2024-03-29T11:32:20Z
https://eprints.soas.ac.uk/cgi/oai2
oai:eprints.soas.ac.uk:46
2022-09-04T20:14:33Z
7374617475733D707562
7375626A656374733D53:38353930:38363130
7375626A656374733D58:42:393030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/462022-09-04T20:14:33Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/46/
Dhrupad in Pakistan: the Talwandi gharana
Basra, Khalid
Widdess, Richard
Varanasi : Published by All India Kashi Raj Trust on behalf of Maharaja Benaras Vidya Mandir Trus
1989
Journal Article
NonPeerReviewed
Basra, Khalid and Widdess, Richard (1989) 'Dhrupad in Pakistan: the Talwandi gharana.' Dhrupad Annual, 4. pp. 1-10.
http://www.naseeb.com/journals/dhrupad-in-pakistan-111674info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:400
2019-12-12T11:34:27Z
oai:eprints.soas.ac.uk:401
2022-12-13T09:37:34Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D626F6F6B
https://eprints.soas.ac.uk/id/eprint/4012022-12-13T09:37:34Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/401/
Gods on the Move: Architecture and Ritual in the South Indian Temple
Branfoot, Crispin
British Academy and Society for South Asian Studies
2007
Authored Books
PeerReviewed
Branfoot, Crispin (2007) Gods on the Move: Architecture and Ritual in the South Indian Temple. London: British Academy and Society for South Asian Studies. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:453
2018-06-22T15:51:19Z
oai:eprints.soas.ac.uk:454
2018-06-22T15:51:19Z
oai:eprints.soas.ac.uk:455
2022-06-08T18:14:43Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/4552022-06-08T18:14:43Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/455/
Traditions and Transformations in African Religions
Gore, Charles
BL Religions. Mythology. Rationalism
Routledge
Fletcher, Paul
Kawanami, Hiroko
Smith, David
Woodhead, Linda
2002
Book Chapters
PeerReviewed
Gore, Charles (2002) 'Traditions and Transformations in African Religions.' In: Fletcher, Paul, Kawanami, Hiroko, Smith, David and Woodhead, Linda, (eds.), Religion in the Modern World. Abingdon: Routledge, pp. 204-230. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:456
2018-06-22T15:51:19Z
oai:eprints.soas.ac.uk:457
2022-06-08T16:39:54Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/4572022-06-08T16:39:54Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/457/
Nigerian Museums: A Question of Value
Gore, Charles
DT Africa
Archaeopress
Finneran, Niall
2005
Book Chapters
NonPeerReviewed
Gore, Charles (2005) 'Nigerian Museums: A Question of Value.' In: Finneran, Niall, (ed.), Safeguarding Africa's Archaeological Past: selected papers from a workshop held at the School of Oriental and African Studies, University of London, 2001. Oxford: Archaeopress. (Cambridge Monographs in African Archaeology 65) info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:458
2022-12-05T10:58:19Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/4582022-12-05T10:58:19Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/458/
Mami Wata, an Urban Presence: The Making of a Tradition in Benin City, Nigeria
Gore, Charles
N Visual arts (General)
Indiana University Press
Drewal, H.
