2024-03-29T11:17:06Z
https://eprints.soas.ac.uk/cgi/oai2
oai:eprints.soas.ac.uk:177
2018-06-22T15:50:55Z
oai:eprints.soas.ac.uk:178
2024-02-09T13:46:13Z
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https://eprints.soas.ac.uk/178/
Nostalgia for 'Asian' Traditions and Energy: Encounters with Chinese and Koreans in Japanese TV Drama
Kirsch, Griseldis
Gössmann, Hilaria
Global Ethnographic
White, Bruce
2014-11-15
Journal Article
PeerReviewed
text
en
https://eprints.soas.ac.uk/178/1/Goessmann_Kirsch_2007.pdf
Kirsch, Griseldis and Gössmann, Hilaria (2014) 'Nostalgia for 'Asian' Traditions and Energy: Encounters with Chinese and Koreans in Japanese TV Drama.' Global Ethnographic, 2 (1). pp. 1-33.
https://globalethnographic.com/index.php/nostalgia-for-asian-traditions-and-energy-encounters-with-chinese-and-koreans-in-japanese-tv-dramas/
oai:eprints.soas.ac.uk:2989
2024-02-09T13:54:01Z
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https://eprints.soas.ac.uk/2989/
Prohibition of Jiatou Zaju in the Ming Dynasty and the Portrayal of the Emperor on Stage
Tan, Tian Yuan
Taylor and Francis
2004
Journal Article
PeerReviewed
text
en
https://eprints.soas.ac.uk/2989/1/Prohibition_of_Jiatou_zaju.MING_STUDIES.PDF
Tan, Tian Yuan (2004) 'Prohibition of Jiatou Zaju in the Ming Dynasty and the Portrayal of the Emperor on Stage.' Ming Studies (49). pp. 82-111.
10.1179/014703704788762826
oai:eprints.soas.ac.uk:2990
2018-06-22T15:53:48Z
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https://eprints.soas.ac.uk/2990/
“Kang Hai sanqu ji de xin faxian jiqi wenxian jiazhi--du Taiwan guojia tushuguan suocang Pandong yuefu houlu erjuan" (The New Discovery of Kang Hai’s Sanqu Collection and Its Significances--Reading Pandong Yuefu Houlu in the Collection of Taiwan National Library)
Tan, Tian Yuan
2006
Journal Article
PeerReviewed
Tan, Tian Yuan (2006) '“Kang Hai sanqu ji de xin faxian jiqi wenxian jiazhi--du Taiwan guojia tushuguan suocang Pandong yuefu houlu erjuan" (The New Discovery of Kang Hai’s Sanqu Collection and Its Significances--Reading Pandong Yuefu Houlu in the Collection of Taiwan National Library).' Zhongguo wenzhe yanjiu tongxun (Newsletter of the Institute of Chinese Literature and Philosophy, Academia Sinica, Taipei), 16 (2). pp. 75-91.
http://www.litphil.sinica.edu.tw/publish/PDF/Newsletter/62/62-75-91.pdf
oai:eprints.soas.ac.uk:2991
2024-02-09T13:54:02Z
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https://eprints.soas.ac.uk/2991/
The Wolf of Zhongshan and Ingrates: Problematic Literary Contexts in Sixteenth-Century China
Tan, Tian Yuan
Institute of History and Philology, Academia Sinica
2007
Journal Article
PeerReviewed
text
en
https://eprints.soas.ac.uk/2991/1/Zhongshanlang.Asia_Major.pdf
Tan, Tian Yuan (2007) 'The Wolf of Zhongshan and Ingrates: Problematic Literary Contexts in Sixteenth-Century China.' Asia Major: Third series, 20 (1). pp. 105-131.
http://www.ihp.sinica.edu.tw/~asiamajor/pdf/2007a/05 chenwolf.pdf
oai:eprints.soas.ac.uk:2992
2018-06-22T15:53:49Z
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https://eprints.soas.ac.uk/2992/
" 'Ye Fashi fushi zhenyao'--Jingshi tongyan zhong de ling yi 'sishi juan' " (A Study of a 'New' Huaben Story in Jingshi tongyan: 'Exorcist Ye Subdues the Demon with a Charmed Rock')
Tan, Tian Yuan
Xuelin chubanshe
Kow, Mei Kao
Huang, Lin
2002
Book Chapters
PeerReviewed
Tan, Tian Yuan (2002) '" 'Ye Fashi fushi zhenyao'--Jingshi tongyan zhong de ling yi 'sishi juan' " (A Study of a 'New' Huaben Story in Jingshi tongyan: 'Exorcist Ye Subdues the Demon with a Charmed Rock').' In: Kow, Mei Kao and Huang, Lin, (eds.), Mingdai xiaoshuo mianmianguan: Mingdai xiaoshuo guoji xueshu yantaohui lunwenji (Aspects of Ming Dynasty Fiction: Proceedings of the International Conference on Ming Fiction). Shanghai: Xuelin chubanshe, pp. 354-371.
oai:eprints.soas.ac.uk:2993
2018-06-22T15:53:49Z
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https://eprints.soas.ac.uk/2993/
"Ming zhongye qujia Kang Hai ziliao de xin faxian jiqi jiazhi" (The Discovery of Materials Related to the Mid Ming Writer Kang Hai and Its Significances)
Tan, Tian Yuan
Zhonghua shuju
Dong, Jian
Rong, Guangrun
2006-08
Book Chapters
PeerReviewed
Tan, Tian Yuan (2006) '"Ming zhongye qujia Kang Hai ziliao de xin faxian jiqi jiazhi" (The Discovery of Materials Related to the Mid Ming Writer Kang Hai and Its Significances).' In: Dong, Jian and Rong, Guangrun, (eds.), Zhongguo Xiju: Cong Chuantong dao Xiandai (Chinese Drama: From Traditional to Modern Forms),. Beijing: Zhonghua shuju, pp. 179-196.
oai:eprints.soas.ac.uk:3028
2020-02-26T18:07:30Z
oai:eprints.soas.ac.uk:3029
2022-06-11T18:03:48Z
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https://eprints.soas.ac.uk/3029/
Avant-garde Drama and Theater: China
Ferrari, Rossella
Columbia University Press
Cody, Gabrielle
Sprinchorn, Evert
2007
Book Chapters
PeerReviewed
Ferrari, Rossella (2007) 'Avant-garde Drama and Theater: China.' In: Cody, Gabrielle and Sprinchorn, Evert, (eds.), The Columbia Encyclopaedia of Modern Drama. New York: Columbia University Press.
oai:eprints.soas.ac.uk:3030
2022-12-08T10:39:34Z
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https://eprints.soas.ac.uk/3030/
Gao Xingjian
Ferrari, Rossella
Routledge
Wintle, Justin
2006
Book Chapters
PeerReviewed
Ferrari, Rossella (2006) 'Gao Xingjian.' In: Wintle, Justin, (ed.), New Makers of Modern Culture. London: Routledge.
http://www.routledge.com/shopping_cart/products/product_detail.asp?sku=&isbn=9780415338318&pc=
oai:eprints.soas.ac.uk:3031
2020-02-26T18:07:30Z
oai:eprints.soas.ac.uk:3032
2020-02-26T18:07:31Z
oai:eprints.soas.ac.uk:3033
2020-02-26T18:07:31Z
oai:eprints.soas.ac.uk:3902
2022-08-29T06:56:21Z
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https://eprints.soas.ac.uk/3902/
Verso una nuova concezione teatrale: Huang Zuolin e la xieyi xijuguan. [Towards a New Theatrical Conception: Huang Zuolin and his xieyi xijuguan]
Ferrari, Rossella
Chinese director Huang Zuolin (1906-1994) was one of the most influential figures in the history of modern Chinese drama and a pioneer in several fields, from stage directing to dramatic theory, from traditional opera to experimental theatre. Throughout his career, Huang realized a profound restructuring of the conception of the drama in China. He was one of the first who introduced Stanislavsky’s method to the Chinese stage– which in the Maoist period would become the sole unquestionable dogma for theatrical production – and one of the first daring to question its overriding dominance, in an attempt to create a novel developmental path for contemporary theatre, and engender an intrinsically Chinese dramatic form able to synthesize the aesthetic and structural features of China’s traditional theatre with the new creative stimuli assimilated from the West: from classical kunqu and Beijing opera to Piscator, Meyerhold and, especially, Brecht. The ideal of a multifunctional stage created through a constant and imaginative relationship with the “Other” represents the core of Huang’s lifelong search, which eventually led him to formulate an original aesthetic concept which he defined as xieyi xijuguan. This paper examines Huang’s major artistic and theoretical achievements, including his comparative studies of the theatrical systems of the so-called 'three great masters of realism” – Brecht, Stanislavsky, and Mei Lanfang – and his definition of “Chinese-style epic drama' (Zhongguoshi shishi ju). The paper mostly focuses on the investigation of the genealogy, essential features, and fundamental significance of the notions of xieyi and xieyi theatre, also exploring the diverse (mis)interpretations of such concepts provided by both Chinese and Western critics since Huang’s first formulation.
Università Ca' Foscari di Venezia
2001-01-01
Journal Article
PeerReviewed
Ferrari, Rossella (2001) 'Verso una nuova concezione teatrale: Huang Zuolin e la xieyi xijuguan. [Towards a New Theatrical Conception: Huang Zuolin and his xieyi xijuguan].' Asiatica Venetiana, 6-7 (2001-2002). pp. 111-138.
oai:eprints.soas.ac.uk:3903
2022-05-05T18:03:34Z
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https://eprints.soas.ac.uk/3903/
Il selvaggio di Gao Xingjian: nativismo o modernismo? [Gao Xingjian's Wild Man: Nativism or Modernism?]
Ferrari, Rossella
Wild Man (Yeren, 1985) –the last of Gao Xingjian’s works to be performed in China – is ranked among the finest achievements of Chinese experimental theatre in the 1980s, and regarded as a watershed in his career. Although Gao has repeatedly asserted his refusal of any particular artistic or political affiliation – or '-ism' – his work has been variously associated with both Western modernism and native Chinese 'roots-seeking' trends. Wild Man is highly significant in this respect, since it has been seen as both the climax of the experimentalists’ appropriation of Western avant-garde paradigms such as those of Artaud and Brecht and the starting point for a recuperation of tradition. This critical disagreement and the complexity of cultural relations characterizing the text lead to the question of assessing whether it is primarily founded on a foreign/modernist or indigenous/nativist model. An investigation of the play’s thematic motives, stylistic devices, and cross-cultural legacies reveals, however, its fundamental refusal of any clear-cut designation or unidirectional description. Its multilayered structure makes it neither totally Western nor totally Chinese, neither modernist nor nativist, or better, both modernist and nativist. This essay argues that Wild Man represents Gao’s return to tradition through a modernist gaze, and an attempt to produce a 'Eurasian' theatrical form blurring the boundaries of culture, time and space, and whose essence is not revealed by means of exclusion, but only by means of encounter – of past and present, nativism and modernism, Chineseness and Otherness. Moreover, by embracing and being “retro-influenced” by a number of modernist models that were themselves previously 'contaminated' by Asian traditions, Gao performs here not only an act of productive reception, but also one of cultural re-appropriation.
