2024-03-28T19:57:14Z
https://eprints.soas.ac.uk/cgi/oai2
oai:eprints.soas.ac.uk:400
2019-12-12T11:34:27Z
oai:eprints.soas.ac.uk:401
2022-12-13T09:37:34Z
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enBritish Academy and Society for South Asian Studies97809553924128600300Gods on the Move: Architecture and Ritual in the South Indian TempleBranfoot, Crispin2007BookNA
oai:eprints.soas.ac.uk:453
2018-06-22T15:51:19Z
oai:eprints.soas.ac.uk:454
2018-06-22T15:51:19Z
oai:eprints.soas.ac.uk:455
2022-06-08T18:14:43Z
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enRoutledge97804152178358600300Traditions and Transformations in African ReligionsGore, CharlesFletcher, PaulKawanami, HirokoSmith, DavidWoodhead, Linda2002Book chapterNA
oai:eprints.soas.ac.uk:456
2018-06-22T15:51:19Z
oai:eprints.soas.ac.uk:457
2022-06-08T16:39:54Z
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enArchaeopress97818417189278600300Nigerian Museums: A Question of ValueGore, CharlesFinneran, Niall2005Book chapterNA
oai:eprints.soas.ac.uk:458
2022-12-05T10:58:19Z
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enIndiana University Press97802533515628600300Mami Wata, an Urban Presence: The Making of a Tradition in Benin City, NigeriaGore, CharlesDrewal, H.2008Book chapterNA
oai:eprints.soas.ac.uk:3255
2022-10-17T12:32:09Z
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Aspects of a Hindu temple founded at Krishnapuram in southern India in the 1560s, under the patronage of the Madurai Nayakas, governors of the Vijayanagara Empire, are resonant with meaning. Conservative design features and the temple's status as an architectural "copy" of a famous sacred site commemorate the past and sacred geography of the Tamil poet-saints. Innovative architectural sculpture demonstrates the temple's engagement with both the cultural and political past of the Tamil country and the more immediate imperial reality of the fragmenting Vijayanagara Empire as the Nayaka patrons sought to define themselves in a dynamic cultural and political arena.enTaylor and Francis000430798600300Imperial Frontiers: Building Sacred Space in Sixteenth-century South IndiaBranfoot, Crispin2008-06Journal Article/ReviewNAhttp://doi.org/10.1080/00043079.2008.10786389
oai:eprints.soas.ac.uk:3256
2022-10-07T20:34:19Z
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enMuseum Rietberg, Zurich and Arthur M Sackler Gallery, Smithsonian Institution, Washington DC000436488600300Temple architecture in Bhatkal and the Ramayana tradition in coastal KarnatakaBranfoot, CrispinDallapiccola, Anna L.2005Journal Article/ReviewNA
oai:eprints.soas.ac.uk:3258
2022-10-09T10:08:04Z
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enSmithsonian Institution, Washinton DC057113718600300The Madurai Nayakas and the Skanda temple at TirupparankundramBranfoot, Crispin2004Journal Article/ReviewNA
oai:eprints.soas.ac.uk:3259
2022-10-07T20:33:41Z
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enMuseum Rietberg, Zurich and Arthur M Sackler Gallery, Smithsonian Institution, Washington DC000436488600300'Expanding Form': The Architectural Sculpture of the South Indian Temple c.1500-1700Branfoot, Crispin2002Journal Article/ReviewNAhttp://doi.org/10.2307/3250266
oai:eprints.soas.ac.uk:3260
2022-10-17T12:16:42Z
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enTaylor and Francis026660308600300Bhima and Purusamirukam in the Nayaka-period Sculpture of TamilnaduBranfoot, Crispin2002Journal Article/ReviewNAhttp://doi.org/10.1080/02666030.2002.9628610
oai:eprints.soas.ac.uk:3261
2022-09-18T07:16:09Z
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enCambridge University Press135618638600300Tirumala Nayaka's 'New Hall' and the European Study of the South Indian TempleBranfoot, Crispin2001Journal Article/ReviewNAhttp://doi.org/10.1017/S1356186301000232
oai:eprints.soas.ac.uk:3262
2022-10-04T14:31:19Z
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enIstituto Italiano per l'Africa e l'Oriente001283768600300Mangammal of Madurai and South Indian PortraitureBranfoot, Crispin2001-12Journal Article/ReviewNA
oai:eprints.soas.ac.uk:3263
2022-10-17T12:16:06Z
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enTaylor and Francis026660308600300Royal Portrait Sculpture in the South Indian TempleBranfoot, Crispin2000Journal Article/ReviewNAhttp://doi.org/10.1080/02666030.2000.9628577
oai:eprints.soas.ac.uk:3264
2022-08-09T09:38:30Z