2008
Book Chapters
PeerReviewed
Gore, Charles (2008) 'Mami Wata, an Urban Presence: The Making of a Tradition in Benin City, Nigeria.' In: Drewal, H., (ed.), Sacred Waters: Arts for Mami Wata and Other Divinities in Africa and the Diaspora. Bloomington; Indianopolis: Indiana University Press, pp. 361-382. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:886
2022-06-26T08:20:38Z
7374617475733D707562
7375626A656374733D53:38353930:38363130
7375626A656374733D58:42:393030
74797065733D626F6F6B
https://eprints.soas.ac.uk/id/eprint/8862022-06-26T08:20:38Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/886/
The Ragas of Early Indian Music
Widdess, Richard
Clarendon Press
1995
Authored Books
PeerReviewed
Widdess, Richard (1995) The Ragas of Early Indian Music. Oxford: Clarendon Press. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:887
2022-06-16T08:04:11Z
7374617475733D707562
7375626A656374733D53:38353930:38363130
7375626A656374733D58:42:393030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/8872022-06-16T08:04:11Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/887/
Kirtana [and] Thumri [and] Dhrupad [and] Tala [and] Raga [and] Sruti [and] Sangita [and] Rasa [and] Gharana [and] Gat [and] Alapa [and] Kriti [and] Khayal
Widdess, Richard
Macmillan
Sadie, Stanley
Tyrrell, John
2001
Book Chapters
PeerReviewed
Widdess, Richard (2001) 'Kirtana [and] Thumri [and] Dhrupad [and] Tala [and] Raga [and] Sruti [and] Sangita [and] Rasa [and] Gharana [and] Gat [and] Alapa [and] Kriti [and] Khayal.' In: Sadie, Stanley and Tyrrell, John, (eds.), The New Grove Dictionary of Music and Musicians. 2nd edition. New York: Macmillan. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:888
2022-06-16T08:04:35Z
7374617475733D707562
7375626A656374733D53:38353930:38363130
7375626A656374733D58:42:393030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/8882022-06-16T08:04:35Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/888/
India, III: Theory and practice of classical music
Widdess, Richard
Macmillan
Sadie, Stanley
Tyrrell, John
2001
Book Chapters
PeerReviewed
Widdess, Richard (2001) 'India, III: Theory and practice of classical music.' In: Sadie, Stanley and Tyrrell, John, (eds.), The New Grove Dictionary of Music and Musicians. 2nd edition. New York: Macmillan, pp. 170-210. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:889
2018-06-22T15:51:46Z
oai:eprints.soas.ac.uk:890
2022-09-06T08:45:12Z
7374617475733D707562
7375626A656374733D53:38353930:38363130
7375626A656374733D58:42:393030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/8902022-09-06T08:45:12Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/890/
Involving the Performers in Transcription and Analysis: A Collaborative Approach to Dhrupad
Widdess, Richard
Society for Ethnomusicology
1994
Journal Article
PeerReviewed
Widdess, Richard (1994) 'Involving the Performers in Transcription and Analysis: A Collaborative Approach to Dhrupad.' Ethnomusicology, 38 (1). pp. 59-80.
10.2307/852268info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:891
2018-06-22T15:51:46Z
oai:eprints.soas.ac.uk:892
2022-06-17T09:18:39Z
7374617475733D707562
7375626A656374733D53:38353930:38363130
7375626A656374733D58:42:393030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/8922022-06-17T09:18:39Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/892/
Hindustani raga
Widdess, Richard
Ruckert, G.
Garland Publishing Inc.
Arnold, A.
2000
Book Chapters
PeerReviewed
Widdess, Richard and Ruckert, G. (2000) 'Hindustani raga.' In: Arnold, A., (ed.), The Garland Encyclopedia of World Music. Vol. 5: South Asia, the Indian subcontinent. New York: Garland Publishing Inc., pp. 64-88. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:893
2018-06-22T15:51:46Z
oai:eprints.soas.ac.uk:894
2022-06-18T08:04:01Z
7374617475733D707562
7375626A656374733D53:38353930:38363130
7375626A656374733D58:42:393030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/8942022-06-18T08:04:01Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/894/
Musical miniatures from Nepal: two Newar ragamalas
Widdess, Richard
Wegner, Gert-Matthias
Marg Publications
Pal, Pratapaditya
2005
Book Chapters
PeerReviewed
Widdess, Richard and Wegner, Gert-Matthias (2005) 'Musical miniatures from Nepal: two Newar ragamalas.' In: Pal, Pratapaditya, (ed.), Nepal: Old Images, New Insights. Bombay: Marg Publications, pp. 81-91. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:895
2022-06-16T08:05:01Z
7374617475733D707562
7375626A656374733D53:38353930:38363130
7375626A656374733D58:42:393030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/8952022-06-16T08:05:01Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/895/
Nepal, Kingdom of, I. Music in the Kathmandu Valley
Widdess, Richard
Wegner, Gert-Matthias
Macmillan
Sadie, Stanley
Tyrrell, John
2001
Book Chapters
PeerReviewed
Widdess, Richard and Wegner, Gert-Matthias (2001) 'Nepal, Kingdom of, I. Music in the Kathmandu Valley.' In: Sadie, Stanley and Tyrrell, John, (eds.), The New Grove Dictionary of Music and Musicians. 2nd edition. New York: Macmillan, pp. 757-760.
