zhong de liangzhong guiyin 失序之抗衡—王九思曲作中的兩種歸隱 (Contending with Displacement: Two Forms of Retirement in Wang Jiusi's Songs and Drama) (Other)
Shixu zhi kangheng: Wang Jiusi quzuo zhong de liangzhong guiyin 失序之抗衡—王九思曲作中的兩種歸隱 (Contending with Displacement: Two Forms of Retirement in Wang Jiusi's Songs and Drama) (UNSPECIFIED)
Shixu zhi kangheng: Wang Jiusi quzuo zhong de liangzhong guiyin 失序之抗衡—王九思曲作中的兩種歸隱 (Contending with Displacement: Two Forms of Retirement in Wang Jiusi's Songs and Drama) (UNSPECIFIED)
Shixu zhi kangheng: Wang Jiusi quzuo zhong de liangzhong guiyin 失序之抗衡—王九思曲作中的兩種歸隱 (Contending with Displacement: Two Forms of Retirement in Wang Jiusi's Songs and Drama) (UNSPECIFIED)
Shixu zhi kangheng: Wang Jiusi quzuo zhong de liangzhong guiyin 失序之抗衡—王九思曲作中的兩種歸隱 (Contending with Displacement: Two Forms of Retirement in Wang Jiusi's Songs and Drama) (UNSPECIFIED)
After his official career imploded, Wang Jiusi (1468-1551) participated actively in qu writing and later became one of the major qu writers in the mid Ming. Focusing on his qu writings, including both sanqu and drama, this paper explores how Wang Jiusi coped with his displacement from the political and cultural center through his literary pursuits.
Retirement is a major theme in Wang Jiusi’s qu writings. Wang’s representation of retirement shows distinct characteristics from the Yuan and Ming sanqu and drama on the same theme. Furthermore, his sanqu and drama also depict two different forms of retirement respectively. In his sanqu, Wang celebrated the joy of retirement, but he could only do so in the capacity of a dismissed official. The triumph of the world of withdrawal and retirement over the world of chaos and power politics is only achieved after Wang had already been rejected from his official career. By contrast, instead of being dismissed, Du Fu was promoted to the post of Hanlin Academician in the drama Gujiu youchun. Du Fu, in the fictional world of the drama, eventually chooses to retire, a power that neither he nor Wang Jiusi enjoyed in reality. The fictional form of drama has situated the protagonist and the author in a more powerful and subversive position with full control of their own destiny, and has created a more ideal path to retirement.
3
2009-01-01
Shixu zhi kangheng: Wang Jiusi quzuo zhong de liangzhong guiyin 失序之抗衡—王九思曲作中的兩種歸隱 (Contending with Displacement: Two Forms of Retirement in Wang Jiusi's Songs and Drama)
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Academia Sinica Institute of Chinese Literature and Philosophy
Tan
Tian Yuan
Tian Yuan Tan
20702663
Xiju Yanjiu戲劇研究=Journal of Theater Studies
oai:eprints.soas.ac.uk:7116
2022-11-29T20:30:57Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F726576696577
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #7116
Review of Zong-qi Cai ed., 'How to Read Chinese Poetry: A Guided Anthology'
56
2008
Review of Zong-qi Cai ed., 'How to Read Chinese Poetry: A Guided Anthology'
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Taylor and Francis
Tan
Tian Yuan
Tian Yuan Tan
02549948
Monumenta Serica
oai:eprints.soas.ac.uk:7118
2018-06-22T15:57:42Z
7374617475733D666F727468636F6D696E67
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F726576696577
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #7118
Review of Daniel Bryant, 'The Great Recreation: Ho Ching-ming (1483-1521) and His World'
3
72
2009
Review of Daniel Bryant, 'The Great Recreation: Ho Ching-ming (1483-1521) and His World'
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Cambridge University Press
Tan
Tian Yuan
Tian Yuan Tan
0041977X
Bulletin of the School of Oriental and African Studies
oai:eprints.soas.ac.uk:7122
2022-06-23T10:17:45Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F73656374696F6E
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #7122
Ming zhongye qujia Kang Hai ziliao de xin faxian jiqi jiazhi 明中葉曲家康海資料的新發現及其价值 (The Discovery of Materials Related to the Mid Ming Writer Kang Hai and Its Significances)
2006-08
Ming zhongye qujia Kang Hai ziliao de xin faxian jiqi jiazhi 明中葉曲家康海資料的新發現及其价值 (The Discovery of Materials Related to the Mid Ming Writer Kang Hai and Its Significances)
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Zhonghua shuju
Rong
Guangrun
Guangrun Rong
Dong
Jian
Jian Dong
Tan
Tian Yuan
Tian Yuan Tan
oai:eprints.soas.ac.uk:7123
2022-10-09T07:45:15Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #7123
Kang Hai sanqu ji de xin faxian jiqi wenxian jiazhi--du Taiwan guojia tushuguan suocang Pandong yuefu houlu erjuan 康海散曲集的新發現及其文獻價值——讀臺灣國家圖書館所藏《沜東樂府後錄》二卷 (The New Discovery of Kang Hai’s Sanqu Collection and Its Significances--Reading Pandong Yuefu Houlu in the Collection of Taiwan National Library)
2
16
2006
Kang Hai sanqu ji de xin faxian jiqi wenxian jiazhi--du Taiwan guojia tushuguan suocang Pandong yuefu houlu erjuan 康海散曲集的新發現及其文獻價值——讀臺灣國家圖書館所藏《沜東樂府後錄》二卷 (The New Discovery of Kang Hai’s Sanqu Collection and Its Significances--Reading Pandong Yuefu Houlu in the Collection of Taiwan National Library)
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Academia Sinica, Taipei
Tan
Tian Yuan
Tian Yuan Tan
10177558
Zhongguo wenzhe yanjiu tongxun = 中國文哲研究通訊 (Newsletter of the Institute of Chinese Literature and Philosophy, Academia Sinica, Taipei)
oai:eprints.soas.ac.uk:7124
2022-06-23T12:37:31Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F73656374696F6E
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #7124
Ye Fashi fushi zhenyao: Jingshi tongyan zhong de ling yi "sishi juan"《葉法師符石鎮妖》——《警世通言》中的另一“四十卷” (A Study of a 'New' Huaben Story in Jingshi tongyan: 'Exorcist Ye Subdues the Demon with a Charmed Rock')
2002
Ye Fashi fushi zhenyao: Jingshi tongyan zhong de ling yi "sishi juan"《葉法師符石鎮妖》——《警世通言》中的另一“四十卷” (A Study of a 'New' Huaben Story in Jingshi tongyan: 'Exorcist Ye Subdues the Demon with a Charmed Rock')
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Xuelin chubanshe
Kow
Mei Kao
Mei Kao Kow
Huang
Lin
Lin Huang
Tan
Tian Yuan
Tian Yuan Tan
oai:eprints.soas.ac.uk:7415
2024-02-09T14:06:06Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F726576696577
The repository administrator has not yet configured an RDF license.