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enMuseum Rietberg000436488600300Approaching the Temple in Nayaka-period Madurai: the Kutal Alakar templeBranfoot, Crispin2000Journal Article/ReviewNA
oai:eprints.soas.ac.uk:3266
2022-05-22T07:59:26Z
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enSOAS97807286037908600300South Asia and the HimalayasBranfoot, CrispinContadini, Anna2007Book chapterNA
oai:eprints.soas.ac.uk:3267
2024-02-09T13:54:46Z
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application/pdfhttps://eprints.soas.ac.uk/3267/1/Branfoot%20-%20Vijayanagara%20in%20Karnataka%20chapter.pdfenBritish Association for South Asian Studies97809553924368600300Regional Pasts, Imperial Present: architecture and memory in Vijayanagara-period KarnatakaBranfoot, CrispinHardy, Adam2007Book chapterAO
oai:eprints.soas.ac.uk:3268
2023-05-12T11:03:55Z
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enAssociation of Art Historians21st Century Art History - Global Reception8600300Where on Earth is South Asia? Indian art and UK universitiesBranfoot, CrispinTatlock, Janet2006Book chapterNA
oai:eprints.soas.ac.uk:3269
2022-06-24T16:45:07Z
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enMarg Publications97881850264598600300Tiruchirappalli and the Sacred Island of SrirangamBranfoot, CrispinMichell, George1999-09Book chapterNA
oai:eprints.soas.ac.uk:3273
2022-05-22T07:53:51Z
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enAshmolean Museum97818544421548600300Pilgrimage in South Asia: Crossing Boundaries of Space and FaithBranfoot, CrispinBranfoot, CrispinBarnes, Ruth2006Book chapterNA
oai:eprints.soas.ac.uk:3274
2022-05-22T07:53:13Z
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enAshmolean Museum97818544421548600300Travellers of Faith: Pilgrim TalesBranfoot, CrispinAllan, James W.Branfoot, CrispinBarnes, Ruth2006Book chapterNA
oai:eprints.soas.ac.uk:3275
2024-02-09T13:54:47Z
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application/pdfhttps://eprints.soas.ac.uk/3275/1/Branfoot%20Orientations%20pp73-78%20-%20Company%20painting.pdfenHong Kong : Pacific Communications003054488600300Painting Processions: a Company album from south IndiaBranfoot, Crispin2007-11Journal Article/ReviewVoR
oai:eprints.soas.ac.uk:3276
2022-08-04T11:22:03Z
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enArts of Asia Publications000440838600300Processions and Presence: Bronze Sculptures from the Temples of Southern IndiaBranfoot, Crispin2006Journal Article/ReviewNA
oai:eprints.soas.ac.uk:3277
2022-09-06T11:38:34Z
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enCentre for Near East, Asia and Africa Research026984048600300Burmese Nats: Wooden Sculpture from the Richard C. Temple CollectionBranfoot, Crispin1995Journal Article/ReviewNA
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2022-09-05T07:25:31Z
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enTaylor and Francis1369681586002100Redeeming Features: From 'Tsotsi' (1980) to 'Tsotsi' (2006)Dovey, Lindiwe2007-12-01Journal Article/ReviewNAhttp://doi.org/10.1080/13696810701760435
oai:eprints.soas.ac.uk:3821
2022-08-18T17:14:18Z
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enTaylor and Francis1744986386002100South African Cinema in ExileDovey, Lindiwe2005-11-01Journal Article/ReviewNAhttp://doi.org/10.1080/17449850500252375
oai:eprints.soas.ac.uk:3822
2022-09-15T09:16:15Z
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enUniversity of Iowa0743274786002100Towards an Art of Adaptation: Film and the New Criticism-as-CreationDovey, Lindiwe2002-09-01Journal Article/ReviewNA
oai:eprints.soas.ac.uk:3827
2022-06-24T09:29:01Z
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enRodopi978904201885386002100Politicising Adaptation: Re-historicising South African Literature through FoolsDovey, LindiweAragay, M.2005Book chapterNA
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2021-05-22T14:24:07Z