Cafoscarina
Scarpari, M.
Lippiello, Tiziana
2005
Book Chapters
PeerReviewed
Ferrari, Rossella (2005) 'Il selvaggio di Gao Xingjian: nativismo o modernismo? [Gao Xingjian's Wild Man: Nativism or Modernism?].' In: Scarpari, M. and Lippiello, Tiziana, (eds.), Caro Maestro... Scritti in onore di Lionello Lanciotti per l'ottantesimo compleanno. Venice: Cafoscarina, pp. 533-545.
oai:eprints.soas.ac.uk:3904
2022-09-23T07:44:35Z
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https://eprints.soas.ac.uk/3904/
Anarchy in the PRC: Meng Jinghui and his Adaptation of Dario Fo's Accidental Death of an Anarchist
Ferrari, Rossella
Foreign Language Publications
2005-09-01
Journal Article
PeerReviewed
Ferrari, Rossella (2005) 'Anarchy in the PRC: Meng Jinghui and his Adaptation of Dario Fo's Accidental Death of an Anarchist.' Modern Chinese Literature and Culture, 17 (2). pp. 1-48.
http://mclc.osu.edu/jou/abstracts/ferrari.htm
oai:eprints.soas.ac.uk:3905
2022-07-10T17:17:03Z
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https://eprints.soas.ac.uk/3905/
Da Madre Courage e i suoi figli a Jiang Qing e i suoi mariti. Percorsi brechtiani in Cina. [From Mother Courage and her Children to Jiang Qing and her Husbands. Brechtian Trajectories in China]
Ferrari, Rossella
This book examines the fundamental steps of the 'marriage of seduction and betrayal' that underlies the intercultural relationship between Chinese and Brechtian theatres, tracing the reception trajectory of Brecht’s model in China since the 1950s. Through the analysis of major Chinese productions of Brechtian plays and of the work of some of China’s foremost theatre practitioners (Huang Zuolin, Gao Xingjian, Sha Yexin, etc) the book argues that the Chinese reception of the Brechtian paradigm essentially unfolded by means of interaction of two antithetical stages, ultimately producing a final synthesis. The first two steps of such a dialectic trajectory – defined here as 'passive' and 'productive' reception – focus on Huang Zuolin’s productions of Mother Courage and her Children (1959) and Life of Galileo (1979). Albeit marked by unprecedented formal innovation, Courage failed to generate substantial effects in the sociocultural sphere whereas Galileo, despite its fundamental role as socio-political commentary, represented a partial retrogression in aesthetic terms. The synchronization of the formal/aesthetic and ideological/political motors of interculturalism –– both essential in turning artistic exchanges into meaningful sociocultural phenomena – is eventually achieved in a third phase of 'cultural appropriation', in which Brechtian motifs are assimilated and reworked into the local production, often acting as platforms of deconstruction of dominant narratives. In this final stage – exemplified by works such as Sha Yexin’s If I were for Real and Jiang Qing and her Husbands – the encounter 'at the crossroads of culture' culminates in a dual path of aesthetic innovation and cultural critique, thus representing the ultimate synthesis of the process of indigenization of the 'foreign' for the purposes of the 'own', and the highest development of the functions of theatrical interculturalism in relation to the Brechtian model in China.
Cafoscarina
2004
Authored Books
PeerReviewed
Ferrari, Rossella (2004) Da Madre Courage e i suoi figli a Jiang Qing e i suoi mariti. Percorsi brechtiani in Cina. [From Mother Courage and her Children to Jiang Qing and her Husbands. Brechtian Trajectories in China]. Venice: Cafoscarina.
http://www.cafoscarina.it/default2.asp
oai:eprints.soas.ac.uk:3950
2018-06-22T15:54:41Z
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https://eprints.soas.ac.uk/3950/
Spiritual Healing in China? Encounters with the People's Republic of China in Japanese Cinema and TV Drama
Kirsch, Griseldis
Harrassowitz Verlag
Schoenbein, M.
Koehn, S.
2007
Book Chapters
PeerReviewed
Kirsch, Griseldis (2007) 'Spiritual Healing in China? Encounters with the People's Republic of China in Japanese Cinema and TV Drama.' In: Schoenbein, M. and Koehn, S., (eds.), Facetten der japanischen Populaer- und Medienkultur 2. Wiesbaden: Harrassowitz Verlag, pp. 45-68.
oai:eprints.soas.ac.uk:3955
2022-10-01T17:51:58Z
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https://eprints.soas.ac.uk/3955/
Yang Lian shige zhong de zhuguanxing. [Subjectivity in Yang Lian's Poetry]
Bruno, Cosima
This article makes a bold statement in the field of Translation Studies and diverges from previous literary criticism on Chinese poetry. It begins with the statement that translation provides us with detailed information about the original, which enhance the act of reading. On the basis of the findings of a comparative analysis between different translations of Yang Lian’s work the paper then proceeds to explore the functional significance of some linguistic devices for the coherence of poetic texts. In particular, it focuses on the use of personal pronouns, finding that in almost all Yang Lian’s early poems (from 1979 to 1989) the personal is present through the first personal pronoun I; while in the poems after 1989 the persona pronoun I is less frequent, being substituted by the pronoun of self-address you, or being simply absent. Elaborating on these findings, the paper examines the varieties and possibilities offered by Yang Lian’s poetry: from the early notion of a single identity of the self as a constant poetic voice, to the notion of subjectivity as something which is constantly relational, interactive, context-based. The results are quite striking, pointing at some correspondence between geography and creative process. However, the article argues that this correspondence is not easily classified as exile subjectivity, but is a more complex psychological displacement to be added to the physical one.
Zhongguo she hui ke xue chu ban she
2003-06-01
Journal Article
PeerReviewed
Bruno, Cosima (2003) 'Yang Lian shige zhong de zhuguanxing. [Subjectivity in Yang Lian's Poetry].' Shi tansuo [Poetry Exploration], 49-50. pp. 208-222.
oai:eprints.soas.ac.uk:4387
2022-08-31T09:42:32Z
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https://eprints.soas.ac.uk/4387/
Chinese Literary Trends in the Last Quarter of a Century
Bruno, Cosima
Ballyclare
2006
Journal Article
NonPeerReviewed
Bruno, Cosima (2006) 'Chinese Literary Trends in the Last Quarter of a Century.' Black Mountain Review, 14 (Autumn). pp. 103-111.
oai:eprints.soas.ac.uk:4390
2022-09-16T15:45:34Z
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https://eprints.soas.ac.uk/4390/
Sulla conoscenza deittica di un'altra cultura [On the Deictic Knowledge of Another Culture]
Bruno, Cosima
Rubettino
2005
Journal Article
NonPeerReviewed
Bruno, Cosima (2005) 'Sulla conoscenza deittica di un'altra cultura [On the Deictic Knowledge of Another Culture].' Itinerari d’impresa. Management diritto formazione (6). pp. 189-198.
oai:eprints.soas.ac.uk:4391
2018-06-22T15:55:07Z
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https://eprints.soas.ac.uk/4391/
Xi Chuan fang tanlu: da Mina wen
Bruno, Cosima
Xi, Chuan
Chongqing chubanshe
Du, Xi
Hua, Guo
2004
Book Chapters
NonPeerReviewed
Bruno, Cosima and Xi, Chuan (2004) 'Xi Chuan fang tanlu: da Mina wen.' In: Du, Xi and Hua, Guo, (eds.), Xianfeng shige dang'an. Chongqing: Chongqing chubanshe, pp. 94-97.
oai:eprints.soas.ac.uk:4392
2018-06-22T15:55:07Z
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https://eprints.soas.ac.uk/4392/
Leggendo Qu Youyuan Ouyang Jianghe Xi Chuan Yu Jian [Reading Ouyang Jianghe Xi Chuan Yu Jian Qu Youyuan]
Bruno, Cosima
Associazione Culturale "In forma di parole"
1999
Journal Article
NonPeerReviewed
Bruno, Cosima (1999) 'Leggendo Qu Youyuan Ouyang Jianghe Xi Chuan Yu Jian [Reading Ouyang Jianghe Xi Chuan Yu Jian Qu Youyuan].' In Forma di parole (1). pp. 263-270.
oai:eprints.soas.ac.uk:4394
2022-06-22T18:52:24Z
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https://eprints.soas.ac.uk/4394/
English/Chinese – Chinese/Chinese. On Reading Poetry through Translation
Bruno, Cosima
In this essay I offer a theoretical assessment of the process of translating and propose a formula to represent this process. I also sketch a method to study literature through translation, with the aim of challenging dichotomous views on translation and elaborating a working hypothesis consonant with the mutual articulation and cross-production that I regard as inherent in translation. In discussing this approach to literature, I shall draw attention to the case of translating contemporary Chinese poetry, with reference to the recent debate on the subject.
St Jerome Publishing
Hermans, Theo
2006-01-01
Book Chapters
NonPeerReviewed
Bruno, Cosima (2006) 'English/Chinese – Chinese/Chinese. On Reading Poetry through Translation.' In: Hermans, Theo, (ed.), Translating Others. Manchester: St Jerome Publishing, pp. 219-235.
oai:eprints.soas.ac.uk:4395
2018-06-22T15:55:07Z
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https://eprints.soas.ac.uk/4395/
Unreal City. A Chinese Poet in Auckland
Bruno, Cosima
Cambridge University Press
2006
Book Reviews
NonPeerReviewed
Bruno, Cosima (2006) 'Unreal City. A Chinese Poet in Auckland.' The China Quarterly, 187 . pp. 810-812.
10.1017/S030574100644042X
oai:eprints.soas.ac.uk:4396
2018-06-22T15:55:07Z
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https://eprints.soas.ac.uk/4396/
Leaving the World to Enter the World: Han Shaogong and Chinese Root-Seeking Literature
Bruno, Cosima
Cambridge University Press
2005-12-01
Book Reviews
NonPeerReviewed
Bruno, Cosima (2005) 'Leaving the World to Enter the World: Han Shaogong and Chinese Root-Seeking Literature.' The China Quarterly, 184 . pp. 981-983.
10.1017/S0305741005330591
oai:eprints.soas.ac.uk:4397
2018-06-22T15:55:07Z
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https://eprints.soas.ac.uk/4397/
The Invention of a Discourse: Women's Poetry from Contemporary China
Bruno, Cosima
Cambridge University Press
2005-09-01
Book Reviews
NonPeerReviewed
Bruno, Cosima (2005) 'The Invention of a Discourse: Women's Poetry from Contemporary China.' The China Quarterly, 183 . pp. 719-721.
10.1017/S0305741005260435
oai:eprints.soas.ac.uk:4398
2018-06-22T15:55:07Z
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https://eprints.soas.ac.uk/4398/
Book review of 'Transpacific Displacement. Ethnography, Translation, and Intertextual Travel in Twentieth-Century American Literature' by Huang Yunte
Bruno, Cosima
Cambridge University Press
2003-03-01
Book Reviews
NonPeerReviewed
Bruno, Cosima (2003) 'Book review of 'Transpacific Displacement. Ethnography, Translation, and Intertextual Travel in Twentieth-Century American Literature' by Huang Yunte.' The China Quarterly (173). pp. 242-244.