bookreview_rf.pdf
indexcodes.txt
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #7415
Review of A History of Contemporary Chinese Literature by Hong Zicheng
Review of A History of Contemporary Chinese Literature by Hong Zicheng (PDF)
Review of A History of Contemporary Chinese Literature by Hong Zicheng (Other)
Review of A History of Contemporary Chinese Literature by Hong Zicheng (UNSPECIFIED)
Review of A History of Contemporary Chinese Literature by Hong Zicheng (UNSPECIFIED)
Review of A History of Contemporary Chinese Literature by Hong Zicheng (UNSPECIFIED)
Review of A History of Contemporary Chinese Literature by Hong Zicheng (UNSPECIFIED)
194
2008-06
Review of A History of Contemporary Chinese Literature by Hong Zicheng
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Cambridge University Press
Ferrari
Rossella
Rossella Ferrari
http://orcid.org/0000-0002-9073-9823
03057410
The China Quarterly
oai:eprints.soas.ac.uk:7416
2024-02-09T14:06:07Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F726576696577
The repository administrator has not yet configured an RDF license.
52.1.pdf
indexcodes.txt
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #7416
Review of Significant Other. Staging the American in China by Claire Conceison
Review of Significant Other. Staging the American in China by Claire Conceison (Text)
Review of Significant Other. Staging the American in China by Claire Conceison (Other)
Review of Significant Other. Staging the American in China by Claire Conceison (UNSPECIFIED)
Review of Significant Other. Staging the American in China by Claire Conceison (UNSPECIFIED)
Review of Significant Other. Staging the American in China by Claire Conceison (UNSPECIFIED)
Review of Significant Other. Staging the American in China by Claire Conceison (UNSPECIFIED)
1
52
2008
Review of Significant Other. Staging the American in China by Claire Conceison
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
MIT
Ferrari
Rossella
Rossella Ferrari
http://orcid.org/0000-0002-9073-9823
10542043
TDR The Drama Review
oai:eprints.soas.ac.uk:7417
2024-02-09T14:06:07Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F726576696577
The repository administrator has not yet configured an RDF license.
book_review_sumerian_grammar.pdf
indexcodes.txt
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #7417
Review of Gao Xingjian and Transcultural Chinese Theater by Sy Ren Quah
Review of Gao Xingjian and Transcultural Chinese Theater by Sy Ren Quah (Text)
Review of Gao Xingjian and Transcultural Chinese Theater by Sy Ren Quah (Other)
Review of Gao Xingjian and Transcultural Chinese Theater by Sy Ren Quah (UNSPECIFIED)
Review of Gao Xingjian and Transcultural Chinese Theater by Sy Ren Quah (UNSPECIFIED)
Review of Gao Xingjian and Transcultural Chinese Theater by Sy Ren Quah (UNSPECIFIED)
Review of Gao Xingjian and Transcultural Chinese Theater by Sy Ren Quah (UNSPECIFIED)
2
68
2005
Review of Gao Xingjian and Transcultural Chinese Theater by Sy Ren Quah
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Cambridge University Press
Ferrari
Rossella
Rossella Ferrari
http://orcid.org/0000-0002-9073-9823
0041977X
Bulletin of the School of Oriental and African Studies
oai:eprints.soas.ac.uk:7431
2018-06-22T15:58:05Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #7431
Old Tibetan Inscriptions
9784863370027
2
2009
Old Tibetan Inscriptions
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Research Institute for Languages and Cultures of Asia and Africa, Tokyo University of Foreign Studies
Iwao
Kazushi
Kazushi Iwao
Takeuchi
Tsuguhito
Tsuguhito Takeuchi
Hill
Nathan W.
Nathan W. Hill
http://orcid.org/0000-0001-6423-017X
oai:eprints.soas.ac.uk:7458
2024-02-09T14:06:19Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F73656374696F6E
The repository administrator has not yet configured an RDF license.
Hill_2008_verbs_for_death.pdf
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #7458
Verba Moriendi in the Old Tibetan Annals
Verba Moriendi in the Old Tibetan Annals (Text)
Verba Moriendi in the Old Tibetan Annals (UNSPECIFIED)
Verba Moriendi in the Old Tibetan Annals (UNSPECIFIED)
Verba Moriendi in the Old Tibetan Annals (UNSPECIFIED)
Verba Moriendi in the Old Tibetan Annals (UNSPECIFIED)
2008
Verba Moriendi in the Old Tibetan Annals
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
International Institute for Tibetan and Buddhist Studies Gmbh
Hill
Nathan W.
Nathan W. Hill
http://orcid.org/0000-0001-6423-017X
Beckwith
Christopher I.
Christopher I. Beckwith
oai:eprints.soas.ac.uk:7460
2024-02-09T14:06:19Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D7472616E736C6174696F6E
The repository administrator has not yet configured an RDF license.
Pa_sang_2007_intro_to_the_khrom_chen.pdf
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #7460
An Introduction to the text of the Newly Discovered Khrom chen Stele [Translation of 'gsar du rnyed pa'i khrom chen rdo ring yi ge mtshams sbyor' by Pa tshab pa sang dbang 'dus]
An Introduction to the text of the Newly Discovered Khrom chen Stele [Translation of 'gsar du rnyed pa'i khrom chen rdo ring yi ge mtshams sbyor' by Pa tshab pa sang dbang 'dus] (PDF)
An Introduction to the text of the Newly Discovered Khrom chen Stele [Translation of 'gsar du rnyed pa'i khrom chen rdo ring yi ge mtshams sbyor' by Pa tshab pa sang dbang 'dus] (UNSPECIFIED)
An Introduction to the text of the Newly Discovered Khrom chen Stele [Translation of 'gsar du rnyed pa'i khrom chen rdo ring yi ge mtshams sbyor' by Pa tshab pa sang dbang 'dus] (UNSPECIFIED)
An Introduction to the text of the Newly Discovered Khrom chen Stele [Translation of 'gsar du rnyed pa'i khrom chen rdo ring yi ge mtshams sbyor' by Pa tshab pa sang dbang 'dus] (UNSPECIFIED)
An Introduction to the text of the Newly Discovered Khrom chen Stele [Translation of 'gsar du rnyed pa'i khrom chen rdo ring yi ge mtshams sbyor' by Pa tshab pa sang dbang 'dus] (UNSPECIFIED)
2007
An Introduction to the text of the Newly Discovered Khrom chen Stele [Translation of 'gsar du rnyed pa'i khrom chen rdo ring yi ge mtshams sbyor' by Pa tshab pa sang dbang 'dus]
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Hill
Nathan W.