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This book explores the roles of contemporary urban shrines and their visual traditions in Benin City. It focuses on the charismatic priests and priestesses who are possessed by a pantheon of deities, the communities of devotees, and the artists who make artifacts for their shrines. The visual arts are part of a wider configuration of practices that include song, dance, possession, and healing. These practices provide the means for exploring the relationships of the visual to both the verbal and performance arts that feature at these shrines. The analysis in this book raises fundamental questions about how the art of Benin, and non-Western art histories more generally, are understood. The book throws critical light on the taken-for-granted assumptions that underpin current interpretations and presents an original and revisionist account of Benin art history.enEdinburgh University Press97807486331668600300Art, Performance and Ritual in Benin CityGore, Charles2007BookNAhttp://doi.org/10.3366/edinburgh/9780748633166.001.0001
oai:eprints.soas.ac.uk:4247
2022-10-07T18:26:23Z
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enTaylor and Francis154559208600300Commemoration, Memory and Ownership: Some Social Contexts of Contemporary Photography in Benin City, NigeriaGore, Charles2001-09-01Journal Article/ReviewNAhttp://doi.org/10.1080/08949468.2001.9966838
oai:eprints.soas.ac.uk:4248
2022-04-21T21:26:32Z
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This article looks at four cases of youth-led identity-based social movements in Benin City and in the Annang area of southern Nigeria. It shows how each of these movements — youth associations, ‘area boys’, vigilantes and campus cults — draws on different, older repertoires of discourse and organization, and enters into relations with state authority that combine elements of complicity, insurgency, monitoring and disengagement. It argues that their activities, mobilized around resource control and community security, can be understood as a response to the Nigerian ‘politics of plunder’, endemic since the beginning of the oil boom, but locally perceived as having intensified from the 1990s onwards.enOxford University Press146826218600300The Politics of Plunder: The Rhetorics of Order and Disorder in Southern NigeriaGore, CharlesPratten, David2003-04-01Journal Article/ReviewNAhttp://doi.org/10.1093/afraf/adg002
oai:eprints.soas.ac.uk:4258
2018-06-22T15:54:57Z
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enSnoeck97838549711468600300Conceptualising Royal, Community and Personal Shrines in the Edo KingdomGore, CharlesPlankensteiner, B.2007Book chapterNA
oai:eprints.soas.ac.uk:4830
2022-05-17T07:50:19Z
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enEotla97809542737298600300Inscribing History: Leo Asemota and the Circle of (W)holeGore, CharlesAsemota, L.2007Book chapterNA
oai:eprints.soas.ac.uk:4831
2022-05-20T13:04:22Z
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enSOAS, University of London97807286037908600300Modernisms in AfricaGore, CharlesContadini, Anna2007Book chapterNA
oai:eprints.soas.ac.uk:4832
2022-05-17T07:49:03Z
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enIndiana University Press97802532184698600300Siren Serenades: music for MamiWata and Other Water Spirits in Africa.Drewal, H.Gore, CharlesKisliuk, M.Austern, L. P.Naroditskaya, I.2006Book chapterNA
oai:eprints.soas.ac.uk:4833
2022-06-05T07:20:54Z
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Based on papers first presented at the ASA Conference, held at the University of Wales, Swansea, in Mar. 1996.enRouledge97804151633788600300Ritual, performance and media in urban contemporary shrine configurations in Benin City, NigeriaGore, CharlesHughes-Freeland, Felicia1998Book chapterNAhttp://doi.org/10.4324/9780203449943-9
oai:eprints.soas.ac.uk:4834
2018-06-22T15:55:33Z
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enGramaphone Publications146481138600300A Record of War, Southern NigeriaGore, Charles2000Journal Article/ReviewNA
oai:eprints.soas.ac.uk:4835
2022-10-09T09:01:03Z
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enAfrican Studies Center, University of California000199338600300Remembering R.E.Bradbury: An Interview with Professor Peter Morton-WilliamsGore, Charles1997Journal Article/ReviewNA
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2022-10-09T08:59:46Z
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enAfrican Studies Center, University of California000199338600300Casting Identities in Contemporary Benin CityGore, Charles1997Journal Article/ReviewNAhttp://doi.org/10.2307/3337500
oai:eprints.soas.ac.uk:6132
2024-02-09T14:02:35Z
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application/pdfhttps://eprints.soas.ac.uk/6132/1/masksandmodernities.pdfenAfrican Studies Center, University of California000199338600300Masks and ModernitiesGore, Charles2008-10Journal Article/ReviewNAhttp://doi.org/10.1162/afar.2008.41.4.1