10.1093/gmo/9781561592630.article.42916info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:896
2018-06-22T15:51:46Z
oai:eprints.soas.ac.uk:897
2018-06-22T15:51:46Z
oai:eprints.soas.ac.uk:898
2022-09-13T17:13:28Z
7374617475733D707562
7375626A656374733D53:38353930:38363130
7375626A656374733D58:42:393030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/8982022-09-13T17:13:28Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/898/
Time, space and music in the Kathmandu Valley
Widdess, Richard
IIAS
2003
Journal Article
PeerReviewed
Widdess, Richard (2003) 'Time, space and music in the Kathmandu Valley.' Newsletter of the International Institute for Asian Studies, 32. p. 32.
https://www.iias.asia/sites/default/files/2020-11/IIAS_NL32_24.pdfinfo:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:899
2022-06-16T08:05:28Z
7374617475733D707562
7375626A656374733D53:38353930:38363130
7375626A656374733D58:42:393030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/8992022-06-16T08:05:28Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/899/
Picken, Laurence
Widdess, Richard
Duran, Lucy
Macmillan
Sadie, Stanley
Tyrrell, John
2001
Book Chapters
PeerReviewed
Widdess, Richard and Duran, Lucy (2001) 'Picken, Laurence.' In: Sadie, Stanley and Tyrrell, John, (eds.), The New Grove Dictionary of Music and Musicians. 2nd edition. New York: Macmillan, pp. 718-719. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:3255
2022-10-17T12:32:09Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/32552022-10-17T12:32:09Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/3255/
Imperial Frontiers: Building Sacred Space in Sixteenth-century South India
Branfoot, Crispin
Aspects of a Hindu temple founded at Krishnapuram in southern India in the 1560s, under the patronage of the Madurai Nayakas, governors of the Vijayanagara Empire, are resonant with meaning. Conservative design features and the temple's status as an architectural "copy" of a famous sacred site commemorate the past and sacred geography of the Tamil poet-saints. Innovative architectural sculpture demonstrates the temple's engagement with both the cultural and political past of the Tamil country and the more immediate imperial reality of the fragmenting Vijayanagara Empire as the Nayaka patrons sought to define themselves in a dynamic cultural and political arena.
Taylor and Francis
2008-06
Journal Article
PeerReviewed
Branfoot, Crispin (2008) 'Imperial Frontiers: Building Sacred Space in Sixteenth-century South India.' The Art Bulletin, 90 (2). pp. 171-194.
10.1080/00043079.2008.10786389info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:3256
2022-10-07T20:34:19Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/32562022-10-07T20:34:19Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/3256/
Temple architecture in Bhatkal and the Ramayana tradition in coastal Karnataka
Branfoot, Crispin
Dallapiccola, Anna L.
Museum Rietberg, Zurich and Arthur M Sackler Gallery, Smithsonian Institution, Washington DC
2005
Journal Article
PeerReviewed
Branfoot, Crispin and Dallapiccola, Anna L. (2005) 'Temple architecture in Bhatkal and the Ramayana tradition in coastal Karnataka.' Artibus Asiae, 65 (2). pp. 253-308.
https://www.jstor.org/stable/25261831info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:3258
2022-10-09T10:08:04Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/32582022-10-09T10:08:04Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/3258/
The Madurai Nayakas and the Skanda temple at Tirupparankundram
Branfoot, Crispin
Smithsonian Institution, Washinton DC
2004
Journal Article
PeerReviewed
Branfoot, Crispin (2004) 'The Madurai Nayakas and the Skanda temple at Tirupparankundram.' Ars Orientalis, 33. pp. 146-179. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:3259
2022-10-07T20:33:41Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/32592022-10-07T20:33:41Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/3259/
'Expanding Form': The Architectural Sculpture of the South Indian Temple c.1500-1700
Branfoot, Crispin
Museum Rietberg, Zurich and Arthur M Sackler Gallery, Smithsonian Institution, Washington DC
2002
Journal Article
PeerReviewed
Branfoot, Crispin (2002) ''Expanding Form': The Architectural Sculpture of the South Indian Temple c.1500-1700.' Artibus Asiae, 62 (2). pp. 189-245.