Nathan W. Hill
http://orcid.org/0000-0001-6423-017X
The Tibet Journal
oai:eprints.soas.ac.uk:7625
2024-02-09T14:06:48Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
04-Hill-Dialect-reflexes-of-Tib-v.pdf
indexcodes.txt
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #7625
Tibetan <ḥ-> as a plain initial and its place in Old Tibetan Phonology
Tibetan <ḥ-> as a plain initial and its place in Old Tibetan Phonology (PDF)
Tibetan <ḥ-> as a plain initial and its place in Old Tibetan Phonology (Other)
Tibetan <ḥ-> as a plain initial and its place in Old Tibetan Phonology (UNSPECIFIED)
Tibetan <ḥ-> as a plain initial and its place in Old Tibetan Phonology (UNSPECIFIED)
Tibetan <ḥ-> as a plain initial and its place in Old Tibetan Phonology (UNSPECIFIED)
Tibetan <ḥ-> as a plain initial and its place in Old Tibetan Phonology (UNSPECIFIED)
Beginning with de Kőrös (1834) many researchers have held that the Tibetan letter འ <ḥ> as a simple initial represents a voiced fricative. In 1881 Jäschke initiated an alternative view, which holds that this letter has no phonetic value, instead representing vocalic onset. An examination of the reflexes of relevant Old Tibetan words in the modern Tibetan languages, the order of the Tibetan alphabet, and Old Tibetan phonotactics confirms the earlier tradition of scholarship. It is concluded in addition that in Old Tibetan <ḥ> represented a voiced velar fricative in
all syllable positions and that the Common Tibetan values of prenasalization before consonants and vowel lengthening as a final are due to sound change from Old Tibetan to Common Tibetan.
1
32
2009
Tibetan <ḥ-> as a plain initial and its place in Old Tibetan Phonology
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
University of California, Berkeley
Hill
Nathan W.
Nathan W. Hill
http://orcid.org/0000-0001-6423-017X
07313500
Linguistics of the Tibeto-Burman Area
oai:eprints.soas.ac.uk:7705
2024-02-09T14:07:01Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B
The repository administrator has not yet configured an RDF license.
Songs of Contentment and Transgression.Cover+contents+intro.pdf
indexcodes.txt
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #7705
Songs of Contentment and Transgression: Discharged Officials and Literati Communities in Sixteenth-Century North China
Songs of Contentment and Transgression: Discharged Officials and Literati Communities in Sixteenth-Century North China (Text)
Songs of Contentment and Transgression: Discharged Officials and Literati Communities in Sixteenth-Century North China (Other)
Songs of Contentment and Transgression: Discharged Officials and Literati Communities in Sixteenth-Century North China (UNSPECIFIED)
Songs of Contentment and Transgression: Discharged Officials and Literati Communities in Sixteenth-Century North China (UNSPECIFIED)
Songs of Contentment and Transgression: Discharged Officials and Literati Communities in Sixteenth-Century North China (UNSPECIFIED)
Songs of Contentment and Transgression: Discharged Officials and Literati Communities in Sixteenth-Century North China (UNSPECIFIED)
A discharged official in mid-Ming China faced significant changes in his life. This book explores three such officials in the sixteenth century—Wang Jiusi, Kang Hai, and Li Kaixian—who turned to literary endeavors when forced to retire. Instead of the formal writing expected of scholar-officials, however, they chose to engage in the stigmatized genre ofqu (songs), a collective term for drama and sanqu. As their efforts reveal, a disappointing end to an official career and a physical move away from the center led to their embrace of qu and the pursuit of a marginalized literary genre. This book also attempts to sketch the largely unknown literary landscape of mid-Ming north China. After their retirements, these three writers became cultural leaders in their native regions. Wang, Kang, and Li are studied here not as solitary writers but as central figures in the “qu communities" that formed around them. Using such communities as the basic unit in the study of qu allows us to see how sanqu and drama were produced, transmitted, and “used" among these writers, things less evident when we focus on the individual.
9780674056046
2010
Songs of Contentment and Transgression: Discharged Officials and Literati Communities in Sixteenth-Century North China
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Harvard University Asia Center
Tan
Tian Yuan
Tian Yuan Tan
oai:eprints.soas.ac.uk:7873
2024-02-09T14:07:32Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
Hill_2009_The_letter_h_in_Mong_and_Ch.pdf
indexcodes.txt
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #7873
The Ḥphags-pa letter ḥ and laryngeal phenomena in Mongolian and Chinese
The Ḥphags-pa letter ḥ and laryngeal phenomena in Mongolian and Chinese (Text)
The Ḥphags-pa letter ḥ and laryngeal phenomena in Mongolian and Chinese (Other)
The Ḥphags-pa letter ḥ and laryngeal phenomena in Mongolian and Chinese (UNSPECIFIED)
The Ḥphags-pa letter ḥ and laryngeal phenomena in Mongolian and Chinese (UNSPECIFIED)
The Ḥphags-pa letter ḥ and laryngeal phenomena in Mongolian and Chinese (UNSPECIFIED)
The Ḥphags-pa letter ḥ and laryngeal phenomena in Mongolian and Chinese (UNSPECIFIED)
2
53
2009
The Ḥphags-pa letter ḥ and laryngeal phenomena in Mongolian and Chinese
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Harrassowitz
Hill
Nathan W.
Nathan W. Hill
http://orcid.org/0000-0001-6423-017X
00089192
Central Asiatic Journal
oai:eprints.soas.ac.uk:7918
2024-03-28T02:36:56Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F726576696577
The repository administrator has not yet configured an RDF license.