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application/pdfhttps://eprints.soas.ac.uk/6133/1/BurntheMmonwu.pdfenAfrican Studies Center, University of California000199338600300“Burn the Mmonwu” Contradictions and Contestations in Masquerade Performance in Uga, Anambra State in Southeastern NigeriaGore, Charles2008-10Journal Article/ReviewNAhttp://doi.org/10.1162/afar.2008.41.4.60
oai:eprints.soas.ac.uk:7246
2021-05-26T12:57:18Z
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Analyzing a range of South African and West African films inspired by African and non-African literature, Lindiwe Dovey identifies a specific trend in contemporary African filmmaking-one in which filmmakers are using the embodied audiovisual medium of film to offer a critique of physical and psychological violence. Against a detailed history of the medium's savage introduction and exploitation by colonial powers in two very different African contexts, Dovey examines the complex ways in which African filmmakers are preserving, mediating, and critiquing their own cultures while seeking a united vision of the future. More than merely representing socio-cultural realities in Africa, these films engage with issues of colonialism and postcolonialism, "updating" both the history and the literature they adapt to address contemporary audiences in Africa and elsewhere. Through this deliberate and radical re-historicization of texts and realities, Dovey argues that African filmmakers have developed a method of filmmaking that is altogether distinct from European and American forms of adaptation.enColumbia University Press9780231519380860021001550African Film and Literature: Adapting Violence to the ScreenDovey, Lindiwe2009-04-03BookNAhttp://doi.org/10.7312/dove14754
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2020-04-16T14:33:29Z
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enMcFarland9780786432974860021001550"Eyes Wide Shut": Kubrick and the Representation of GenderDovey, LindiweRhodes, Gary2008Book chapterNA
oai:eprints.soas.ac.uk:7411
2022-09-12T12:15:02Z
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Based on research conducted at the French Ministry of Foreign Affairs' African Cinémathèque, this article explores the narrative and aesthetic manifestations of alienation in francophone West African films of the past five decades. Rather than examine ‘immigration’ films, it focuses on francophone West African films that interrogate the concept of alienation from points of view firmly grounded within Africa, such as Sembene's Niaye (1964), La Noire de… (1966), and Xala (1974), Samb-Makharam's Et La Neige N'Était Plus (1965), Mambety's Touki Bouki (1973), and Sissako's Waiting for Happiness (2002). The choice to ‘centre’ Africa in this way within Francophone Studies has political value, and seeks to acknowledge the ‘internal’ (psychological) as well as ‘external’ (bodily) dimensions of exile. After a theoretical consideration of alienation in relation to contemporary Africa, the article identifies and analyses similarities that traverse specific films dealing with exilic experience, attempting to account for the prevalence of images of feet, the inscription of voices, and a palimpsestic aesthetic. Ultimately, the article acknowledges the painful and repetitive nature of exile while also arguing that alienation, in the context of francophone West African cinema, has become a source of creativity and psychological survival against hostility from both without and within.enIntellect13682679860021001550Subjects of exile: Alienation in Francophone West African cinemaDovey, Lindiwe2009-04Journal Article/ReviewNAhttp://doi.org/10.1386/ijfs.12.1.55_1
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2022-12-01T12:01:00Z
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enCineaste Publishers, Inc.00097004860021001550Review of 'The Devil you Dance With: Film Culture in the New South Africa'Dovey, Lindiwe2009otherNAhttps://www.jstor.org/stable/41690870
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2023-03-19T13:15:20Z