10.2307/3250266info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:3260
2022-10-17T12:16:42Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/32602022-10-17T12:16:42Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/3260/
Bhima and Purusamirukam in the Nayaka-period Sculpture of Tamilnadu
Branfoot, Crispin
Taylor and Francis
2002
Journal Article
PeerReviewed
Branfoot, Crispin (2002) 'Bhima and Purusamirukam in the Nayaka-period Sculpture of Tamilnadu.' South Asian Studies, 18. pp. 77-82.
10.1080/02666030.2002.9628610info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:3261
2022-09-18T07:16:09Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/32612022-09-18T07:16:09Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/3261/
Tirumala Nayaka's 'New Hall' and the European Study of the South Indian Temple
Branfoot, Crispin
Cambridge University Press
2001
Journal Article
PeerReviewed
Branfoot, Crispin (2001) 'Tirumala Nayaka's 'New Hall' and the European Study of the South Indian Temple.' Journal of the Royal Asiatic Society, 11 (2). pp. 191-218.
10.1017/S1356186301000232info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:3262
2022-10-04T14:31:19Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/32622022-10-04T14:31:19Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/3262/
Mangammal of Madurai and South Indian Portraiture
Branfoot, Crispin
Istituto Italiano per l'Africa e l'Oriente
2001-12
Journal Article
PeerReviewed
Branfoot, Crispin (2001) 'Mangammal of Madurai and South Indian Portraiture.' East and West, 51 (3-4). pp. 369-377.
https://www.jstor.org/stable/29757519info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:3263
2022-10-17T12:16:06Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/32632022-10-17T12:16:06Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/3263/
Royal Portrait Sculpture in the South Indian Temple
Branfoot, Crispin
Taylor and Francis
2000
Journal Article
PeerReviewed
Branfoot, Crispin (2000) 'Royal Portrait Sculpture in the South Indian Temple.' South Asian Studies, 16. pp. 11-36.
10.1080/02666030.2000.9628577info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:3264
2022-08-09T09:38:30Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/32642022-08-09T09:38:30Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/3264/
Approaching the Temple in Nayaka-period Madurai: the Kutal Alakar temple
Branfoot, Crispin
Museum Rietberg
2000
Journal Article
PeerReviewed
Branfoot, Crispin (2000) 'Approaching the Temple in Nayaka-period Madurai: the Kutal Alakar temple.' Artibus Asiae, 60 (2). pp. 197-221. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:3266
2022-05-22T07:59:26Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/32662022-05-22T07:59:26Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/3266/
South Asia and the Himalayas
Branfoot, Crispin
SOAS
Contadini, Anna
2007
Book Chapters
NonPeerReviewed
Branfoot, Crispin (2007) 'South Asia and the Himalayas.' In: Contadini, Anna, (ed.), Objects of Instruction: Treasures of the School of Oriental and African Studies. London: SOAS, pp. 68-74. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:3267
2024-02-09T13:54:46Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/32672024-02-09T13:54:46Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/3267/
Regional Pasts, Imperial Present: architecture and memory in Vijayanagara-period Karnataka
Branfoot, Crispin
British Association for South Asian Studies
Hardy, Adam
2007
Book Chapters
PeerReviewed
text
en
https://eprints.soas.ac.uk/3267/1/Branfoot%20-%20Vijayanagara%20in%20Karnataka%20chapter.pdf
Branfoot, Crispin (2007) 'Regional Pasts, Imperial Present: architecture and memory in Vijayanagara-period Karnataka.' In: Hardy, Adam, (ed.), The Temple in South Asia. London: British Association for South Asian Studies, pp. 105-125. info:eu-repo/semantics/objectFileinfo:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:3268
2023-05-12T11:03:55Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/32682023-05-12T11:03:55Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/3268/
Where on Earth is South Asia? Indian art and UK universities
Branfoot, Crispin
Association of Art Historians
Tatlock, Janet
2006
Book Chapters
NonPeerReviewed
Branfoot, Crispin (2006) 'Where on Earth is South Asia? Indian art and UK universities.' In: Tatlock, Janet, (ed.), 21st Century Art History - Global Reception. Brighton: Association of Art Historians, pp. 11-15. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:3269