Tan_review_2009.pdf
indexcodes.txt
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #7918
Review of Daniel Bryant, 'The Great Recreation: Ho Ching-ming (1483-1521) and His World'
Review of Daniel Bryant, 'The Great Recreation: Ho Ching-ming (1483-1521) and His World' (PDF)
Review of Daniel Bryant, 'The Great Recreation: Ho Ching-ming (1483-1521) and His World' (Other)
Review of Daniel Bryant, 'The Great Recreation: Ho Ching-ming (1483-1521) and His World' (UNSPECIFIED)
Review of Daniel Bryant, 'The Great Recreation: Ho Ching-ming (1483-1521) and His World' (UNSPECIFIED)
Review of Daniel Bryant, 'The Great Recreation: Ho Ching-ming (1483-1521) and His World' (UNSPECIFIED)
Review of Daniel Bryant, 'The Great Recreation: Ho Ching-ming (1483-1521) and His World' (UNSPECIFIED)
3
72
2009-10
Review of Daniel Bryant, 'The Great Recreation: Ho Ching-ming (1483-1521) and His World'
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Cambridge University Press
Tan
Tian Yuan
Tian Yuan Tan
0041977X
Bulletin of the School of Oriental and African Studies
oai:eprints.soas.ac.uk:7967
2024-02-09T14:07:49Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F73656374696F6E
The repository administrator has not yet configured an RDF license.
Tan.Rethinking_Li_Kaixian's_Editorship_of_GDYXCQ.pdf
indexcodes.txt
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #7967
Rethinking Li Kaixian’s Editorship of Revised Plays by Yuan Masters: A Comparison with his Banter about Lyrics
Rethinking Li Kaixian’s Editorship of Revised Plays by Yuan Masters: A Comparison with his Banter about Lyrics (PDF)
Rethinking Li Kaixian’s Editorship of Revised Plays by Yuan Masters: A Comparison with his Banter about Lyrics (Other)
Rethinking Li Kaixian’s Editorship of Revised Plays by Yuan Masters: A Comparison with his Banter about Lyrics (UNSPECIFIED)
Rethinking Li Kaixian’s Editorship of Revised Plays by Yuan Masters: A Comparison with his Banter about Lyrics (UNSPECIFIED)
Rethinking Li Kaixian’s Editorship of Revised Plays by Yuan Masters: A Comparison with his Banter about Lyrics (UNSPECIFIED)
Rethinking Li Kaixian’s Editorship of Revised Plays by Yuan Masters: A Comparison with his Banter about Lyrics (UNSPECIFIED)
2009-11
Rethinking Li Kaixian’s Editorship of Revised Plays by Yuan Masters: A Comparison with his Banter about Lyrics
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Brill
Tan
Tian Yuan
Tian Yuan Tan
Hockx
Michel
Michel Hockx
Tan
Tian Yuan
Tian Yuan Tan
Van Crevel
Maghiel
Maghiel Van Crevel
oai:eprints.soas.ac.uk:7968
2018-06-22T15:58:37Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F73656374696F6E
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #7968
Kang Hai houqi nanqu xiaoling chutan: jianlun Langtaosha qupai de jige wenti 康海後期南曲小令初探—兼論【浪淘沙】曲牌的幾個問題 (A Study of Kang Hai’s Composition of Southern Songs in His Later Years, Along with a Discussion on the Tune Title Langtaosha)
2009-06
Kang Hai houqi nanqu xiaoling chutan: jianlun Langtaosha qupai de jige wenti 康海後期南曲小令初探—兼論【浪淘沙】曲牌的幾個問題 (A Study of Kang Hai’s Composition of Southern Songs in His Later Years, Along with a Discussion on the Tune Title Langtaosha)
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Haixia wenyi chubanshe
Chen
Qingyuan
Qingyuan Chen
Tan
Tian Yuan
Tian Yuan Tan
oai:eprints.soas.ac.uk:8073
2024-02-09T14:08:03Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D7472616E736C6174696F6E
The repository administrator has not yet configured an RDF license.
Hahn_2009_foundational_questions.pdf
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #8073
Foundational Questions of Tibetan Morphology [Translation of "Grundfragen der tibetischen Morphologie" by Michael Hahn]
Foundational Questions of Tibetan Morphology [Translation of "Grundfragen der tibetischen Morphologie" by Michael Hahn] (PDF)
Foundational Questions of Tibetan Morphology [Translation of "Grundfragen der tibetischen Morphologie" by Michael Hahn] (UNSPECIFIED)
Foundational Questions of Tibetan Morphology [Translation of "Grundfragen der tibetischen Morphologie" by Michael Hahn] (UNSPECIFIED)
Foundational Questions of Tibetan Morphology [Translation of "Grundfragen der tibetischen Morphologie" by Michael Hahn] (UNSPECIFIED)
Foundational Questions of Tibetan Morphology [Translation of "Grundfragen der tibetischen Morphologie" by Michael Hahn] (UNSPECIFIED)
2
33
2008
Foundational Questions of Tibetan Morphology [Translation of "Grundfragen der tibetischen Morphologie" by Michael Hahn]
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Hill
Nathan W.
Nathan W. Hill
http://orcid.org/0000-0001-6423-017X
Tibet Journal
oai:eprints.soas.ac.uk:8134
2023-01-14T11:25:29Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #8134
Xin faxian Kang Hai sanqu ji Pandong yuefu houlu jiaojian (shang) 新發現康海散曲集《沜東樂府後錄》校箋(上)(A Collation and Annotation of Kang Hai’s Newly Discovered Song Collection Pandong yuefu houlu, Part 1)
Kang Hai is one of the major qu writers in the mid Ming. The newly discovered Pandong yuefu houlu kept in Taiwan is the sequel to Kang’s song collection Pandong yuefu, and it includes a total of 185 xiaoling songs and 82 song suites. This doubles the number of Kang Hai’s sanqu songs hitherto known in current scholarship, and also adds significantly to the sources for the study of Ming sanqu songs. This article provides a collation and annotation of the full text of Houlu, with the aim of enhancing wider circulation of the source and further development in the study of Kang Hai.
4
2
2009-11
Xin faxian Kang Hai sanqu ji Pandong yuefu houlu jiaojian (shang) 新發現康海散曲集《沜東樂府後錄》校箋(上)(A Collation and Annotation of Kang Hai’s Newly Discovered Song Collection Pandong yuefu houlu, Part 1)
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Wenhua yishu yanjiu zazhi she
Tan
Tian Yuan
Tian Yuan Tan
16743180
Wenhua yishu yanjiu 文化藝術研究 (Studies in Culture and Art )
oai:eprints.soas.ac.uk:8136
2023-01-14T11:17:05Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #8136
Xin faxian Kang Hai sanqu ji Pandong yuefu houlu jiaojian (xia) 新發現康海散曲集《沜東樂府後錄》校箋(下)(A Collation and Annotation of Kang Hai’s Newly Discovered Song Collection Pandong yuefu houlu, Part 2)
Kang Hai is one of the major qu writers in the mid Ming. The newly discovered Pandong yuefu houlu kept in Taiwan is the sequel to Kang’s song collection Pandong yuefu, and it includes a total of 185 xiaoling songs and 82 song suites. This doubles the number of Kang Hai’s sanqu songs hitherto known in current scholarship, and also adds significantly to the sources for the study of Ming sanqu songs. This article provides a collation and annotation of the full text of Houlu, with the aim of enhancing wider circulation of the source and further development in the study of Kang Hai.