10.1017/S0009443903390126
oai:eprints.soas.ac.uk:4399
2021-01-03T10:37:06Z
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https://eprints.soas.ac.uk/4399/
Contemporary Chinese Poetry in Translation
Bruno, Cosima
2003
Theses
NonPeerReviewed
Bruno, Cosima (2003) Contemporary Chinese Poetry in Translation. PhD thesis. SOAS, University of London. DOI: https://doi.org/10.25501/SOAS.00004399 <https://doi.org/10.25501/SOAS.00004399>
10.25501/SOAS.00004399
oai:eprints.soas.ac.uk:4414
2018-06-22T15:55:08Z
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https://eprints.soas.ac.uk/4414/
"Tempo" by Liu Yichang; "Il caso Mary" and "Mirabilia dalla citta' fluttuante" by Xi Xi
Bruno, Cosima
Mondadori
2008
Translations
NonPeerReviewed
Bruno, Cosima, trans. (2008) "Tempo" by Liu Yichang; "Il caso Mary" and "Mirabilia dalla citta' fluttuante" by Xi Xi. Milano: Mondadori.
oai:eprints.soas.ac.uk:4415
2018-06-22T15:55:08Z
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https://eprints.soas.ac.uk/4415/
Translation into Italian of 23 contemporary Chinese poems by Yu Jian; Ouyang Jianhe; Xi Chuan; Qu Youyuan
Bruno, Cosima
Associazione culturale "In forma di parole"
1999
Translations
NonPeerReviewed
Bruno, Cosima, trans. (1999) Translation into Italian of 23 contemporary Chinese poems by Yu Jian; Ouyang Jianhe; Xi Chuan; Qu Youyuan. Bologna: Associazione culturale "In forma di parole".
oai:eprints.soas.ac.uk:4416
2018-06-22T15:55:08Z
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https://eprints.soas.ac.uk/4416/
Translation into Italian of six poems by Yang Lian
Bruno, Cosima
Skira
2004
Translations
NonPeerReviewed
Bruno, Cosima, trans. (2004) Translation into Italian of six poems by Yang Lian. Milano: Skira.
oai:eprints.soas.ac.uk:4512
2018-06-22T15:55:14Z
oai:eprints.soas.ac.uk:4683
2020-02-26T18:07:31Z
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https://eprints.soas.ac.uk/4683/
Transnation/transmedia/transtext: border-crossing from screen to stage in Greater China
Ferrari, Rossella
Intellect
2008
Journal Article
PeerReviewed
Ferrari, Rossella (2008) 'Transnation/transmedia/transtext: border-crossing from screen to stage in Greater China.' Journal of Chinese Cinemas, 2 (1). pp. 53-65.
http://www.intellectbooks.co.uk/journals.php?issn=17508061
10.1386/jcc.2.1.53_1
oai:eprints.soas.ac.uk:5303
2020-02-26T18:07:32Z
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https://eprints.soas.ac.uk/5303/
Dalla Repubblica Popolare alla repubblica pop
Ferrari, Rossella
[Abano Terme]: Piovan
2008
Journal Article
NonPeerReviewed
Ferrari, Rossella (2008) 'Dalla Repubblica Popolare alla repubblica pop.' Hystrio. Trimestrale di teatro e spettacolo, 21 (3). pp. 56-59.
http://www.hystrio.it
oai:eprints.soas.ac.uk:5609
2024-02-09T14:01:15Z
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https://eprints.soas.ac.uk/5609/
Personalpronomina in der Lebensbeschreibung des Mi la ras pa, Kapitel III
Hill, Nathan W.
Harrassowitz
2007
Journal Article
PeerReviewed
text
aa
https://eprints.soas.ac.uk/5609/1/Hill_2007_Personalpronomina.pdf
Hill, Nathan W. (2007) 'Personalpronomina in der Lebensbeschreibung des Mi la ras pa, Kapitel III.' Zentralasiatische Studien, 36. pp. 277-287.
oai:eprints.soas.ac.uk:5612
2024-02-09T14:01:16Z
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https://eprints.soas.ac.uk/5612/
Aspirated and Unaspirated Voiceless Consonants in Old Tibetan
Hill, Nathan W.
Although Tibetan orthography distinguishes aspirated and unaspirated voiceless consonants, various authors have viewed this distinction as not phonemic. An examination of the unaspirated voiceless initials in the Old Tibetan Inscriptions, together with unaspirated voiceless consonants in several Tibetan dialects confirms that aspiration was either not phonemic in Old Tibetan, or only just emerging as a distinction due to loan words. The data examined also affords evidence for the nature of the phonetic word in Old Tibetan.
Academia Sinica
2007
Journal Article
PeerReviewed
text
en
https://eprints.soas.ac.uk/5612/1/Hill_2007_Aspirated_and_Unaspirated_Voiceless_Consonants_in_Old_Tibetan.pdf
Hill, Nathan W. (2007) 'Aspirated and Unaspirated Voiceless Consonants in Old Tibetan.' 語言暨語言學 / Languages and Linguistics, 8 (2). pp. 471-493.
oai:eprints.soas.ac.uk:5613
2024-02-09T14:01:16Z
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74797065733D61727469636C65
https://eprints.soas.ac.uk/5613/
Tibetan vwa ‘fox’ and the sound change Tibeto-Burman *wa -> Old Tibetan o
Hill, Nathan W.
Paul Benedict (1972: 34) proposed that Tibeto-Burman medial *-waregularly leads to -0- in Old Tibetan, but that initial *wa did not undergo this change. Because Old Tibetan has no initial w-, and several genuine words have the rhyme -wa, this proposal cannot be accepted. In particular, the intial of the Old Tibetan word vwa 'fox' is v- and not w-.
University of California, Berkeley
2006
Journal Article
PeerReviewed
application/pdf
en
https://eprints.soas.ac.uk/5613/1/Hill_Tibetan_vwa_fax.pdf
Hill, Nathan W. (2006) 'Tibetan vwa ‘fox’ and the sound change Tibeto-Burman *wa -> Old Tibetan o.' Linguistics of the Tibeto-Burman Area, 29 (2). pp. 75-90.
http://stedt.berkeley.edu/ltba/
oai:eprints.soas.ac.uk:5614
2024-02-09T14:01:17Z
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https://eprints.soas.ac.uk/5614/
Love poems of the sixth Dalai Lama. (1, 2, 4, 25, 34, 36, 50, and 52.)
Hill, Nathan W.
Fee, Toby
2008
Translations
PeerReviewed
text
en
https://eprints.soas.ac.uk/5614/1/hil-fee-2008-dalai-vi.pdf
Hill, Nathan W. and Fee, Toby, trans. (2008) Love poems of the sixth Dalai Lama. (1, 2, 4, 25, 34, 36, 50, and 52.). The Harvard Advocate, Winter . pp. 80-91.
oai:eprints.soas.ac.uk:5615
2024-02-09T14:01:17Z
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https://eprints.soas.ac.uk/5615/
The verb ‘bri ‘to write’ in Old Tibetan
Hill, Nathan W.
Tokyo: Institute for the Study of Languages and Cultures of Asia and Africa
2005
Journal Article
PeerReviewed
text
en
https://eprints.soas.ac.uk/5615/1/Hill_2005_The_Verb_bri_to_write_in_Old_Tibetan.pdf
Hill, Nathan W. (2005) 'The verb ‘bri ‘to write’ in Old Tibetan.' Journal of Asian and African Studies, 68. pp. 177-182.
http://repository.tufs.ac.jp/bitstream/10108/20217/1/jaas069006.pdf
oai:eprints.soas.ac.uk:5632
2024-02-09T14:01:20Z
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https://eprints.soas.ac.uk/5632/
Once more on the letter འ
Hill, Nathan W.
W. S. Coblin, in a contribution (2002) to the ongoing iscussion about the phonetic value of the Tibetan letter ༢ (transcribed as v), has argued that this character has no phonetic value per se but is rather an orthographic device. A review of the previous literature and consideration of Coblin’s arguments in contrast agree with the finding
that before vowels and the glide -w- the letter v represents a voiced fricative, while before consonants it stands for prenasalization; in the former position, the value [ɣ] is argued for. The use of final -v in Old
Tibetan inscriptions suggests that in that position too -v has the value [ɣ]. Finally, with a view to the internal reconstruction of the Tibetan verbal system, consideration is given to the question of whether the various phonetic values of v- represent a unitary phoneme.
University of California, Berkeley
2005
Journal Article
PeerReviewed
text
en
https://eprints.soas.ac.uk/5632/1/once_more_on_the_letter.pdf
Hill, Nathan W. (2005) 'Once more on the letter འ.' Linguistics of the Tibeto-Burman Area, 28 (2). pp. 107-137.
http://stedt.berkeley.edu/ltba/
oai:eprints.soas.ac.uk:5633
2024-02-09T14:01:20Z
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https://eprints.soas.ac.uk/5633/
Compte rendu (Review of Paul G. Hackett, 'A Tibetan Verb Lexicon' Ithaca: Snow Lion, 2003.)
Hill, Nathan W.
Centre National de la Recherche Scientifique (CNRS)
2004
Book Reviews
NonPeerReviewed
text
aa
https://eprints.soas.ac.uk/5633/1/Hill_2004_compte_rendu.pdf
Hill, Nathan W. (2004) 'Compte rendu (Review of Paul G. Hackett, 'A Tibetan Verb Lexicon' Ithaca: Snow Lion, 2003.).' Revue d'études Tibétaines, 6 . pp. 78-98.
http://himalaya.socanth.cam.ac.uk/collections/journals/ret/pdf/ret_06_03.pdf
oai:eprints.soas.ac.uk:5635
2018-06-22T15:56:23Z
oai:eprints.soas.ac.uk:5990
2018-06-22T15:56:44Z
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7375626A656374733D58:44:32333030
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https://eprints.soas.ac.uk/5990/
Partner oder Gegner? Begegnungen mit China, Taiwan und Hongkong in Kinofilm und Fernsehdrama in Japan
Kirsch, Griseldis
Since the end of the 1980s, Japan's interest in its Asian neighbours has grown visibly. Although the political relations are not untroubled, the economical ties between Japan and its neighbouring countries grow closer each year. Even in the cultural sphere, the interest in Asia has increased, which could not only be observed in the rising number of travellers to other Asian countries, but also in an 'Asia boom' in the popular genres of cinema and TV drama. This Asia boom brought more characters fro another Asian country to the big and small screens in Japan than ever before.
Due to the fact that the mass media in general, and the fictional media in particular, reach a wide audience, and in light of the Asia boom, it is necessary to look at the representations of other countries constructed in these genres. These representations alqys yield a great deal of information about the circumstances of the society they are produced and located in. Thus, as Japan's Asian neighbours, but mainly the region of Greater China (The People's Republic of China, Taiwan and Hong Kong), have gained importance,.it is especially vital to look at how this region is (re)presented in Japanese media.
Therefore, this paper deals with the representations of Greater China in cinema and TV drama in Japan, aiming to work out how Greater China is perceived in the Japanese visual media whilst taking social and political conditions at the time of production into account.