2022-06-24T16:45:07Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/32692022-06-24T16:45:07Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/3269/
Tiruchirappalli and the Sacred Island of Srirangam
Branfoot, Crispin
Marg Publications
Michell, George
1999-09
Book Chapters
NonPeerReviewed
Branfoot, Crispin (1999) 'Tiruchirappalli and the Sacred Island of Srirangam.' In: Michell, George, (ed.), Eternal Kaveri: Historical Sites Along South India's Greatest River. Bombay: Marg Publications, pp. 75-88. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:3273
2022-05-22T07:53:51Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/32732022-05-22T07:53:51Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/3273/
Pilgrimage in South Asia: Crossing Boundaries of Space and Faith
Branfoot, Crispin
Ashmolean Museum
Branfoot, Crispin
Barnes, Ruth
2006
Book Chapters
NonPeerReviewed
Branfoot, Crispin (2006) 'Pilgrimage in South Asia: Crossing Boundaries of Space and Faith.' In: Branfoot, Crispin and Barnes, Ruth, (eds.), Pilgrimage: The Sacred Journey. Oxford: Ashmolean Museum, pp. 44-79. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:3274
2022-05-22T07:53:13Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/32742022-05-22T07:53:13Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/3274/
Travellers of Faith: Pilgrim Tales
Branfoot, Crispin
Allan, James W.
Ashmolean Museum
Branfoot, Crispin
Barnes, Ruth
2006
Book Chapters
NonPeerReviewed
Branfoot, Crispin and Allan, James W. (2006) 'Travellers of Faith: Pilgrim Tales.' In: Branfoot, Crispin and Barnes, Ruth, (eds.), Pilgrimage: The Sacred Journey. Oxford: Ashmolean Museum, pp. 96-115. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:3275
2024-02-09T13:54:47Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/32752024-02-09T13:54:47Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/3275/
Painting Processions: a Company album from south India
Branfoot, Crispin
Hong Kong : Pacific Communications
2007-11
Journal Article
NonPeerReviewed
text
en
https://eprints.soas.ac.uk/3275/1/Branfoot%20Orientations%20pp73-78%20-%20Company%20painting.pdf
Branfoot, Crispin (2007) 'Painting Processions: a Company album from south India.' Orientations, 38 (8). pp. 73-78. info:eu-repo/semantics/objectFileinfo:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:3276
2022-08-04T11:22:03Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/32762022-08-04T11:22:03Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/3276/
Processions and Presence: Bronze Sculptures from the Temples of Southern India
Branfoot, Crispin
Arts of Asia Publications
2006
Journal Article
NonPeerReviewed
Branfoot, Crispin (2006) 'Processions and Presence: Bronze Sculptures from the Temples of Southern India.' Arts of Asia, 36 (5). pp. 61-72. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:3277
2022-09-06T11:38:34Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/32772022-09-06T11:38:34Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/3277/
Burmese Nats: Wooden Sculpture from the Richard C. Temple Collection
Branfoot, Crispin
Centre for Near East, Asia and Africa Research
1995
Journal Article
NonPeerReviewed
Branfoot, Crispin (1995) 'Burmese Nats: Wooden Sculpture from the Richard C. Temple Collection.' Eastern Art Report, 4 (2). pp. 34-36. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:3820
2022-09-05T07:25:31Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:44:32313030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/38202022-09-05T07:25:31Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/3820/
Redeeming Features: From 'Tsotsi' (1980) to 'Tsotsi' (2006)
Dovey, Lindiwe
Taylor and Francis
2007-12-01
Journal Article
PeerReviewed
Dovey, Lindiwe (2007) 'Redeeming Features: From 'Tsotsi' (1980) to 'Tsotsi' (2006).' Journal of African Cultural Studies, 19 (2). pp. 143-164.
10.1080/13696810701760435info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:3821
2022-08-18T17:14:18Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:44:32313030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/38212022-08-18T17:14:18Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/3821/
South African Cinema in Exile
Dovey, Lindiwe
Taylor and Francis
2005-11-01
Journal Article
PeerReviewed
Dovey, Lindiwe (2005) 'South African Cinema in Exile.' Journal of Postcolonial Writing, 41 (2). pp. 189-199.