5
2
2009-12
Xin faxian Kang Hai sanqu ji Pandong yuefu houlu jiaojian (xia) 新發現康海散曲集《沜東樂府後錄》校箋(下)(A Collation and Annotation of Kang Hai’s Newly Discovered Song Collection Pandong yuefu houlu, Part 2)
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Wenhua yishu yanjiu zazhi she
Tan
Tian Yuan
Tian Yuan Tan
16743180
Wenhua yishu yanjiu 文化藝術研究 (Studies in Culture and Art )
oai:eprints.soas.ac.uk:8437
2024-02-09T14:08:56Z
7374617475733D707562
7375626A656374733D50:38323130
7375626A656374733D53:38353130
7375626A656374733D53:38363330
7375626A656374733D50
74797065733D626F6F6B5F73656374696F6E
The repository administrator has not yet configured an RDF license.
Chang_FromFreeChinaSunny.pdf
text/html
HTML Summary of #8437
From ‘Free China’ to Sunny Paradise: The Worlding Process in the Magazine Tourism in Taiwan (1966–1974)
From ‘Free China’ to Sunny Paradise: The Worlding Process in the Magazine Tourism in Taiwan (1966–1974) (Text)
From ‘Free China’ to Sunny Paradise: The Worlding Process in the Magazine Tourism in Taiwan (1966–1974) (UNSPECIFIED)
From ‘Free China’ to Sunny Paradise: The Worlding Process in the Magazine Tourism in Taiwan (1966–1974) (UNSPECIFIED)
From ‘Free China’ to Sunny Paradise: The Worlding Process in the Magazine Tourism in Taiwan (1966–1974) (UNSPECIFIED)
From ‘Free China’ to Sunny Paradise: The Worlding Process in the Magazine Tourism in Taiwan (1966–1974) (UNSPECIFIED)
As a crucial part of the US-led Asia–Pacific security framework, and standing against communist expansion, Taiwan and its offshore islands acted as an anti-communist bulwark during the Cold War. Under the prevailing fear of communist infiltration at the height of the Cold War, it is somewhat surprising that the ROC authorities exerted themselves to promote international tourism and opened its door to attract international visitors. In the mid-1960s, as part of the policy to accelerate the promotion of Taiwan’s international tourism, the KMT government published Tourism in Taiwan (1966–1974), one of the most important official tourism magazines. In contrast to all its short-lived predecessors, Tourism in Taiwan mainly targeted one particular group of international visitors – i.e. the American servicemen who came under the American R&R (rest and recuperation) program between 1965 and 1972. Through careful reading of Tourism in Taiwan, this chapter reflects on the complex power relations between its many ‘authors’ in this nation-branding process and also considers how American taste and Cold War order was embedded in the building, (re)imaging, and construction of the island’s ‘tourability.’
2019-04-30
From ‘Free China’ to Sunny Paradise: The Worlding Process in the Magazine Tourism in Taiwan (1966–1974)
Centre of Taiwan Studies
Department of Politics & International Studies
Department of East Asian Languages & Cultures
School Research Centres
Routledge
Lin
Pei-yin
Pei-yin Lin
Chang
Bi-Yu
Bi-Yu Chang
Chang
Bi-Yu
Bi-Yu Chang
http://orcid.org/0000-0002-6414-5343
oai:eprints.soas.ac.uk:8543
2022-11-20T08:30:10Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F726576696577
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #8543
Review of "Origins of the Chinese Avant-Garde: The Modern Woodcut Movement" by Xiaobing Tang
2
16
2009-07
Review of "Origins of the Chinese Avant-Garde: The Modern Woodcut Movement" by Xiaobing Tang
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
University of Hawai'i Press
Ferrari
Rossella
Rossella Ferrari
http://orcid.org/0000-0002-9073-9823
10695834
China Review International
oai:eprints.soas.ac.uk:8544
2023-02-23T11:39:17Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #8544
Disenchanted Presents, Haunted Pasts, and Dystopian Futures: Deferred Millennialism in the Cinema of Meng Jinghui
71
20
2011-07
Disenchanted Presents, Haunted Pasts, and Dystopian Futures: Deferred Millennialism in the Cinema of Meng Jinghui
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Taylor and Francis
Ferrari
Rossella
Rossella Ferrari
http://orcid.org/0000-0002-9073-9823
14699400
Journal of Contemporary China
oai:eprints.soas.ac.uk:8674
2024-02-09T14:09:36Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
Hill_2010_converb_las.pdf
indexcodes.txt
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #8674
The converb -las in Old Tibetan
The converb -las in Old Tibetan (Text)
The converb -las in Old Tibetan (Other)
The converb -las in Old Tibetan (UNSPECIFIED)
The converb -las in Old Tibetan (UNSPECIFIED)
The converb -las in Old Tibetan (UNSPECIFIED)
The converb -las in Old Tibetan (UNSPECIFIED)
In contrast to its description in available grammars and manuals, the converb -las in Old Tibetan is used primarily to mark off the following clause as surprising given the background of the preceding clause. The converb -las enters into two distinct syntactic constructions: after a reduplicated verb it indicates the interruption of a continuous event; and in a three-clause pattern with the converb -kyis, -las introduces a surprise or contrast in the second clause, but -kyis in the third clause returns the sentiment to that of the first clause. Although the examples which demonstrate the use of -las are drawn from Old Tibetan texts, this use continues in later texts.
2
73
2010
The converb -las in Old Tibetan
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Cambridge University Press
Hill
Nathan W.
Nathan W. Hill
http://orcid.org/0000-0001-6423-017X
0041977X
Bulletin of the School of Oriental and African Studies
oai:eprints.soas.ac.uk:8787
2024-02-09T14:09:57Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
Hill_2010_phonetic_development_of_yodpared.pdf
indexcodes.txt
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #8787
A note on the phonetic evolution of yod-pa-red in Central Tibet.