Vereinigung für sozialwissenschaftliche Japanforschung (VSJF)
2008
Journal Article
PeerReviewed
Kirsch, Griseldis (2008) 'Partner oder Gegner? Begegnungen mit China, Taiwan und Hongkong in Kinofilm und Fernsehdrama in Japan.' Japan 2008. Politik, Wirtschaft und Gesellschaft, 31. pp. 241-265.
oai:eprints.soas.ac.uk:5998
2024-02-09T14:02:08Z
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https://eprints.soas.ac.uk/5998/
Oolong-Tee oder Instantnudeln - Zum Chinabild in der japanischen Fernsehwerbung
Kirsch, Griseldis
Asian characters rarely appear in Japanese television commercials, while on the other hand Western characters and sceneries are commonplace. Most Japanese-language publications on Japanese TV commercials have already proved this trend quantitatively, yet qualitative work on Japanese TV commercials is scarce. The aim of that paper is to link a quantitative to a qualitative approach in analysing a sample of the year 2002 in both ways while taking the quantitative background into account to elucidate possible developments. In addition, some older commercials were also included in the sample in order to make a possible change in the patterns of representation more evident.
Despite an ‘Asia boom’ in Japan throughout the 1990s, which influenced many other popular genres, Japanese TV commercials were by large unaffected of this trend. In 2002, the Chinese characters did not appear in a large number. In addition, they were still the only other Asians in Japanese commercials and their appearance was strongly linked to the product to be advertised (i.e. Oolong Tea and Chinese food). Hence, stereotypes commonly associated with China were used in abundance in order to create a ‘Chinese flair’ for the Japanese product. While in the 1990s, even Chinese stars appeared only in relation to products of Chinese origin, at the beginning of the new millennium, a certain tendency to dissolve the Chinese stars from this background and to present them in a less stereotypical way could be observed.
Bier'sche Verlagsanstalt
Oelschleger, Hans Dieter
Horres, Robert
2002
Conference or Workshop Items
PeerReviewed
text
de
https://eprints.soas.ac.uk/5998/1/Kirsch_Japanese_TVCommercials_China.pdf
Kirsch, Griseldis (2002) Oolong-Tee oder Instantnudeln - Zum Chinabild in der japanischen Fernsehwerbung. In: 12. German-language conference of Japanese Studies, 2002, Bonn. (Unpublished)
oai:eprints.soas.ac.uk:6014
2018-06-22T15:56:45Z
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https://eprints.soas.ac.uk/6014/
Japanisch-chinesische Begegnungen im Genre Yakuza-Film [Japanese-Chinese Encounters in the yakuza-film genre]
Kirsch, Griseldis
Throughout the 1990s, an increased number of Chinese characters appearing in the genre of yakuza film could be observed. This increase is part of an Asia boom in Japanese cinema in general. However, this development is paralleled by a discussion on the potential increase of foreign criminality in the non-fictional media in Japan. Many politicians such as Ishihara Shintarō feared that an increased number of foreigners in Japan would also lead to an increased number of crimes.
This paper deals with the representations of Chinese and Taiwanese characters in Japanese yakuza films in relation to the idea of foreign criminality. In these films, Kabukichō in Shinjuku in Tōkyō seems to be like a symbol of foreign/Chinese dominance within Japan when it is turned into a quasi-extraterritorial space with only limited Japanese influence. Depending on the film, the various yakuza groups are trying to contain the influence of the Chinese triads.
Yet analysing the films from a gender perspective, it becomes evident, that only male Chinese characters are portrayed as ‘threatening’ Japan whereas female Chinese characters are often in need of Japanese support and will sacrifice themselves eventually, leading to a chastening inside the Japanese protagonists.
By exploring these various ways of encountering the ‘Other’ in this genre, this paper seeks to work out which concepts of Otherness are used in constructing these representations – and also how the debate on foreign criminality is reflected therein.
EBVerlag
Distelrath, Günther
2009
Book Chapters
NonPeerReviewed
Kirsch, Griseldis (2009) 'Japanisch-chinesische Begegnungen im Genre Yakuza-Film [Japanese-Chinese Encounters in the yakuza-film genre].' In: Distelrath, Günther, (ed.), Refereate des 13. Deutschsprachigen Japanologentags, Band 1 Kultur und Sprachwissenschaft. Bonner Asienstudien Band 8/1. Berlin: EBVerlag, pp. 177-192.
oai:eprints.soas.ac.uk:6015
2024-02-09T14:02:11Z
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https://eprints.soas.ac.uk/6015/
自由のビジョンとしての「アジア」 テレビドラマにおける女性の異文化接触を中心に (テレビドラマ『香港明星迷』と『本家のヨメ』における女性の異文化接触を中心 に)
Kirsch, Griseldis
The Asia boom in Japanese cinema that has been observed by scholars of Japanese cinema was not without re-percussion on the genre of Japanese television drama. Although throughout most of its history, Japanese TV drama has focused on ‘Japanese’ topics set in Japan – thus underpinning the myth of Japanese homogeneity – in the late 1990s, the genre began to slowly internationalise. In the wake of that ‘internationalisation’, more Asian characters were also brought to the small screens and the genre ‘discovered’ interculturality.
Centring on the content analysis of two TV dramas of the years 2001 and 2002 respectively, this paper aims to work out how the encounter of female characters with another culture took place. The first drama to be analysed, features a young woman of Japanese-Taiwanese parentage coming to Japan whereas the second drama focuses on the encounter of three Japanese women with Hong Kong. In contrasting the encounter of the women with the respective ‘Other’, it shall be elucidated how ‘identities’ are constructed in these two dramas and what kind of gender concepts are portrayed therein.
Iwami, Teruyo
Yonaha, Keiko
Gössmann, Hilaria
2004
Other
PeerReviewed
text
en
https://eprints.soas.ac.uk/6015/1/Kirsch_Honkonmyojomei_Honke_no_yome.pdf
Kirsch, Griseldis (2004) '自由のビジョンとしての「アジア」 テレビドラマにおける女性の異文化接触を中心に (テレビドラマ『香港明星迷』と『本家のヨメ』における女性の異文化接触を中心 に).' (Unpublished)
oai:eprints.soas.ac.uk:6045
2024-02-09T14:02:16Z
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https://eprints.soas.ac.uk/6045/
The Sovereign and the Theater: Reconsidering the Impact of Ming Taizu’s Prohibitions
Tan, Tian Yuan
Society for Ming Studies
Schneewind, Sarah
2008
Book Chapters
PeerReviewed
application/pdf
en
https://eprints.soas.ac.uk/6045/1/The_Sovereign_and_the_Theater.TAN.pdf
Tan, Tian Yuan (2008) 'The Sovereign and the Theater: Reconsidering the Impact of Ming Taizu’s Prohibitions.' In: Schneewind, Sarah, (ed.), Long Live the Emperor: Uses of the Ming Founder across Six Centuries of East Asian History. Minneapolis: Society for Ming Studies, pp. 149-169. (Ming Studies Research Series)
oai:eprints.soas.ac.uk:6073
2024-02-09T14:02:22Z
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https://eprints.soas.ac.uk/6073/
Review of Handbook of Proto-Tibeto-Burman: System and Philosophy of Sino-Tibetan Reconstruction. By James A. Matisoff. Berkeley: University of California Press, 2003
Hill, Nathan W.
Proposing many new cognate sets and building on many decades of his own previous research, Matisoff (2003) represents a major contribution to Tibeto-Burman linguistics. Unfortunately, Matisoff’s use of Tibetan is marred by errors
of fact and analysis, which together undermine confidence in his reconstructions.
Zhong yang yan jiu yuan yu yan yan jiu suo chou bei chu
2009
Book Reviews
PeerReviewed
text
en
https://eprints.soas.ac.uk/6073/1/Hill_2009_Review_of_Matisoff_2003.pdf
Hill, Nathan W. (2009) 'Review of Handbook of Proto-Tibeto-Burman: System and Philosophy of Sino-Tibetan Reconstruction. By James A. Matisoff. Berkeley: University of California Press, 2003.' 語言暨語言學 / Languages and Linguistics, 10 (1). pp. 173-195.
oai:eprints.soas.ac.uk:6419
2018-06-22T15:57:11Z
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https://eprints.soas.ac.uk/6419/
Shixu zhi kangheng: Wang Jiusi quzuo zhong de liangzhong guiyin (Contending with Displacement: Two Forms of Retirement in Wang Jiusi’s Songs and Drama)
Tan, Tian Yuan
After his official career imploded, Wang Jiusi (1468-1551) participated actively in qu writing and later became one of the major qu writers in the mid Ming. Focusing on his qu writings, including both sanqu and drama, this paper explores how Wang Jiusi coped with his displacement from the political and cultural center through his literary pursuits.
Retirement is a major theme in Wang Jiusi’s qu writings. Wang’s representation of retirement shows distinct characteristics from the Yuan and Ming sanqu and drama on the same theme. Furthermore, his sanqu and drama also depict two different forms of retirement respectively. In his sanqu, Wang celebrated the joy of retirement, but he could only do so in the capacity of a dismissed official. The triumph of the world of withdrawal and retirement over the world of chaos and power politics is only achieved after Wang had already been rejected from his official career. By contrast, instead of being dismissed, Du Fu was promoted to the post of Hanlin Academician in the drama Gujiu youchun. Du Fu, in the fictional world of the drama, eventually chooses to retire, a power that neither he nor Wang Jiusi enjoyed in reality. The fictional form of drama has situated the protagonist and the author in a more powerful and subversive position with full control of their own destiny, and has created a more ideal path to retirement.
2009
Journal Article
PeerReviewed
Tan, Tian Yuan (2009) 'Shixu zhi kangheng: Wang Jiusi quzuo zhong de liangzhong guiyin (Contending with Displacement: Two Forms of Retirement in Wang Jiusi’s Songs and Drama).' Xiju Yanjiu=Journal of Theater Studies (3). (Forthcoming)
oai:eprints.soas.ac.uk:7114
2024-02-09T14:05:02Z
7374617475733D707562
7375626A656374733D53:38363330
7375626A656374733D58:44:32323030
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https://eprints.soas.ac.uk/7114/
Shixu zhi kangheng: Wang Jiusi quzuo zhong de liangzhong guiyin 失序之抗衡—王九思曲作中的兩種歸隱 (Contending with Displacement: Two Forms of Retirement in Wang Jiusi's Songs and Drama)
Tan, Tian Yuan
After his official career imploded, Wang Jiusi (1468-1551) participated actively in qu writing and later became one of the major qu writers in the mid Ming. Focusing on his qu writings, including both sanqu and drama, this paper explores how Wang Jiusi coped with his displacement from the political and cultural center through his literary pursuits.
Retirement is a major theme in Wang Jiusi’s qu writings. Wang’s representation of retirement shows distinct characteristics from the Yuan and Ming sanqu and drama on the same theme. Furthermore, his sanqu and drama also depict two different forms of retirement respectively. In his sanqu, Wang celebrated the joy of retirement, but he could only do so in the capacity of a dismissed official. The triumph of the world of withdrawal and retirement over the world of chaos and power politics is only achieved after Wang had already been rejected from his official career. By contrast, instead of being dismissed, Du Fu was promoted to the post of Hanlin Academician in the drama Gujiu youchun. Du Fu, in the fictional world of the drama, eventually chooses to retire, a power that neither he nor Wang Jiusi enjoyed in reality. The fictional form of drama has situated the protagonist and the author in a more powerful and subversive position with full control of their own destiny, and has created a more ideal path to retirement.