10.1080/17449850500252375info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:3822
2022-09-15T09:16:15Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:44:32313030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/38222022-09-15T09:16:15Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/3822/
Towards an Art of Adaptation: Film and the New Criticism-as-Creation
Dovey, Lindiwe
University of Iowa
2002-09-01
Journal Article
PeerReviewed
Dovey, Lindiwe (2002) 'Towards an Art of Adaptation: Film and the New Criticism-as-Creation.' Iowa Journal of Cultural Studies, 2. pp. 51-61. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:3827
2022-06-24T09:29:01Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:44:32313030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/38272022-06-24T09:29:01Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/3827/
Politicising Adaptation: Re-historicising South African Literature through Fools
Dovey, Lindiwe
Rodopi
Aragay, M.
2005
Book Chapters
PeerReviewed
Dovey, Lindiwe (2005) 'Politicising Adaptation: Re-historicising South African Literature through Fools.' In: Aragay, M., (ed.), Books in Motion. Adaptation, Intertextuality, Authorship. Amsterdam: Rodopi, pp. 163-179. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:4220
2021-05-22T14:24:07Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D626F6F6B
https://eprints.soas.ac.uk/id/eprint/42202021-05-22T14:24:07Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/4220/
Art, Performance and Ritual in Benin City
Gore, Charles
This book explores the roles of contemporary urban shrines and their visual traditions in Benin City. It focuses on the charismatic priests and priestesses who are possessed by a pantheon of deities, the communities of devotees, and the artists who make artifacts for their shrines. The visual arts are part of a wider configuration of practices that include song, dance, possession, and healing. These practices provide the means for exploring the relationships of the visual to both the verbal and performance arts that feature at these shrines. The analysis in this book raises fundamental questions about how the art of Benin, and non-Western art histories more generally, are understood. The book throws critical light on the taken-for-granted assumptions that underpin current interpretations and presents an original and revisionist account of Benin art history.
Edinburgh University Press
2007
Authored Books
PeerReviewed
Gore, Charles (2007) Art, Performance and Ritual in Benin City. Edinburgh: Edinburgh University Press.
10.3366/edinburgh/9780748633166.001.0001info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:4247
2022-10-07T18:26:23Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/42472022-10-07T18:26:23Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/4247/
Commemoration, Memory and Ownership: Some Social Contexts of Contemporary Photography in Benin City, Nigeria
Gore, Charles
Taylor and Francis
2001-09-01
Journal Article
PeerReviewed
Gore, Charles (2001) 'Commemoration, Memory and Ownership: Some Social Contexts of Contemporary Photography in Benin City, Nigeria.' Visual Anthropology, 14 (3). pp. 321-42.
10.1080/08949468.2001.9966838info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:4248
2022-04-21T21:26:32Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/42482022-04-21T21:26:32Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/4248/
The Politics of Plunder: The Rhetorics of Order and Disorder in Southern Nigeria
Gore, Charles
Pratten, David
This article looks at four cases of youth-led identity-based social movements in Benin City and in the Annang area of southern Nigeria. It shows how each of these movements — youth associations, ‘area boys’, vigilantes and campus cults — draws on different, older repertoires of discourse and organization, and enters into relations with state authority that combine elements of complicity, insurgency, monitoring and disengagement. It argues that their activities, mobilized around resource control and community security, can be understood as a response to the Nigerian ‘politics of plunder’, endemic since the beginning of the oil boom, but locally perceived as having intensified from the 1990s onwards.
Oxford University Press
2003-04-01
Journal Article
PeerReviewed
Gore, Charles and Pratten, David (2003) 'The Politics of Plunder: The Rhetorics of Order and Disorder in Southern Nigeria.' African Affairs, 102 (407). pp. 211-240.
10.1093/afraf/adg002info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:4258
2018-06-22T15:54:57Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/42582018-06-22T15:54:57Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/4258/
Conceptualising Royal, Community and Personal Shrines in the Edo Kingdom
Gore, Charles
Snoeck
Plankensteiner, B.