A note on the phonetic evolution of yod-pa-red in Central Tibet. (Text)
A note on the phonetic evolution of yod-pa-red in Central Tibet. (Other)
A note on the phonetic evolution of yod-pa-red in Central Tibet. (UNSPECIFIED)
A note on the phonetic evolution of yod-pa-red in Central Tibet. (UNSPECIFIED)
A note on the phonetic evolution of yod-pa-red in Central Tibet. (UNSPECIFIED)
A note on the phonetic evolution of yod-pa-red in Central Tibet. (UNSPECIFIED)
1
33
2010
A note on the phonetic evolution of yod-pa-red in Central Tibet.
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
University of California, Berkeley
Hill
Nathan W.
Nathan W. Hill
http://orcid.org/0000-0001-6423-017X
07313500
Linguistics of the Tibeto-Burman Area
oai:eprints.soas.ac.uk:8879
2024-02-09T14:10:13Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D7472616E736C6174696F6E
The repository administrator has not yet configured an RDF license.
ret_10_05.pdf
indexcodes.txt
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #8879
The Old Tibetan Chronicle: Chapter 1.
The Old Tibetan Chronicle: Chapter 1. (PDF)
The Old Tibetan Chronicle: Chapter 1. (Other)
The Old Tibetan Chronicle: Chapter 1. (UNSPECIFIED)
The Old Tibetan Chronicle: Chapter 1. (UNSPECIFIED)
The Old Tibetan Chronicle: Chapter 1. (UNSPECIFIED)
The Old Tibetan Chronicle: Chapter 1. (UNSPECIFIED)
10
2006
The Old Tibetan Chronicle: Chapter 1.
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Hill
Nathan W.
Nathan W. Hill
http://orcid.org/0000-0001-6423-017X
Revue d’Etudes Tibétaines
oai:eprints.soas.ac.uk:8964
2024-02-09T14:10:25Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
Hill_2010_overview_of_Old_Tibetan_phonology.pdf
indexcodes.txt
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #8964
An overview of Old Tibetan synchronic phonology
An overview of Old Tibetan synchronic phonology (Text)
An overview of Old Tibetan synchronic phonology (Other)
An overview of Old Tibetan synchronic phonology (UNSPECIFIED)
An overview of Old Tibetan synchronic phonology (UNSPECIFIED)
An overview of Old Tibetan synchronic phonology (UNSPECIFIED)
An overview of Old Tibetan synchronic phonology (UNSPECIFIED)
Despite the importance of Old Tibetan in the Tibeto-Burman language family, little research has treated Old Tibetan synchronic phonology. This article gives a complete overview of the Old Tibetan phonemic system by associating sound values with the letters of the Tibetan alphabet and exploring the distribution of these sounds in syllable structure.
2
108
2010
An overview of Old Tibetan synchronic phonology
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Wiley
Hill
Nathan W.
Nathan W. Hill
http://orcid.org/0000-0001-6423-017X
00791636
Transactions of the Philological Society
oai:eprints.soas.ac.uk:9819
2024-02-09T14:12:28Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F726576696577
The repository administrator has not yet configured an RDF license.
Hill_2010_Sommerschuh_review.pdf
indexcodes.txt
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #9819
Review of Christine Sommerschuh, Einführung in die tibetische Schriftsprache: Lehrbuch für den Unterricht und das vertiefende Selbststudium. Nordstedt: Books on Demand GmbH, 2008.
Review of Christine Sommerschuh, Einführung in die tibetische Schriftsprache: Lehrbuch für den Unterricht und das vertiefende Selbststudium. Nordstedt: Books on Demand GmbH, 2008. (Text)
Review of Christine Sommerschuh, Einführung in die tibetische Schriftsprache: Lehrbuch für den Unterricht und das vertiefende Selbststudium. Nordstedt: Books on Demand GmbH, 2008. (Other)
Review of Christine Sommerschuh, Einführung in die tibetische Schriftsprache: Lehrbuch für den Unterricht und das vertiefende Selbststudium. Nordstedt: Books on Demand GmbH, 2008. (UNSPECIFIED)
Review of Christine Sommerschuh, Einführung in die tibetische Schriftsprache: Lehrbuch für den Unterricht und das vertiefende Selbststudium. Nordstedt: Books on Demand GmbH, 2008. (UNSPECIFIED)
Review of Christine Sommerschuh, Einführung in die tibetische Schriftsprache: Lehrbuch für den Unterricht und das vertiefende Selbststudium. Nordstedt: Books on Demand GmbH, 2008. (UNSPECIFIED)
Review of Christine Sommerschuh, Einführung in die tibetische Schriftsprache: Lehrbuch für den Unterricht und das vertiefende Selbststudium. Nordstedt: Books on Demand GmbH, 2008. (UNSPECIFIED)
3
53
2010
Review of Christine Sommerschuh, Einführung in die tibetische Schriftsprache: Lehrbuch für den Unterricht und das vertiefende Selbststudium. Nordstedt: Books on Demand GmbH, 2008.
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Brill
Hill
Nathan W.
Nathan W. Hill
http://orcid.org/0000-0001-6423-017X
00197246
Indo-Iranian Journal
oai:eprints.soas.ac.uk:10172
2018-06-22T16:00:37Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #10172
Practical Handbook of Simplified and Full-form Characters [實用簡繁體漢字對照手冊]
9781845700232
2008
Practical Handbook of Simplified and Full-form Characters [實用簡繁體漢字對照手冊]
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Cypress Book Co.