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This article offers a new take on the film African Jim (popularly known as Jim Comes to Joburg), the first feature-length entertainment film made with a black cast and specifically for black audiences in South Africa (in 1949). In contrast to earlier interpretations of the film, which focus predominantly on the film's images, its problematic production context, and its patronizing narrative, we focus on and offer interpretation of the film's aural/oral aspects. Through analysis of the ways in which the film's black performers mobilize African languages and music as ‘hidden transcripts’ (a concept we borrow from James Scott), we argue that the film is invested with certain political subtexts that have not previously been acknowledged. These subtexts, we suggest, must have been all the more powerful at the time the film was made since, in this context, the political efficacy of music was vested largely in its ability to simultaneously convey pleasure and pain, and to be both uplifting and subversive, thus concealing its essential meanings from the white power establishment. In bringing to our rereading of African Jim a sense of the importance and specificity of sound and music in black South African culture of the late 1940s, we hope to show how virtually impossible it is to give a complete reading of the film while ignoring the film's aural/oral components. This rereading also suggests that within film studies in general, and African film studies in particular, it would seem vital to acknowledge the need for more profound studies of the complex ways in which African soundscapes – African music and African languages – contribute to the multiple meanings of films that are made in this context.enTaylor and Francis1369681586002100'African Jim': sound, politics, and pleasure in early 'black' South African cinemaDovey, LindiweImpey, Angela2010-06Journal Article/ReviewNAhttp://doi.org/10.1080/13696810903488595
oai:eprints.soas.ac.uk:8380
2020-04-16T14:33:31Z
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enSt Andrews Film Studies978095637301486002100Directors' Cut: In Defence of African Film Festivals outside AfricaDovey, LindiweIordanova, DinaCheung, Ruby2010-01Book chapterNA
oai:eprints.soas.ac.uk:8381
2023-03-19T13:15:25Z
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enTaylor and Francis1369681586002100Editorial: 'African film and video: pleasure, politics, performance'Dovey, Lindiwe2010-06Journal Article/ReviewNAhttp://doi.org/10.1080/13696810903488538
oai:eprints.soas.ac.uk:8467
2022-04-19T08:17:08Z
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enAshgate978075466803986002100Coetzee on FilmDovey, LindiweDovey, TeresaBradshaw, GrahamNeill, Michael2010Book chapterNA
oai:eprints.soas.ac.uk:8469
2020-02-25T10:46:53Z
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enAssociation for Korean Studies in EuropeProceedings of the Association for Korean Studies in Europe, 24th Biennial Conference8600300The Spread and Assimilation of Chinese Bronze Mirrors in Early Korean SocietyHorlyck, CharlotteDeCeuster, Koenvan den Haak, Martina2009Book chapterNA
oai:eprints.soas.ac.uk:8470
2020-02-25T10:46:54Z
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enMills College Art Museum97809788981378600300Looking at the Overlooked: Art by Women and for Women in Pre-Modern KoreaHorlyck, CharlotteChinn, Lori2008Book chapterNA
oai:eprints.soas.ac.uk:8473
2020-02-25T10:46:55Z
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enThe Korea Society97809729704268600300Kkoktu – Guides, Guardians and Keepers of the SoulHorlyck, CharlotteFrederick, Carriere2007Book chapterNA
oai:eprints.soas.ac.uk:8474
2020-02-25T10:46:55Z
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enAcademy of Korean StudiesCultural Interaction with Korea: from Silk Road to Korean wave. Proceedings of the World Congress of Korean Studies, vol.28600300Purity of thought and emptiness of mind: The placing of mirrors in Korean relic depositsHorlyck, Charlotte2006Book chapterNA
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2020-02-25T10:46:55Z
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enFundació per a la Universitat Oberta de CatalunyaL’art de ‘Àsia oriental8600300Celadons Koryo: el seu desenvolupament, ascension i decliviHorlyck, CharlotteCervera, Isabel2004Book chapterNA
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2022-09-30T10:13:16Z
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enOriental Ceramic Society030609268600300Burial Offerings to Objets d’Art: Celadon Wares of the Koryŏ Kingdom (AD918-1392)Horlyck, Charlotte2010Journal Article/ReviewNA
oai:eprints.soas.ac.uk:8477
2022-10-02T12:48:03Z