2007
Book Chapters
PeerReviewed
Gore, Charles (2007) 'Conceptualising Royal, Community and Personal Shrines in the Edo Kingdom.' In: Plankensteiner, B., (ed.), Benin Kings and Rituals. Court Arts from Nigeria. Gent: Snoeck, pp. 130-139. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:4267
2022-07-09T13:41:07Z
7374617475733D707562
7375626A656374733D53:38353930:38363130
7375626A656374733D58:42:393030
74797065733D626F6F6B
https://eprints.soas.ac.uk/id/eprint/42672022-07-09T13:41:07Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/4267/
Dhrupad. Tradition and Performance in Indian Music.
Widdess, Richard
Sanyal, R.
Ashgate
2004
Authored Books
PeerReviewed
Widdess, Richard and Sanyal, R. (2004) Dhrupad. Tradition and Performance in Indian Music. Farnham: Ashgate. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:4272
2022-09-23T07:33:21Z
7374617475733D707562
7375626A656374733D53:38353930:38363130
7375626A656374733D58:42:393030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/42722022-09-23T07:33:21Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/4272/
Musical Miniatures from Nepal: Two Newar Ragamalas.
Widdess, Richard
Wegner, Gert-Matthias
Marg Foundation
2004-12-01
Journal Article
PeerReviewed
Widdess, Richard and Wegner, Gert-Matthias (2004) 'Musical Miniatures from Nepal: Two Newar Ragamalas.' Marg. A Magazine of the Arts, 56 (2). pp. 28-39. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:4273
2022-08-08T19:25:29Z
7374617475733D707562
7375626A656374733D53:38353930:38363130
7375626A656374733D58:42:393030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/42732022-08-08T19:25:29Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/4273/
Caryā and Cacā: Change and Continuity in Newar Buddhist Ritual Song
Widdess, Richard
University of Texas Press
2004-03-01
Journal Article
PeerReviewed
Widdess, Richard (2004) 'Caryā and Cacā: Change and Continuity in Newar Buddhist Ritual Song.' Asian Music, 35 (2). pp. 7-41. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:4277
2022-09-06T09:10:45Z
7374617475733D707562
7375626A656374733D53:38353930:38363130
7375626A656374733D58:42:393030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/42772022-09-06T09:10:45Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/4277/
Musical Structure, Performance and Meaning: the Case of a Stick-Dance from Nepal.
Widdess, Richard
Taylor and Francis
2006-11-01
Journal Article
PeerReviewed
Widdess, Richard (2006) 'Musical Structure, Performance and Meaning: the Case of a Stick-Dance from Nepal.' Ethnomusicology Forum, 15 (2). pp. 179-213.
http://dx.doi.org/10.1080/17411910600917964
10.1080/17411910600917964info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:4830
2022-05-17T07:50:19Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/48302022-05-17T07:50:19Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/4830/
Inscribing History: Leo Asemota and the Circle of (W)hole
Gore, Charles
Eotla
Asemota, L.
2007
Book Chapters
PeerReviewed
Gore, Charles (2007) 'Inscribing History: Leo Asemota and the Circle of (W)hole.' In: Asemota, L., (ed.), Circle of the (W)hole Catalogue. London: Eotla. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:4831
2022-05-20T13:04:22Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/48312022-05-20T13:04:22Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/4831/
Modernisms in Africa
Gore, Charles
SOAS, University of London
Contadini, Anna
2007
Book Chapters
PeerReviewed
Gore, Charles (2007) 'Modernisms in Africa.' In: Contadini, Anna, (ed.), Objects of Instruction: Treasures of the School of Oriental an African Studies. London: SOAS, University of London, 111, 117-123. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:4832
2022-05-17T07:49:03Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/48322022-05-17T07:49:03Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/4832/
Siren Serenades: music for MamiWata and Other Water Spirits in Africa.
Drewal, H.
Gore, Charles
Kisliuk, M.
ML Literature of music
Indiana University Press
Austern, L. P.
Naroditskaya, I.