Academia Sinica Institute of Chinese Literature and Philosophy
2009-01-01
Journal Article
PeerReviewed
text
en
https://eprints.soas.ac.uk/7114/1/Xiju_yanjiu_3_%282009%29.49-74.pdf
Tan, Tian Yuan (2009) 'Shixu zhi kangheng: Wang Jiusi quzuo zhong de liangzhong guiyin 失序之抗衡—王九思曲作中的兩種歸隱 (Contending with Displacement: Two Forms of Retirement in Wang Jiusi's Songs and Drama).' Xiju Yanjiu戲劇研究=Journal of Theater Studies (3). pp. 49-74.
http://140.112.58.221/journal/sec-3/49-74.pdf
oai:eprints.soas.ac.uk:7116
2022-11-29T20:30:57Z
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https://eprints.soas.ac.uk/7116/
Review of Zong-qi Cai ed., 'How to Read Chinese Poetry: A Guided Anthology'
Tan, Tian Yuan
Taylor and Francis
2008
Book Reviews
PeerReviewed
Tan, Tian Yuan (2008) 'Review of Zong-qi Cai ed., 'How to Read Chinese Poetry: A Guided Anthology'.' Monumenta Serica (56). pp. 519-521.
10.1179/mon.2008.56.1.016
oai:eprints.soas.ac.uk:7118
2018-06-22T15:57:42Z
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https://eprints.soas.ac.uk/7118/
Review of Daniel Bryant, 'The Great Recreation: Ho Ching-ming (1483-1521) and His World'
Tan, Tian Yuan
Cambridge University Press
2009
Book Reviews
PeerReviewed
Tan, Tian Yuan (2009) 'Review of Daniel Bryant, 'The Great Recreation: Ho Ching-ming (1483-1521) and His World'.' Bulletin of the School of Oriental and African Studies, 72 (3). (Forthcoming)
oai:eprints.soas.ac.uk:7122
2022-06-23T10:17:45Z
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https://eprints.soas.ac.uk/7122/
Ming zhongye qujia Kang Hai ziliao de xin faxian jiqi jiazhi 明中葉曲家康海資料的新發現及其价值 (The Discovery of Materials Related to the Mid Ming Writer Kang Hai and Its Significances)
Tan, Tian Yuan
Zhonghua shuju
Dong, Jian
Rong, Guangrun
2006-08
Book Chapters
PeerReviewed
Tan, Tian Yuan (2006) 'Ming zhongye qujia Kang Hai ziliao de xin faxian jiqi jiazhi 明中葉曲家康海資料的新發現及其价值 (The Discovery of Materials Related to the Mid Ming Writer Kang Hai and Its Significances).' In: Dong, Jian and Rong, Guangrun, (eds.), Zhongguo Xiju: Cong Chuantong dao Xiandai = 中國戲劇: 從傳統到現代 (Chinese Drama: From Traditional to Modern Forms). Beijing: Zhonghua shuju, pp. 179-196.
oai:eprints.soas.ac.uk:7123
2022-10-09T07:45:15Z
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https://eprints.soas.ac.uk/7123/
Kang Hai sanqu ji de xin faxian jiqi wenxian jiazhi--du Taiwan guojia tushuguan suocang Pandong yuefu houlu erjuan 康海散曲集的新發現及其文獻價值——讀臺灣國家圖書館所藏《沜東樂府後錄》二卷 (The New Discovery of Kang Hai’s Sanqu Collection and Its Significances--Reading Pandong Yuefu Houlu in the Collection of Taiwan National Library)
Tan, Tian Yuan
Academia Sinica, Taipei
2006
Journal Article
PeerReviewed
Tan, Tian Yuan (2006) 'Kang Hai sanqu ji de xin faxian jiqi wenxian jiazhi--du Taiwan guojia tushuguan suocang Pandong yuefu houlu erjuan 康海散曲集的新發現及其文獻價值——讀臺灣國家圖書館所藏《沜東樂府後錄》二卷 (The New Discovery of Kang Hai’s Sanqu Collection and Its Significances--Reading Pandong Yuefu Houlu in the Collection of Taiwan National Library).' Zhongguo wenzhe yanjiu tongxun = 中國文哲研究通訊 (Newsletter of the Institute of Chinese Literature and Philosophy, Academia Sinica, Taipei), 16 (2). pp. 75-91.
http://www.litphil.sinica.edu.tw/publish/PDF/Newsletter/62/62-75-91.pdf
oai:eprints.soas.ac.uk:7124
2022-06-23T12:37:31Z
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https://eprints.soas.ac.uk/7124/
Ye Fashi fushi zhenyao: Jingshi tongyan zhong de ling yi "sishi juan"《葉法師符石鎮妖》——《警世通言》中的另一“四十卷” (A Study of a 'New' Huaben Story in Jingshi tongyan: 'Exorcist Ye Subdues the Demon with a Charmed Rock')
Tan, Tian Yuan
Xuelin chubanshe
Kow, Mei Kao
Huang, Lin
2002
Book Chapters
PeerReviewed
Tan, Tian Yuan (2002) 'Ye Fashi fushi zhenyao: Jingshi tongyan zhong de ling yi "sishi juan"《葉法師符石鎮妖》——《警世通言》中的另一“四十卷” (A Study of a 'New' Huaben Story in Jingshi tongyan: 'Exorcist Ye Subdues the Demon with a Charmed Rock').' In: Kow, Mei Kao and Huang, Lin, (eds.), Mingdai xiaoshuo mianmianguan: Mingdai xiaoshuo guoji xueshu yantaohui lunwenji 明代小説面面觀——明代小説國際學術研討會論文集 (Aspects of Ming Dynasty Fiction: Proceedings of the International Conference on Ming Fiction). Shanghai: Xuelin chubanshe, pp. 354-371.
oai:eprints.soas.ac.uk:7415
2024-02-09T14:06:06Z
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https://eprints.soas.ac.uk/7415/
Review of A History of Contemporary Chinese Literature by Hong Zicheng
Ferrari, Rossella
Cambridge University Press
2008-06
Book Reviews
PeerReviewed
application/pdf
en
https://eprints.soas.ac.uk/7415/1/bookreview_rf.pdf
Ferrari, Rossella (2008) 'Review of A History of Contemporary Chinese Literature by Hong Zicheng.' The China Quarterly (194). pp. 448-449.
http://journals.cambridge.org/action/displayJournal?jid=CQY
10.1017/S0305741008000660
oai:eprints.soas.ac.uk:7416
2024-02-09T14:06:07Z
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https://eprints.soas.ac.uk/7416/
Review of Significant Other. Staging the American in China by Claire Conceison
Ferrari, Rossella
MIT
2008
Book Reviews
PeerReviewed
text
en
https://eprints.soas.ac.uk/7416/1/52.1.pdf
Ferrari, Rossella (2008) 'Review of Significant Other. Staging the American in China by Claire Conceison.' TDR The Drama Review, 52 (1). pp. 204-206.
http://www.mitpressjournals.org/loi/dram?cookieSet=1
10.1162/dram.2008.52.1.204
oai:eprints.soas.ac.uk:7417
2024-02-09T14:06:07Z
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https://eprints.soas.ac.uk/7417/
Review of Gao Xingjian and Transcultural Chinese Theater by Sy Ren Quah
Ferrari, Rossella
Cambridge University Press
2005
Book Reviews
PeerReviewed
text
en
https://eprints.soas.ac.uk/7417/1/book_review_sumerian_grammar.pdf
Ferrari, Rossella (2005) 'Review of Gao Xingjian and Transcultural Chinese Theater by Sy Ren Quah.' Bulletin of the School of Oriental and African Studies, 68 (2). pp. 333-335.
http://journals.cambridge.org/action/displayJournal?jid=BSO
10.1017/S0041977X05320155
oai:eprints.soas.ac.uk:7431
2018-06-22T15:58:05Z
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https://eprints.soas.ac.uk/7431/
Old Tibetan Inscriptions
Iwao, Kazushi
Hill, Nathan W.
Takeuchi, Tsuguhito
Research Institute for Languages and Cultures of Asia and Africa, Tokyo University of Foreign Studies
2009
Authored Books
PeerReviewed
Iwao, Kazushi, Hill, Nathan W. and Takeuchi, Tsuguhito (2009) Old Tibetan Inscriptions. Tokyo: Research Institute for Languages and Cultures of Asia and Africa, Tokyo University of Foreign Studies. (Old Tibetan Documents Online Monograph Series)
http://repository.tufs.ac.jp/handle/10108/70261?mode=full&metadispmode=lang
oai:eprints.soas.ac.uk:7458
2024-02-09T14:06:19Z
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https://eprints.soas.ac.uk/7458/
Verba Moriendi in the Old Tibetan Annals
Hill, Nathan W.
International Institute for Tibetan and Buddhist Studies Gmbh
Beckwith, Christopher I.
2008
Book Chapters
PeerReviewed
text
en
https://eprints.soas.ac.uk/7458/1/Hill_2008_verbs_for_death.pdf
Hill, Nathan W. (2008) 'Verba Moriendi in the Old Tibetan Annals.' In: Beckwith, Christopher I., (ed.), Medieval Tibeto-Burman Languages III. Bonn: International Institute for Tibetan and Buddhist Studies Gmbh, pp. 71-86.
oai:eprints.soas.ac.uk:7460
2024-02-09T14:06:19Z
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https://eprints.soas.ac.uk/7460/
An Introduction to the text of the Newly Discovered Khrom chen Stele [Translation of 'gsar du rnyed pa'i khrom chen rdo ring yi ge mtshams sbyor' by Pa tshab pa sang dbang 'dus]
Hill, Nathan W.
2007
Translations
PeerReviewed
application/pdf
en
https://eprints.soas.ac.uk/7460/1/Pa_sang_2007_intro_to_the_khrom_chen.pdf
Hill, Nathan W., trans. (2007) An Introduction to the text of the Newly Discovered Khrom chen Stele [Translation of 'gsar du rnyed pa'i khrom chen rdo ring yi ge mtshams sbyor' by Pa tshab pa sang dbang 'dus]. The Tibet Journal . pp. 3-9.
oai:eprints.soas.ac.uk:7625
2024-02-09T14:06:48Z
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https://eprints.soas.ac.uk/7625/
Tibetan <ḥ-> as a plain initial and its place in Old Tibetan Phonology
Hill, Nathan W.
Beginning with de Kőrös (1834) many researchers have held that the Tibetan letter འ <ḥ> as a simple initial represents a voiced fricative. In 1881 Jäschke initiated an alternative view, which holds that this letter has no phonetic value, instead representing vocalic onset. An examination of the reflexes of relevant Old Tibetan words in the modern Tibetan languages, the order of the Tibetan alphabet, and Old Tibetan phonotactics confirms the earlier tradition of scholarship. It is concluded in addition that in Old Tibetan <ḥ> represented a voiced velar fricative in
all syllable positions and that the Common Tibetan values of prenasalization before consonants and vowel lengthening as a final are due to sound change from Old Tibetan to Common Tibetan.