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This article questions notions of continuation and, in particular, change as reflected in burial traditions of the late Goryeo and early Joseon kingdoms. People of Goryeo largely buried their dead in the ways of their ancestors, but the introduction to Korea of Zhu Xi’s the Family Rituals in the late thirteenth century marked the beginnings of a new means of interment. Zhu Xi’s writings were to have a paramount influence on burial procedures as they were increasingly adhered to over the course of the Joseon period. In detailing how funerals should be carried out and in outlining how people should be buried, Zhu Xi mapped out ‘proper’ Confucian ways of dealing with death. In focusing on archaeological material, this article discusses how the increasing influence of Zhu Xi’s writings on rituals is reflected in ways of burial over the course of the late Goryeo and early Joseon periods. It will be demonstrated that the Confucianization of burial practices is seen first and foremost in the ways in which graves were made, followed by how objects were placed inside the burial pit and, finally, in the types of burial goods usedenAcademy of Korean Studies122900768600300Confucian Burial Practices in the Late Goryeo and Early Joseon PeriodsHorlyck, Charlotte2008Journal Article/ReviewNA
oai:eprints.soas.ac.uk:8478
2022-09-15T08:52:50Z
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enInternational Society of Korean Studies134773078600300Meaningful Commodities – Mirrors, Merchandise and Market Policies in the Koryŏ PeriodHorlyck, Charlotte2008Journal Article/ReviewNA
oai:eprints.soas.ac.uk:8479
2022-08-04T11:21:43Z
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enArts of Asia Publications000440838600300Colour in Korean TextilesHorlyck, Charlotte2003Journal Article/ReviewNA
oai:eprints.soas.ac.uk:8480
2020-02-25T10:46:56Z
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enHong Kong : Pacific Communications003054488600300Korean Bronze Mirrors and Their Chinese and Japanese InfluencesHorlyck, Charlotte2002Journal Article/ReviewNA
oai:eprints.soas.ac.uk:8481
2022-09-19T10:34:51Z
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enBrill138768138600300Tracking chronological changes within burials of the Koryŏ periodHorlyck, Charlotte2001Journal Article/ReviewNAhttp://doi.org/10.1163/156852301760238300
oai:eprints.soas.ac.uk:8482
2020-02-25T10:46:56Z
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enKorean Journal of Museum Studies8600300Combining the new with the old: collecting contemporary Korean art at the Victoria and Albert MuseumHorlyck, Charlotte2000Journal Article/ReviewNA
oai:eprints.soas.ac.uk:8483
2022-09-20T16:11:33Z
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enInternational Cultural Society of Korea101607448600300Understanding Korean CeramicsHorlyck, Charlotte1999Journal Article/ReviewNA
oai:eprints.soas.ac.uk:8484
2020-02-25T10:46:56Z
oai:eprints.soas.ac.uk:8485
2020-02-25T10:46:56Z
oai:eprints.soas.ac.uk:8548
2020-04-16T14:33:32Z
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enIntellect2040199X86002100Bizet in Khayelitsha: U-Carmen eKhayelitsha as audio-visual transculturationDovey, LindiweDavies, James2010Journal Article/ReviewNAhttp://doi.org/10.1386/jams.2.1.39/1
oai:eprints.soas.ac.uk:8549
2020-04-16T14:33:32Z
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enIntellect2040199x86002100Editorial: Towards interpretation of screen media in AfricaDovey, Lindiwe2010Journal Article/ReviewNAhttp://doi.org/10.1386/jams.2.1.3/2
oai:eprints.soas.ac.uk:10253
2022-03-25T08:50:46Z
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enBrill97890041789398600300Iconography and Images: ArtBranfoot, CrispinJacobsen, Knut A.2010Book chapterNA
oai:eprints.soas.ac.uk:11551
2019-12-12T11:34:51Z
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enOxford University Press97801980686178600300In a Land of Kings: donors, elites and temple sculptureBranfoot, CrispinDallapiccola, Anna L.Verghese, AnilaBook chapterNA
oai:eprints.soas.ac.uk:11800
2022-03-20T11:18:03Z
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enNiyogi Publications97881897388158600300Minaksi's wedding: painting the sacred marriage in early modern MaduraiBranfoot, CrispinDallapiccola, Anna L.2011Book chapterNA
oai:eprints.soas.ac.uk:12636
2019-12-12T11:34:53Z
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enSage97893515057238600300Making Space for the Sacred: Hindu Art and Material ReligionBranfoot, CrispinBailey, Greg2017-02Book chapterNA