Pang
Zhaoxia
Zhaoxia Pang
oai:eprints.soas.ac.uk:10174
2018-06-22T16:00:38Z
7374617475733D756E707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D6F74686572
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #10174
Moodle-learning Materials for Chinese at Higher Intermediate Level
2009
Moodle-learning Materials for Chinese at Higher Intermediate Level
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Sponsored by Centre for Learning Technology Development Fund Grants LSE. LSE Moodle Learning community
Pang
Zhaoxia
Zhaoxia Pang
oai:eprints.soas.ac.uk:10175
2018-06-22T16:00:38Z
7374617475733D756E707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D6F74686572
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #10175
Integrated Study Pack for Elementary Chinese
2008
Integrated Study Pack for Elementary Chinese
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Sponsored by CETL (Centre for Excellence in Teaching and Learning). SOAS internal textbook
Pang
Zhaoxia
Zhaoxia Pang
oai:eprints.soas.ac.uk:10176
2018-06-22T16:00:38Z
7374617475733D756E707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D6F74686572
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #10176
Mandarin Chinese Workbook
2007
Mandarin Chinese Workbook
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Sponsored by Teaching Development Grant of Imperial College. Imperial College internal textbook
Tang
Helen
Helen Tang
Pang
Zhaoxia
Zhaoxia Pang
oai:eprints.soas.ac.uk:10177
2018-06-22T16:00:38Z
7374617475733D756E707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D6F74686572
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #10177
Intermediate Chinese
2006
Intermediate Chinese
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Sponsored by Teaching Development Grant of Imperial College. Imperial College internal textbook
Pang
Zhaoxia
Zhaoxia Pang
oai:eprints.soas.ac.uk:10178
2018-06-22T16:00:38Z
7374617475733D756E707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D6F74686572
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #10178
Chinese Studies Textbooks (30 lessons)
2002
Chinese Studies Textbooks (30 lessons)
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Sponsored by Great-Britain China Centre. GBCC internal textbooks
Pang
Zhaoxia
Zhaoxia Pang
oai:eprints.soas.ac.uk:10179
2018-06-22T16:00:38Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D6F74686572
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #10179
Specifications of Data Collection System [Translation]
1995
Specifications of Data Collection System [Translation]
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
printed by Naval Research Institute
Pang
Zhaoxia
Zhaoxia Pang
oai:eprints.soas.ac.uk:10180
2018-06-22T16:00:38Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D6F74686572
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #10180
Damn the Torpedoes [Translation]
1993
Damn the Torpedoes [Translation]
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Published by Military Institute of Naval Affairs
Pang
Zhaoxia
Zhaoxia Pang
oai:eprints.soas.ac.uk:10181
2018-06-22T16:00:38Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D6F74686572
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #10181
Regular contributor to Foreign Sea Powers [Translation]
1990
Regular contributor to Foreign Sea Powers [Translation]
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Magazine: Z1884-942038
Pang
Zhaoxia
Zhaoxia Pang
oai:eprints.soas.ac.uk:10344
2022-04-01T08:44:55Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F73656374696F6E
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #10344
Beckett’s Chinese Progeny: Absurdity, Waiting, and the Godot Motif in Contemporary China
2011
Beckett’s Chinese Progeny: Absurdity, Waiting, and the Godot Motif in Contemporary China
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Peter Lang
Figueira
Dorothy
Dorothy Figueira
Maufort
Marc
Marc Maufort
Ferrari
Rossella
Rossella Ferrari
http://orcid.org/0000-0002-9073-9823
oai:eprints.soas.ac.uk:10345
2024-02-09T14:14:44Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
Ferrari_The Stage as a Drawing Board.pdf
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #10345
The Stage as a Drawing Board: Zuni Icosahedron’s Architecture Is Art Festival
The Stage as a Drawing Board: Zuni Icosahedron’s Architecture Is Art Festival (Text)
The Stage as a Drawing Board: Zuni Icosahedron’s Architecture Is Art Festival (UNSPECIFIED)
The Stage as a Drawing Board: Zuni Icosahedron’s Architecture Is Art Festival (UNSPECIFIED)
The Stage as a Drawing Board: Zuni Icosahedron’s Architecture Is Art Festival (UNSPECIFIED)
The Stage as a Drawing Board: Zuni Icosahedron’s Architecture Is Art Festival (UNSPECIFIED)
The multimedia performances of the Architecture Is Art Festival explore the connections of architecture, theatre, and architecture in theatre to voice a number of concerns relating to heritage preservation and technological development, historical memory and current politics. The interrogatives raised by these performances are intimately connected with the ontology of Hong Kong identity and testify to the spirit of traveling—through cultures, media, and disciplines—and the attitude of questioning that has become synonymous with Zuni Icosahedron.
1
55
2011-02
The Stage as a Drawing Board: Zuni Icosahedron’s Architecture Is Art Festival
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
MIT Press
Ferrari
Rossella
Rossella Ferrari
http://orcid.org/0000-0002-9073-9823
10542043
TDR: The Drama Review
oai:eprints.soas.ac.uk:10346
2020-02-26T18:07:33Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #10346
The Avant-Garde is Dead, Long Live the (Pop) Avant-Garde! Critical Reconfigurations in Contemporary Chinese Theatre
The article examines the trope of the “death of the avant-garde” in the context of contemporary Chinese theatre. It addresses comparable “death discourses” such as the so-called theatre crisis of the late 1980s and early 1990s and critiques of “pseudo avant-gardism” that have been formulated with respect to the recent praxis of established experimentalists such as Beijing-based director and dramatist Meng Jinghui. The article argues that the Chinese avant-garde is not dead; it has, rather, evolved into a distinctive “pop avant-garde” mode that more aptly reflects and responds to the condition of Chinese society in times of market economy and cultural commoditization.
4
20
2012
The Avant-Garde is Dead, Long Live the (Pop) Avant-Garde! Critical Reconfigurations in Contemporary Chinese Theatre
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Duke University Press
Ferrari
Rossella
Rossella Ferrari
http://orcid.org/0000-0002-9073-9823
15278271
positions: asia critique
oai:eprints.soas.ac.uk:10347
2023-01-22T10:46:02Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #10347
Journey(s) to the East—-Travels, Trajectories, and Transnational Chinese Theatre(s)
4
13
2010
Journey(s) to the East—-Travels, Trajectories, and Transnational Chinese Theatre(s)
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Taylor and Francis
Ferrari
Rossella
Rossella Ferrari
http://orcid.org/0000-0002-9073-9823
13688790
Postcolonial Studies
oai:eprints.soas.ac.uk:10348
2024-02-09T14:14:45Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B
The repository administrator has not yet configured an RDF license.
ferrari_pop_avantgarde COVER.jpg
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #10348
Pop Goes The Avant-Garde: Experimental Theatre in Contemporary China
Pop Goes The Avant-Garde: Experimental Theatre in Contemporary China (Image)
Pop Goes The Avant-Garde: Experimental Theatre in Contemporary China (UNSPECIFIED)
Pop Goes The Avant-Garde: Experimental Theatre in Contemporary China (UNSPECIFIED)
Pop Goes The Avant-Garde: Experimental Theatre in Contemporary China (UNSPECIFIED)
Pop Goes The Avant-Garde: Experimental Theatre in Contemporary China (UNSPECIFIED)
Pop Goes the Avant-Garde: Experimental Theatre in Contemporary China is the first comprehensive review of the history and development of avant-garde drama and theatre in the People’s Republic of China since 1976. Drawing on a range of critical perspectives in the fields of comparative literature, theatre, performance, and culture studies, the book explores key artistic movements and phenomena that have emerged in China’s major cultural centers in the last several decades. It surveys the work of China’s most influential dramatists, directors and performance groups, with a special focus on Beijing-based playwright, director and filmmaker Meng Jinghui—the former enfant terrible of Beijing theatre, who is now one of Asia’s foremost theatre personalities. Through an extensive critique of theories of modernism and the avant-garde, the author reassesses the meanings, functions and socio-historical significance of this work in non-Western contexts by proposing a new theoretical construct—the pop avant-garde—and exploring new ways to understand and conceptualize aesthetic practices beyond Euro-American cultures and critical discourses.