University of California, Berkeley
2009
Journal Article
PeerReviewed
application/pdf
en
https://eprints.soas.ac.uk/7625/1/04-Hill-Dialect-reflexes-of-Tib-v.pdf
Hill, Nathan W. (2009) 'Tibetan <ḥ-> as a plain initial and its place in Old Tibetan Phonology.' Linguistics of the Tibeto-Burman Area, 32 (1). pp. 115-140.
oai:eprints.soas.ac.uk:7705
2024-02-09T14:07:01Z
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https://eprints.soas.ac.uk/7705/
Songs of Contentment and Transgression: Discharged Officials and Literati Communities in Sixteenth-Century North China
Tan, Tian Yuan
A discharged official in mid-Ming China faced significant changes in his life. This book explores three such officials in the sixteenth century—Wang Jiusi, Kang Hai, and Li Kaixian—who turned to literary endeavors when forced to retire. Instead of the formal writing expected of scholar-officials, however, they chose to engage in the stigmatized genre ofqu (songs), a collective term for drama and sanqu. As their efforts reveal, a disappointing end to an official career and a physical move away from the center led to their embrace of qu and the pursuit of a marginalized literary genre. This book also attempts to sketch the largely unknown literary landscape of mid-Ming north China. After their retirements, these three writers became cultural leaders in their native regions. Wang, Kang, and Li are studied here not as solitary writers but as central figures in the “qu communities" that formed around them. Using such communities as the basic unit in the study of qu allows us to see how sanqu and drama were produced, transmitted, and “used" among these writers, things less evident when we focus on the individual.
Harvard University Asia Center
2010
Authored Books
PeerReviewed
text
en
https://eprints.soas.ac.uk/7705/1/Songs%20of%20Contentment%20and%20Transgression.Cover%2Bcontents%2Bintro.pdf
Tan, Tian Yuan (2010) Songs of Contentment and Transgression: Discharged Officials and Literati Communities in Sixteenth-Century North China. Cambridge, MA: Harvard University Asia Center. (Harvard-Yenching Institute monograph series, 75)
http://www.hup.harvard.edu/catalog.php?isbn=9780674056046
10.2307/j.ctt1dnn8qx
oai:eprints.soas.ac.uk:7873
2024-02-09T14:07:32Z
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https://eprints.soas.ac.uk/7873/
The Ḥphags-pa letter ḥ and laryngeal phenomena in Mongolian and Chinese
Hill, Nathan W.
Harrassowitz
2009
Journal Article
PeerReviewed
text
en
https://eprints.soas.ac.uk/7873/1/Hill_2009_The_letter_h_in_Mong_and_Ch.pdf
Hill, Nathan W. (2009) 'The Ḥphags-pa letter ḥ and laryngeal phenomena in Mongolian and Chinese.' Central Asiatic Journal, 53 (2). pp. 183-205.
https://www.jstor.org/stable/41928513
oai:eprints.soas.ac.uk:7918
2024-03-29T02:36:44Z
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https://eprints.soas.ac.uk/7918/
Review of Daniel Bryant, 'The Great Recreation: Ho Ching-ming (1483-1521) and His World'
Tan, Tian Yuan
Cambridge University Press
2009-10
Book Reviews
PeerReviewed
application/pdf
en
https://eprints.soas.ac.uk/7918/1/Tan_review_2009.pdf
Tan, Tian Yuan (2009) 'Review of Daniel Bryant, 'The Great Recreation: Ho Ching-ming (1483-1521) and His World'.' Bulletin of the School of Oriental and African Studies, 72 (3). pp. 582-584.
http://journals.cambridge.org/action/displayIssue?jid=BSO&volumeId=72&issueId=03&iid=6388664
10.1017/S0041977X09990218
oai:eprints.soas.ac.uk:7967
2024-02-09T14:07:49Z
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https://eprints.soas.ac.uk/7967/
Rethinking Li Kaixian’s Editorship of Revised Plays by Yuan Masters: A Comparison with his Banter about Lyrics
Tan, Tian Yuan
PL Languages and literatures of Eastern Asia, Africa, Oceania
Brill
Van Crevel, Maghiel
Tan, Tian Yuan
Hockx, Michel
2009-11
Book Chapters
PeerReviewed
application/pdf
en
https://eprints.soas.ac.uk/7967/1/Tan.Rethinking_Li_Kaixian%27s_Editorship_of_GDYXCQ.pdf
Tan, Tian Yuan (2009) 'Rethinking Li Kaixian’s Editorship of Revised Plays by Yuan Masters: A Comparison with his Banter about Lyrics.' In: Van Crevel, Maghiel, Tan, Tian Yuan and Hockx, Michel, (eds.), Text, Performance, and Gender in Chinese Literature and Music: Essays in Honor of Wilt Idema. Leiden: Brill, pp. 139-152.
oai:eprints.soas.ac.uk:7968
2018-06-22T15:58:37Z
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https://eprints.soas.ac.uk/7968/
Kang Hai houqi nanqu xiaoling chutan: jianlun Langtaosha qupai de jige wenti 康海後期南曲小令初探—兼論【浪淘沙】曲牌的幾個問題 (A Study of Kang Hai’s Composition of Southern Songs in His Later Years, Along with a Discussion on the Tune Title Langtaosha)
Tan, Tian Yuan
PL Languages and literatures of Eastern Asia, Africa, Oceania
Haixia wenyi chubanshe
Chen, Qingyuan
2009-06
Book Chapters
PeerReviewed
Tan, Tian Yuan (2009) 'Kang Hai houqi nanqu xiaoling chutan: jianlun Langtaosha qupai de jige wenti 康海後期南曲小令初探—兼論【浪淘沙】曲牌的幾個問題 (A Study of Kang Hai’s Composition of Southern Songs in His Later Years, Along with a Discussion on the Tune Title Langtaosha).' In: Chen, Qingyuan, (ed.), Mingdai wenxue lunji. Fuzhou: Haixia wenyi chubanshe, pp. 1065-1076.
oai:eprints.soas.ac.uk:8073
2024-02-09T14:08:03Z
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https://eprints.soas.ac.uk/8073/
Foundational Questions of Tibetan Morphology [Translation of "Grundfragen der tibetischen Morphologie" by Michael Hahn]
Hill, Nathan W.
PI Oriental languages and literatures
2008
Translations
NonPeerReviewed
application/pdf
en
https://eprints.soas.ac.uk/8073/1/Hahn_2009_foundational_questions.pdf
Hill, Nathan W., trans. (2008) Foundational Questions of Tibetan Morphology [Translation of "Grundfragen der tibetischen Morphologie" by Michael Hahn]. Tibet Journal, 33 (2). pp. 3-19.
oai:eprints.soas.ac.uk:8134
2023-01-14T11:25:29Z
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https://eprints.soas.ac.uk/8134/
Xin faxian Kang Hai sanqu ji Pandong yuefu houlu jiaojian (shang) 新發現康海散曲集《沜東樂府後錄》校箋(上)(A Collation and Annotation of Kang Hai’s Newly Discovered Song Collection Pandong yuefu houlu, Part 1)
Tan, Tian Yuan
Kang Hai is one of the major qu writers in the mid Ming. The newly discovered Pandong yuefu houlu kept in Taiwan is the sequel to Kang’s song collection Pandong yuefu, and it includes a total of 185 xiaoling songs and 82 song suites. This doubles the number of Kang Hai’s sanqu songs hitherto known in current scholarship, and also adds significantly to the sources for the study of Ming sanqu songs. This article provides a collation and annotation of the full text of Houlu, with the aim of enhancing wider circulation of the source and further development in the study of Kang Hai.
Wenhua yishu yanjiu zazhi she
2009-11
Journal Article
PeerReviewed
Tan, Tian Yuan (2009) 'Xin faxian Kang Hai sanqu ji Pandong yuefu houlu jiaojian (shang) 新發現康海散曲集《沜東樂府後錄》校箋(上)(A Collation and Annotation of Kang Hai’s Newly Discovered Song Collection Pandong yuefu houlu, Part 1).' Wenhua yishu yanjiu 文化藝術研究 (Studies in Culture and Art ), 2 (4). pp. 117-134.
http://china.eastview.com/kns50/
oai:eprints.soas.ac.uk:8136
2023-01-14T11:17:05Z
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https://eprints.soas.ac.uk/8136/
Xin faxian Kang Hai sanqu ji Pandong yuefu houlu jiaojian (xia) 新發現康海散曲集《沜東樂府後錄》校箋(下)(A Collation and Annotation of Kang Hai’s Newly Discovered Song Collection Pandong yuefu houlu, Part 2)
Tan, Tian Yuan
Kang Hai is one of the major qu writers in the mid Ming. The newly discovered Pandong yuefu houlu kept in Taiwan is the sequel to Kang’s song collection Pandong yuefu, and it includes a total of 185 xiaoling songs and 82 song suites. This doubles the number of Kang Hai’s sanqu songs hitherto known in current scholarship, and also adds significantly to the sources for the study of Ming sanqu songs. This article provides a collation and annotation of the full text of Houlu, with the aim of enhancing wider circulation of the source and further development in the study of Kang Hai.
Wenhua yishu yanjiu zazhi she
2009-12
Journal Article
PeerReviewed
Tan, Tian Yuan (2009) 'Xin faxian Kang Hai sanqu ji Pandong yuefu houlu jiaojian (xia) 新發現康海散曲集《沜東樂府後錄》校箋(下)(A Collation and Annotation of Kang Hai’s Newly Discovered Song Collection Pandong yuefu houlu, Part 2).' Wenhua yishu yanjiu 文化藝術研究 (Studies in Culture and Art ), 2 (5). pp. 145-175.
http://china.eastview.com/kns50/
oai:eprints.soas.ac.uk:8437
2024-02-09T14:08:56Z
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https://eprints.soas.ac.uk/8437/
From ‘Free China’ to Sunny Paradise: The Worlding Process in the Magazine Tourism in Taiwan (1966–1974)
Chang, Bi-Yu
As a crucial part of the US-led Asia–Pacific security framework, and standing against communist expansion, Taiwan and its offshore islands acted as an anti-communist bulwark during the Cold War. Under the prevailing fear of communist infiltration at the height of the Cold War, it is somewhat surprising that the ROC authorities exerted themselves to promote international tourism and opened its door to attract international visitors. In the mid-1960s, as part of the policy to accelerate the promotion of Taiwan’s international tourism, the KMT government published Tourism in Taiwan (1966–1974), one of the most important official tourism magazines. In contrast to all its short-lived predecessors, Tourism in Taiwan mainly targeted one particular group of international visitors – i.e. the American servicemen who came under the American R&R (rest and recuperation) program between 1965 and 1972. Through careful reading of Tourism in Taiwan, this chapter reflects on the complex power relations between its many ‘authors’ in this nation-branding process and also considers how American taste and Cold War order was embedded in the building, (re)imaging, and construction of the island’s ‘tourability.’