oai:eprints.soas.ac.uk:12637
2019-12-12T11:34:53Z
oai:eprints.soas.ac.uk:12638
2019-12-12T11:34:53Z
oai:eprints.soas.ac.uk:13325
2020-04-16T14:33:40Z
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enCambridge University Press978110700703186002100Film and Postcolonial WritingDovey, LindiweQuayson, Ato2011Book chapterNA
oai:eprints.soas.ac.uk:13327
2020-04-16T14:33:40Z
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en86002100Film Africa 2011: Celebrating African CinemaDovey, LindiweotherNA
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2022-12-11T14:20:00Z
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enRhodes University, Grahamstownhttp://www.ru.ac.za/isea/publications/journals/englishinafrica0376890286002100Review of "Men in African Film and Fiction" edited by Lahoucine OuzganeDovey, Lindiwe2011-10otherNA
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2020-04-16T14:33:41Z
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en8th Cambridge African Film Festival86002100Cambridge African Film Festival 2009Dovey, Lindiwe2009otherNA
oai:eprints.soas.ac.uk:13660
2020-04-16T14:33:41Z
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enDe Gruyter978311027205586002100Fidelity, Simultaneity and the 'Remaking' of Adaptation StudiesDovey, LindiweNicklas, PascalLindner, OliverBook chapterNA
oai:eprints.soas.ac.uk:14228
2022-09-09T12:49:16Z
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enAfrican Gender Institute, University of Cape Town1726459686002100New Looks: The Rise of African Women FilmmakersDovey, Lindiwe2012Journal Article/ReviewNA
oai:eprints.soas.ac.uk:14230
2020-04-16T14:33:42Z
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enColumbia University Press978023116204386002100Storytelling in Contemporary African Fiction Film and VideoDovey, LindiweKhatib, Lina2012Book chapterNA
oai:eprints.soas.ac.uk:14347
2018-06-22T16:04:19Z
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enRodopi97890420279168600300Denis Williams in Africa: A New Approach to its Arts and TechnologiesGore, CharlesPicton, JohnWilliams, CharlotteWilliams, Evelyn2009Book chapterNA
oai:eprints.soas.ac.uk:14350
2018-06-22T16:04:19Z
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enRoutledge97804154589178600300Religion in AfricaGore, CharlesWoodhead, LindaKawanami, HirokoPartridge, Christopher2009Book chapterNA
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2018-06-22T16:04:19Z
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enThe Yomiuri Shimbun, The Japan Association of Art Museums: JapanA Fateful Journey: Africa in the Works of El Anatsui8600300El Anatsui and his ArtworldsGore, CharlesKawaguchi, Y.Takezawa, S.Matsumoto, H.Mizusawa, T.Asaki, T.Nakamura, M.Shibuya, T.Book chapterNA
oai:eprints.soas.ac.uk:14355
2022-08-19T07:09:41Z
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enAfrican Studies Center, University of California000199338600300Vodou Nation [Bagley Studios, London May 15 and Cream, Liverpool, May 22, 1998]Gore, Charles1999Journal Article/ReviewNAhttp://doi.org/10.2307/3337607
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2023-02-21T10:28:21Z
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enAfrican Studies Center, University of California000199338600300Practice and Agency in Mammy Wata Worship in Southern NigeriaGore, CharlesNevadomsky, Joseph1997Journal Article/ReviewNAhttp://doi.org/10.2307/3337422
oai:eprints.soas.ac.uk:14357
2018-06-22T16:04:20Z
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enMuseum Ethnographers GroupJournal of Museum Ethnography8600300Africa Remix: Contemporary Art of a Continent [Exhibition]Gore, CharlesotherNA
oai:eprints.soas.ac.uk:14365
2022-11-14T08:20:11Z
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enCambridge University Press000197208600300Review of 'Dawn to Dusk: Folk Tales from Benin' by Iro EwekaGore, Charles1999otherNAhttp://doi.org/10.2307/1161241
oai:eprints.soas.ac.uk:14377
2022-11-24T13:29:37Z
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enCambridge University Press002185378600300Art and Power: review of African Royal Court Art by Michèle Coquet; Jane Marie ToddGore, Charles2000otherNAhttp://doi.org/10.1017/S0021853799267680
oai:eprints.soas.ac.uk:14383
2023-02-21T10:37:11Z