9780857420459
2012-12
Pop Goes The Avant-Garde: Experimental Theatre in Contemporary China
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Seagull Books
Ferrari
Rossella
Rossella Ferrari
http://orcid.org/0000-0002-9073-9823
oai:eprints.soas.ac.uk:10393
2024-02-09T14:14:51Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D61727469636C65
The repository administrator has not yet configured an RDF license.
T'oung_Pao_96__(2010).TAN.pdf
indexcodes.txt
lightbox.jpg
preview.jpg
medium.jpg
small.jpg
text/html
HTML Summary of #10393
Emerging from Anonymity: The First Generation of Writers of Songs and Drama in Mid-Ming Nanjing
Emerging from Anonymity: The First Generation of Writers of Songs and Drama in Mid-Ming Nanjing (Text)
Emerging from Anonymity: The First Generation of Writers of Songs and Drama in Mid-Ming Nanjing (Other)
Emerging from Anonymity: The First Generation of Writers of Songs and Drama in Mid-Ming Nanjing (UNSPECIFIED)
Emerging from Anonymity: The First Generation of Writers of Songs and Drama in Mid-Ming Nanjing (UNSPECIFIED)
Emerging from Anonymity: The First Generation of Writers of Songs and Drama in Mid-Ming Nanjing (UNSPECIFIED)
Emerging from Anonymity: The First Generation of Writers of Songs and Drama in Mid-Ming Nanjing (UNSPECIFIED)
This article traces the first generation of writers of songs and drama in Nanjing who emerged from the anonymous context of early Ming court entertainment and established their name and reputation in the second half of the fifteenth century. These writers—Shi Zhong (1437-after 1516), Chen Duo (1454?-1507?), and Xu Lin (1462-1538)—represented a different mode of writing songs and drama. For them it was no longer a professional occupation, as in the case of the court performers, but became part of their cultural and social life. The extent to which our knowledge of these first generation qu writers depends on local sources and on acts of remembrance by later Nanjing authors is also examined.
1-3
96
2010-10
Emerging from Anonymity: The First Generation of Writers of Songs and Drama in Mid-Ming Nanjing
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Brill
Tan
Tian Yuan
Tian Yuan Tan
00825433
T’oung Pao. International Journal of Chinese Studies
oai:eprints.soas.ac.uk:10408
2020-02-04T22:57:55Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F73656374696F6E
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #10408
Zhang Ruifang: Modelling the Socialist Red Star
2010
Zhang Ruifang: Modelling the Socialist Red Star
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Routledge
Farquar
Mary
Mary Farquar
Zhang
Yingjin
Yingjin Zhang
Lu
Xiaoning
Xiaoning Lu
http://orcid.org/0000-0002-5600-4866
oai:eprints.soas.ac.uk:10409
2022-06-23T10:19:07Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F73656374696F6E
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #10409
文学现代转型之先兆 – 晚清文学变革中白话文言之争 [A Precursor to Modernization of Modern Chinese Literature: Classical Language versus Vernacular Language in Late Qing Literary Reform]
2004
文学现代转型之先兆 – 晚清文学变革中白话文言之争 [A Precursor to Modernization of Modern Chinese Literature: Classical Language versus Vernacular Language in Late Qing Literary Reform]
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Fudan University Press
Wu
Lichang
Lichang Wu
Lu
Xiaoning
Xiaoning Lu
http://orcid.org/0000-0002-5600-4866
oai:eprints.soas.ac.uk:10410
2022-06-23T10:19:33Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F73656374696F6E
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #10410
开启文学有无功利的重要话题 – 梁启超与王国维之争[Purposiveness of Literature?: Liang Qichao versus Wang Guowei]
2004
开启文学有无功利的重要话题 – 梁启超与王国维之争[Purposiveness of Literature?: Liang Qichao versus Wang Guowei]
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Fudan University Press
Wu
Lichang
Lichang Wu
Lu
Xiaoning
Xiaoning Lu
http://orcid.org/0000-0002-5600-4866
oai:eprints.soas.ac.uk:10411
2022-03-31T09:11:41Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F73656374696F6E
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #10411
怎样对待“纲常名教” – 陈独秀与杜亚泉关于东西方文化之争 [How to Treat ‘the Three Cardinal Guides and the Five Constant Virtues’: Chen Duxiu versus Da Yaquan on Eastern and Western Cultures]
2004
怎样对待“纲常名教” – 陈独秀与杜亚泉关于东西方文化之争 [How to Treat ‘the Three Cardinal Guides and the Five Constant Virtues’: Chen Duxiu versus Da Yaquan on Eastern and Western Cultures]
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Fudan University Press
Chang
Wu li
Wu li Chang
Lu
Xiaoning
Xiaoning Lu
http://orcid.org/0000-0002-5600-4866
oai:eprints.soas.ac.uk:10412
2022-06-23T10:19:56Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F73656374696F6E
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #10412
搬开文学革命的绊脚石 – 革新派与复古派之争 [Removing Stumbling Blocks to Literary Revolution: Reformists versus Traditionalists]
2004
搬开文学革命的绊脚石 – 革新派与复古派之争 [Removing Stumbling Blocks to Literary Revolution: Reformists versus Traditionalists]
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Fudan University Press
Wu
Lichang
Lichang Wu
Lu
Xiaoning
Xiaoning Lu
http://orcid.org/0000-0002-5600-4866
oai:eprints.soas.ac.uk:10413
2022-06-23T10:20:19Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
74797065733D626F6F6B5F73656374696F6E
The repository administrator has not yet configured an RDF license.
text/html
HTML Summary of #10413
反对文学革命的尾声- 学衡派与新青年派之争 [The Epilogue of Anti-Literature Revolution: Critical Review versus New Youth]
2004
反对文学革命的尾声- 学衡派与新青年派之争 [The Epilogue of Anti-Literature Revolution: Critical Review versus New Youth]
Department of the Languages and Cultures of China and Inner Asia
Department of East Asian Languages & Cultures
Fudan University Press
Wu
Lichang
Lichang Wu
Lu
Xiaoning
Xiaoning Lu
http://orcid.org/0000-0002-5600-4866
metadataPrefix%3Drdf%26offset%3D10414%26set%3D7375626A656374733D53%253A38363330