Routledge
Chang, Bi-Yu
Lin, Pei-yin
2019-04-30
Book Chapters
NonPeerReviewed
text
en
https://eprints.soas.ac.uk/8437/3/Chang_FromFreeChinaSunny.pdf
Chang, Bi-Yu (2019) 'From ‘Free China’ to Sunny Paradise: The Worlding Process in the Magazine Tourism in Taiwan (1966–1974).' In: Chang, Bi-Yu and Lin, Pei-yin, (eds.), Positioning Taiwan in a Global Context: Being and Becoming. London: Routledge, pp. 95-110. (Routledge Research on Taiwan Series)
10.4324/9780429022227-7
oai:eprints.soas.ac.uk:8543
2022-11-20T08:30:10Z
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https://eprints.soas.ac.uk/8543/
Review of "Origins of the Chinese Avant-Garde: The Modern Woodcut Movement" by Xiaobing Tang
Ferrari, Rossella
University of Hawai'i Press
2009-07
Book Reviews
PeerReviewed
Ferrari, Rossella (2009) 'Review of "Origins of the Chinese Avant-Garde: The Modern Woodcut Movement" by Xiaobing Tang.' China Review International, 16 (2). pp. 271-275.
10.1353/cri.2009.0050
oai:eprints.soas.ac.uk:8544
2023-02-23T11:39:17Z
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https://eprints.soas.ac.uk/8544/
Disenchanted Presents, Haunted Pasts, and Dystopian Futures: Deferred Millennialism in the Cinema of Meng Jinghui
Ferrari, Rossella
Taylor and Francis
2011-07
Journal Article
PeerReviewed
Ferrari, Rossella (2011) 'Disenchanted Presents, Haunted Pasts, and Dystopian Futures: Deferred Millennialism in the Cinema of Meng Jinghui.' Journal of Contemporary China, 20 (71). pp. 699-721.
http://www.tandfonline.com/doi/abs/10.1080/10670564.2011.587166
10.1080/10670564.2011.587166
oai:eprints.soas.ac.uk:8674
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https://eprints.soas.ac.uk/8674/
The converb -las in Old Tibetan
Hill, Nathan W.
In contrast to its description in available grammars and manuals, the converb -las in Old Tibetan is used primarily to mark off the following clause as surprising given the background of the preceding clause. The converb -las enters into two distinct syntactic constructions: after a reduplicated verb it indicates the interruption of a continuous event; and in a three-clause pattern with the converb -kyis, -las introduces a surprise or contrast in the second clause, but -kyis in the third clause returns the sentiment to that of the first clause. Although the examples which demonstrate the use of -las are drawn from Old Tibetan texts, this use continues in later texts.
Cambridge University Press
2010
Journal Article
PeerReviewed
text
en
https://eprints.soas.ac.uk/8674/1/Hill_2010_converb_las.pdf
Hill, Nathan W. (2010) 'The converb -las in Old Tibetan.' Bulletin of the School of Oriental and African Studies, 73 (2). pp. 245-260.
10.1017/S0041977X10000078
oai:eprints.soas.ac.uk:8787
2024-02-09T14:09:57Z
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https://eprints.soas.ac.uk/8787/
A note on the phonetic evolution of yod-pa-red in Central Tibet.
Hill, Nathan W.
University of California, Berkeley
2010
Journal Article
PeerReviewed
text
en
https://eprints.soas.ac.uk/8787/1/Hill_2010_phonetic_development_of_yodpared.pdf
Hill, Nathan W. (2010) 'A note on the phonetic evolution of yod-pa-red in Central Tibet.' Linguistics of the Tibeto-Burman Area, 33 (1). pp. 93-94.
oai:eprints.soas.ac.uk:8879
2024-02-09T14:10:13Z
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https://eprints.soas.ac.uk/8879/
The Old Tibetan Chronicle: Chapter 1.
Hill, Nathan W.
PI Oriental languages and literatures
2006
Translations
PeerReviewed
application/pdf
en
https://eprints.soas.ac.uk/8879/1/ret_10_05.pdf
Hill, Nathan W., trans. (2006) The Old Tibetan Chronicle: Chapter 1. Revue d’Etudes Tibétaines, 10 . pp. 89-101.
oai:eprints.soas.ac.uk:8964
2024-02-09T14:10:25Z
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https://eprints.soas.ac.uk/8964/
An overview of Old Tibetan synchronic phonology
Hill, Nathan W.
PI Oriental languages and literatures
P Philology. Linguistics
Despite the importance of Old Tibetan in the Tibeto-Burman language family, little research has treated Old Tibetan synchronic phonology. This article gives a complete overview of the Old Tibetan phonemic system by associating sound values with the letters of the Tibetan alphabet and exploring the distribution of these sounds in syllable structure.
Wiley
2010
Journal Article
PeerReviewed
text
en
https://eprints.soas.ac.uk/8964/1/Hill_2010_overview_of_Old_Tibetan_phonology.pdf
Hill, Nathan W. (2010) 'An overview of Old Tibetan synchronic phonology.' Transactions of the Philological Society, 108 (2). pp. 110-125.
10.1111/j.1467-968X.2010.01234.x
oai:eprints.soas.ac.uk:9819
2024-02-09T14:12:28Z
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https://eprints.soas.ac.uk/9819/
Review of Christine Sommerschuh, Einführung in die tibetische Schriftsprache: Lehrbuch für den Unterricht und das vertiefende Selbststudium. Nordstedt: Books on Demand GmbH, 2008.
Hill, Nathan W.
Brill
2010
Book Reviews
PeerReviewed
text
en
https://eprints.soas.ac.uk/9819/2/Hill_2010_Sommerschuh_review.pdf
Hill, Nathan W. (2010) 'Review of Christine Sommerschuh, Einführung in die tibetische Schriftsprache: Lehrbuch für den Unterricht und das vertiefende Selbststudium. Nordstedt: Books on Demand GmbH, 2008.' Indo-Iranian Journal, 53 (3). pp. 251-264.
http://brill.publisher.ingentaconnect.com/content/brill/indo/2010/00000053/00000003/art00003
10.1163/001972409X12645171001974
oai:eprints.soas.ac.uk:10172
2018-06-22T16:00:37Z
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https://eprints.soas.ac.uk/10172/
Practical Handbook of Simplified and Full-form Characters [實用簡繁體漢字對照手冊]
Pang, Zhaoxia
Cypress Book Co.
2008
Authored Books
NonPeerReviewed
Pang, Zhaoxia (2008) Practical Handbook of Simplified and Full-form Characters [實用簡繁體漢字對照手冊]. United Kingdom: Cypress Book Co..
oai:eprints.soas.ac.uk:10174
2018-06-22T16:00:38Z
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https://eprints.soas.ac.uk/10174/
Moodle-learning Materials for Chinese at Higher Intermediate Level
Pang, Zhaoxia
Sponsored by Centre for Learning Technology Development Fund Grants LSE. LSE Moodle Learning community
2009
Other
NonPeerReviewed
Pang, Zhaoxia (2009) 'Moodle-learning Materials for Chinese at Higher Intermediate Level.' Sponsored by Centre for Learning Technology Development Fund Grants LSE. LSE Moodle Learning community. (Unpublished)
oai:eprints.soas.ac.uk:10175
2018-06-22T16:00:38Z
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https://eprints.soas.ac.uk/10175/
Integrated Study Pack for Elementary Chinese
Pang, Zhaoxia
Sponsored by CETL (Centre for Excellence in Teaching and Learning). SOAS internal textbook
2008
Other
NonPeerReviewed
Pang, Zhaoxia (2008) 'Integrated Study Pack for Elementary Chinese.' Sponsored by CETL (Centre for Excellence in Teaching and Learning). SOAS internal textbook. (Unpublished)
oai:eprints.soas.ac.uk:10176
2018-06-22T16:00:38Z
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https://eprints.soas.ac.uk/10176/
Mandarin Chinese Workbook
Pang, Zhaoxia
Tang, Helen
Sponsored by Teaching Development Grant of Imperial College. Imperial College internal textbook
2007
Other
NonPeerReviewed
Pang, Zhaoxia and Tang, Helen (2007) 'Mandarin Chinese Workbook.' Sponsored by Teaching Development Grant of Imperial College. Imperial College internal textbook. (Unpublished)
oai:eprints.soas.ac.uk:10177
2018-06-22T16:00:38Z
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https://eprints.soas.ac.uk/10177/
Intermediate Chinese
Pang, Zhaoxia
Sponsored by Teaching Development Grant of Imperial College. Imperial College internal textbook
2006
Other
NonPeerReviewed
Pang, Zhaoxia (2006) 'Intermediate Chinese.' Sponsored by Teaching Development Grant of Imperial College. Imperial College internal textbook. (Unpublished)
oai:eprints.soas.ac.uk:10178
2018-06-22T16:00:38Z
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https://eprints.soas.ac.uk/10178/
Chinese Studies Textbooks (30 lessons)
Pang, Zhaoxia
Sponsored by Great-Britain China Centre. GBCC internal textbooks
2002
Other
NonPeerReviewed
Pang, Zhaoxia (2002) 'Chinese Studies Textbooks (30 lessons).' Sponsored by Great-Britain China Centre. GBCC internal textbooks. (Unpublished)
oai:eprints.soas.ac.uk:10179
2018-06-22T16:00:38Z
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https://eprints.soas.ac.uk/10179/
Specifications of Data Collection System [Translation]
Pang, Zhaoxia
printed by Naval Research Institute
1995
Other
NonPeerReviewed
Pang, Zhaoxia (1995) 'Specifications of Data Collection System [Translation].' printed by Naval Research Institute.
oai:eprints.soas.ac.uk:10180
2018-06-22T16:00:38Z
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https://eprints.soas.ac.uk/10180/
Damn the Torpedoes [Translation]
Pang, Zhaoxia
Published by Military Institute of Naval Affairs
1993
Other
NonPeerReviewed
Pang, Zhaoxia (1993) 'Damn the Torpedoes [Translation].' Published by Military Institute of Naval Affairs.
oai:eprints.soas.ac.uk:10181
2018-06-22T16:00:38Z
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https://eprints.soas.ac.uk/10181/
Regular contributor to Foreign Sea Powers [Translation]
Pang, Zhaoxia
Magazine: Z1884-942038
1990
Other
NonPeerReviewed
Pang, Zhaoxia (1990) 'Regular contributor to Foreign Sea Powers [Translation].' Magazine: Z1884-942038.
oai:eprints.soas.ac.uk:10344
2022-04-01T08:44:55Z
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https://eprints.soas.ac.uk/10344/
Beckett’s Chinese Progeny: Absurdity, Waiting, and the Godot Motif in Contemporary China
Ferrari, Rossella
Peter Lang
Maufort, Marc
Figueira, Dorothy
2011
Book Chapters
PeerReviewed
Ferrari, Rossella (2011) 'Beckett’s Chinese Progeny: Absurdity, Waiting, and the Godot Motif in Contemporary China.' In: Maufort, Marc and Figueira, Dorothy, (eds.), Theatres in the Round: Multi-ethnic, Indigenous, and Intertextual Dialogues in Drama. Bruxelles, Bern, Berlin, Frankfurt am Main, New York, Oxford, Wien: Peter Lang, pp. 133-159. (Dramaturgies)
http://www.peterlang.net/index.cfm?event=cmp.ccc.seitenstruktur.detailseiten&seitentyp=produkt&pk=60513&cid=5&concordeid=21690
oai:eprints.soas.ac.uk:10345
2024-02-09T14:14:44Z
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https://eprints.soas.ac.uk/10345/
The Stage as a Drawing Board: Zuni Icosahedron’s Architecture Is Art Festival
Ferrari, Rossella
The multimedia performances of the Architecture Is Art Festival explore the connections of architecture, theatre, and architecture in theatre to voice a number of concerns relating to heritage preservation and technological development, historical memory and current politics. The interrogatives raised by these performances are intimately connected with the ontology of Hong Kong identity and testify to the spirit of traveling—through cultures, media, and disciplines—and the attitude of questioning that has become synonymous with Zuni Icosahedron.