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enAfrican Studies Center, University of California000199338600300Remembering R. E. Bradbury: An Interview with Peter Morton-WilliamsGore, CharlesMorton-Williams, Peter1997Journal Article/ReviewNA
oai:eprints.soas.ac.uk:14385
2022-11-19T09:57:11Z
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enWiley135909878600300Review of 'Photography on the Color Line: W.E.B. Du Bois, Race, and Visual Culture' by Shawn Michelle SmithGore, Charles2006otherNAhttp://doi.org/10.1111/j.1467-9655.2006.00359_26.x
oai:eprints.soas.ac.uk:14388
2022-11-07T12:52:27Z
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enCambridge University Press0041977X8600300Review of 'Osogbo and the Art of Heritage: Monuments, Deities, and Money' by Peter ProbstGore, Charles2012otherNAhttp://doi.org/10.1017/S0041977X12000456
oai:eprints.soas.ac.uk:14389
2022-11-26T12:49:03Z
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enIndiana University Press000198878600300Review of ‘Transforming Museums: Mounting Queen Victoria in a Democratic South Africa’ Steven DubinGore, CharlesotherNAhttp://doi.org/10.1353/at.0.0045
oai:eprints.soas.ac.uk:14390
2022-11-24T08:51:16Z
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enCambridge University Press0003598X8600300Frank Willett with Barbara Blackmun and Emma Lister: The Art of Ife: a descriptive catalogue and database. Glasgow: University of Glasgow Hunterian Museum and Art Gallery, CD-ROMGore, Charles2005otherNAhttp://doi.org/10.1017/S0003598X00114784
oai:eprints.soas.ac.uk:14391
2022-11-09T13:34:48Z
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enWiley135909878600300Review of ‘Religion, Health and Suffering’, (eds.) Hinnells, J.R. and Porter, R.Gore, Charles2000otherNAhttp://doi.org/10.1111/1467-9655.00032
oai:eprints.soas.ac.uk:14392
2018-06-22T16:04:20Z
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enTimes Higher Education8600300We Face Forward: Art from West Africa Today [Exhibition]Gore, CharlesotherNA
oai:eprints.soas.ac.uk:14519
2019-12-12T11:34:57Z
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enMarg Publications97881921106398600300Bhatkal's Ramayana PanelsBranfoot, CrispinDallapiccola, Anna L.Michell, George2012-09Book chapterNA
oai:eprints.soas.ac.uk:14546
2020-04-16T14:33:43Z
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London's only annual African film festivalenFilm Africa 201286002100Film Africa 2012Dovey, LindiweotherNA
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2018-06-22T16:04:38Z
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enPolity Presshttp://www.polity.co.uk/book.asp?ref=9780745645209978074564520986001550Walter Benjamin and the Media: The Spectacle of ModernityKang, Jaeho2014-06-01BookNA
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2022-06-19T13:19:08Z
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Siegfried Kracauer stands out as one of the most significant theorists and critics of the twentieth century, acclaimed for his analyses of film and popular culture. However, his writing on propaganda and politics has been overshadowed by the works of his contemporaries and colleagues associated with the Frankfurt School. This book brings together a broad selection of Kracauer's work on media and political communication, much of it previously unavailable in English. It features writings spanning more than two decades, from studies of totalitarian propaganda written in the 1930s to wartime work on Nazi newsreels and anti-Semitism through to examinations of American and Soviet political messaging in the early Cold War period. These varied texts illuminate the interplay among politics, mass culture, and the media, and they encompass Kracauer's core concerns: the individual and the masses, the conditions of cultural production, and the critique of modernity. The introduction and afterword explore the significance of Kracauer's contributions to critical theory, film and media studies, and the analysis of political communication both in his era and the present day. At a time when demagoguery and bigotry loom over world politics, Kracauer's inquiries into topics such as the widespread appeal of fascist propaganda and the relationship of new media forms and technologies to authoritarianism are strikingly relevantenColumbia University Press978023115896115508600Siegfried Kracauer: Selected Writings on Media, Propaganda and Political CommunicationKang, JaehoGraeme, GillochAbromeit, John2022-05otherNA
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