MIT Press
2011-02
Journal Article
PeerReviewed
text
en
https://eprints.soas.ac.uk/10345/1/Ferrari_The%20Stage%20as%20a%20Drawing%20Board.pdf
Ferrari, Rossella (2011) 'The Stage as a Drawing Board: Zuni Icosahedron’s Architecture Is Art Festival.' TDR: The Drama Review, 55 (1). pp. 137-148.
10.1162/DRAM_a_00053
oai:eprints.soas.ac.uk:10346
2020-02-26T18:07:33Z
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https://eprints.soas.ac.uk/10346/
The Avant-Garde is Dead, Long Live the (Pop) Avant-Garde! Critical Reconfigurations in Contemporary Chinese Theatre
Ferrari, Rossella
The article examines the trope of the “death of the avant-garde” in the context of contemporary Chinese theatre. It addresses comparable “death discourses” such as the so-called theatre crisis of the late 1980s and early 1990s and critiques of “pseudo avant-gardism” that have been formulated with respect to the recent praxis of established experimentalists such as Beijing-based director and dramatist Meng Jinghui. The article argues that the Chinese avant-garde is not dead; it has, rather, evolved into a distinctive “pop avant-garde” mode that more aptly reflects and responds to the condition of Chinese society in times of market economy and cultural commoditization.
Duke University Press
2012
Journal Article
PeerReviewed
Ferrari, Rossella (2012) 'The Avant-Garde is Dead, Long Live the (Pop) Avant-Garde! Critical Reconfigurations in Contemporary Chinese Theatre.' positions: asia critique, 20 (4). pp. 1127-1157.
http://positions.dukejournals.org/content/20/4.toc?etoc
10.1215/10679847-1717690
oai:eprints.soas.ac.uk:10347
2023-01-22T10:46:02Z
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https://eprints.soas.ac.uk/10347/
Journey(s) to the East—-Travels, Trajectories, and Transnational Chinese Theatre(s)
Ferrari, Rossella
PL Languages and literatures of Eastern Asia, Africa, Oceania
Taylor and Francis
2010
Journal Article
PeerReviewed
Ferrari, Rossella (2010) 'Journey(s) to the East—-Travels, Trajectories, and Transnational Chinese Theatre(s).' Postcolonial Studies, 13 (4). pp. 351-366.
10.1080/13688790.2010.518350
oai:eprints.soas.ac.uk:10348
2024-02-09T14:14:45Z
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https://eprints.soas.ac.uk/10348/
Pop Goes The Avant-Garde: Experimental Theatre in Contemporary China
Ferrari, Rossella
PI Oriental languages and literatures
PL Languages and literatures of Eastern Asia, Africa, Oceania
PN2000 Dramatic representation. The Theater
Pop Goes the Avant-Garde: Experimental Theatre in Contemporary China is the first comprehensive review of the history and development of avant-garde drama and theatre in the People’s Republic of China since 1976. Drawing on a range of critical perspectives in the fields of comparative literature, theatre, performance, and culture studies, the book explores key artistic movements and phenomena that have emerged in China’s major cultural centers in the last several decades. It surveys the work of China’s most influential dramatists, directors and performance groups, with a special focus on Beijing-based playwright, director and filmmaker Meng Jinghui—the former enfant terrible of Beijing theatre, who is now one of Asia’s foremost theatre personalities. Through an extensive critique of theories of modernism and the avant-garde, the author reassesses the meanings, functions and socio-historical significance of this work in non-Western contexts by proposing a new theoretical construct—the pop avant-garde—and exploring new ways to understand and conceptualize aesthetic practices beyond Euro-American cultures and critical discourses.
Seagull Books
2012-12
Authored Books
PeerReviewed
image
en
https://eprints.soas.ac.uk/10348/1/ferrari_pop_avantgarde%20COVER.jpg
Ferrari, Rossella (2012) Pop Goes The Avant-Garde: Experimental Theatre in Contemporary China. London: Seagull Books. (Enactments)
http://www.press.uchicago.edu/ucp/books/book/distributed/P/bo13220284.html
oai:eprints.soas.ac.uk:10393
2024-02-09T14:14:51Z
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https://eprints.soas.ac.uk/10393/
Emerging from Anonymity: The First Generation of Writers of Songs and Drama in Mid-Ming Nanjing
Tan, Tian Yuan
This article traces the first generation of writers of songs and drama in Nanjing who emerged from the anonymous context of early Ming court entertainment and established their name and reputation in the second half of the fifteenth century. These writers—Shi Zhong (1437-after 1516), Chen Duo (1454?-1507?), and Xu Lin (1462-1538)—represented a different mode of writing songs and drama. For them it was no longer a professional occupation, as in the case of the court performers, but became part of their cultural and social life. The extent to which our knowledge of these first generation qu writers depends on local sources and on acts of remembrance by later Nanjing authors is also examined.
Brill
2010-10
Journal Article
PeerReviewed
text
en
https://eprints.soas.ac.uk/10393/1/T%27oung_Pao_96__%282010%29.TAN.pdf
Tan, Tian Yuan (2010) 'Emerging from Anonymity: The First Generation of Writers of Songs and Drama in Mid-Ming Nanjing.' T’oung Pao. International Journal of Chinese Studies, 96 (1-3). pp. 125-164.
10.1163/156853210X515684
oai:eprints.soas.ac.uk:10408
2020-02-04T22:57:55Z
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https://eprints.soas.ac.uk/10408/
Zhang Ruifang: Modelling the Socialist Red Star
Lu, Xiaoning
Routledge
Zhang, Yingjin
Farquar, Mary
2010
Book Chapters
PeerReviewed
Lu, Xiaoning (2010) 'Zhang Ruifang: Modelling the Socialist Red Star.' In: Zhang, Yingjin and Farquar, Mary, (eds.), Chinese Film Stars. Abingdon: Routledge, pp. 97-107. (Routledge contemporary China series, 51)
oai:eprints.soas.ac.uk:10409
2022-06-23T10:19:07Z
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https://eprints.soas.ac.uk/10409/
文学现代转型之先兆 – 晚清文学变革中白话文言之争 [A Precursor to Modernization of Modern Chinese Literature: Classical Language versus Vernacular Language in Late Qing Literary Reform]
Lu, Xiaoning
Fudan University Press
Wu, Lichang
2004
Book Chapters
PeerReviewed
Lu, Xiaoning (2004) '文学现代转型之先兆 – 晚清文学变革中白话文言之争 [A Precursor to Modernization of Modern Chinese Literature: Classical Language versus Vernacular Language in Late Qing Literary Reform].' In: Wu, Lichang, (ed.), 文学的消解与反消解 – 中国现代文学派别论争史论 = Negation and Anti-Negation of Literature: A History of Modern Chinese Literary Schools and Debates. Shanghai: Fudan University Press, pp. 35-51.
oai:eprints.soas.ac.uk:10410
2022-06-23T10:19:33Z
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https://eprints.soas.ac.uk/10410/
开启文学有无功利的重要话题 – 梁启超与王国维之争[Purposiveness of Literature?: Liang Qichao versus Wang Guowei]
Lu, Xiaoning
Fudan University Press
Wu, Lichang
2004
Book Chapters
PeerReviewed
Lu, Xiaoning (2004) '开启文学有无功利的重要话题 – 梁启超与王国维之争[Purposiveness of Literature?: Liang Qichao versus Wang Guowei].' In: Wu, Lichang, (ed.), 文学的消解与反消解 – 中国现代文学派别论争史论 = Negation and Anti-Negation of Literature: A History of Modern Chinese Literary Schools and Debates. Shanghai: Fudan University Press, pp. 52-61.
oai:eprints.soas.ac.uk:10411
2022-03-31T09:11:41Z
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https://eprints.soas.ac.uk/10411/
怎样对待“纲常名教” – 陈独秀与杜亚泉关于东西方文化之争 [How to Treat ‘the Three Cardinal Guides and the Five Constant Virtues’: Chen Duxiu versus Da Yaquan on Eastern and Western Cultures]
Lu, Xiaoning
Fudan University Press
Chang, Wu li
2004
Book Chapters
PeerReviewed
Lu, Xiaoning (2004) '怎样对待“纲常名教” – 陈独秀与杜亚泉关于东西方文化之争 [How to Treat ‘the Three Cardinal Guides and the Five Constant Virtues’: Chen Duxiu versus Da Yaquan on Eastern and Western Cultures].' In: Chang, Wu li, (ed.), 文学的消解与反消解 – 中国现代文学派别论争史论 = Negation and Anti-Negation of Literature: A History of Modern Chinese Literary Schools and Debates. Shanghai: Fudan University Press, pp. 62-74.
oai:eprints.soas.ac.uk:10412
2022-06-23T10:19:56Z
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https://eprints.soas.ac.uk/10412/
搬开文学革命的绊脚石 – 革新派与复古派之争 [Removing Stumbling Blocks to Literary Revolution: Reformists versus Traditionalists]
Lu, Xiaoning
Fudan University Press
Wu, Lichang
2004
Book Chapters
PeerReviewed
Lu, Xiaoning (2004) '搬开文学革命的绊脚石 – 革新派与复古派之争 [Removing Stumbling Blocks to Literary Revolution: Reformists versus Traditionalists].' In: Wu, Lichang, (ed.), 文学的消解与反消解 – 中国现代文学派别论争史论 = Negation and Anti-Negation of Literature: A History of Modern Chinese Literary Schools and Debates. Shanghai: Fudan University Press, pp. 75-94.
oai:eprints.soas.ac.uk:10413
2022-06-23T10:20:19Z
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https://eprints.soas.ac.uk/10413/
反对文学革命的尾声- 学衡派与新青年派之争 [The Epilogue of Anti-Literature Revolution: Critical Review versus New Youth]
Lu, Xiaoning
Fudan University Press
Wu, Lichang
2004
Book Chapters
PeerReviewed
Lu, Xiaoning (2004) '反对文学革命的尾声- 学衡派与新青年派之争 [The Epilogue of Anti-Literature Revolution: Critical Review versus New Youth].' In: Wu, Lichang, (ed.), 文学的消解与反消解 – 中国现代文学派别论争史论 = Negation and Anti-Negation of Literature: A History of Modern Chinese Literary Schools and Debates. Shanghai: Fudan University Press, pp. 95-112.
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