2006
Book Chapters
PeerReviewed
Drewal, H., Gore, Charles and Kisliuk, M. (2006) 'Siren Serenades: music for MamiWata and Other Water Spirits in Africa.' In: Austern, L. P. and Naroditskaya, I., (eds.), Music of the sirens. Bloomington: Indiana University Press. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:4833
2022-06-05T07:20:54Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/48332022-06-05T07:20:54Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/4833/
Ritual, performance and media in urban contemporary shrine configurations in Benin City, Nigeria
Gore, Charles
GN Anthropology
Based on papers first presented at the ASA Conference, held at the University of Wales, Swansea, in Mar. 1996.
Rouledge
Hughes-Freeland, Felicia
1998
Book Chapters
PeerReviewed
Gore, Charles (1998) 'Ritual, performance and media in urban contemporary shrine configurations in Benin City, Nigeria.' In: Hughes-Freeland, Felicia, (ed.), Ritual, performance, media. London: Rouledge, pp. 66-84.
10.4324/9780203449943-9info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:4834
2018-06-22T15:55:33Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/48342018-06-22T15:55:33Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/4834/
A Record of War, Southern Nigeria
Gore, Charles
Gramaphone Publications
2000
Journal Article
PeerReviewed
Gore, Charles (2000) 'A Record of War, Southern Nigeria.' Songlines, 8 (autumn/win). pp. 40-41. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:4835
2022-10-09T09:01:03Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/48352022-10-09T09:01:03Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/4835/
Remembering R.E.Bradbury: An Interview with Professor Peter Morton-Williams
Gore, Charles
African Studies Center, University of California
1997
Journal Article
PeerReviewed
Gore, Charles (1997) 'Remembering R.E.Bradbury: An Interview with Professor Peter Morton-Williams.' African Arts, 30 (4). pp. 36-45. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:4836
2022-10-09T08:59:46Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/48362022-10-09T08:59:46Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/4836/
Casting Identities in Contemporary Benin City
Gore, Charles
African Studies Center, University of California
1997
Journal Article
PeerReviewed
Gore, Charles (1997) 'Casting Identities in Contemporary Benin City.' African Arts, 30 (3). pp. 54-61.
10.2307/3337500info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:5430
2024-03-02T08:51:43Z
7374617475733D707562
7375626A656374733D53:38353930:38363130
7375626A656374733D58:393530
7375626A656374733D58:42:393030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/54302024-03-02T08:51:43Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/5430/
Improvisation in Iranian and Indian music
Nooshin, L.
Widdess, Richard
Indian Musicological Society
2006
Journal Article
NonPeerReviewed
text
en
https://eprints.soas.ac.uk/5430/1/NooshinWiddess1.pdf
Nooshin, L. and Widdess, Richard (2006) 'Improvisation in Iranian and Indian music.' Journal of the Indian Musicological Society, 36–37. pp. 104-119.
https://openaccess.city.ac.uk/id/eprint/11690/info:eu-repo/semantics/objectFileinfo:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:5431
2024-03-02T08:51:44Z
7374617475733D707562
7375626A656374733D53:38353930:38363130
7375626A656374733D58:42:393030
74797065733D6F74686572
https://eprints.soas.ac.uk/id/eprint/54312024-03-02T08:51:44Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/5431/
Rāga
Widdess, Richard
Centre of South Asian Studies, SOAS
2006
Other
PeerReviewed
application/pdf
en
https://eprints.soas.ac.uk/5431/1/24811.pdf
Widdess, Richard (2006) 'Rāga.' London: Centre of South Asian Studies, SOAS.
http://www.soas.ac.uk/southasianstudies/keywords/keywords-in-south-asian-studies.htmlinfo:eu-repo/semantics/objectFileinfo:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:6132
2024-02-09T14:02:35Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/61322024-02-09T14:02:35Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/6132/
Masks and Modernities
Gore, Charles
African Studies Center, University of California
2008-10
Journal Article
PeerReviewed
application/pdf
en
https://eprints.soas.ac.uk/6132/1/masksandmodernities.pdf
Gore, Charles (2008) 'Masks and Modernities.' African Arts, 41 (4). 1, 4-7.
http://www.mitpressjournals.org/toc/afar/41/4
10.1162/afar.2008.41.4.1info:eu-repo/semantics/objectFileinfo:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:6133
2024-02-09T14:02:35Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/61332024-02-09T14:02:35Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/6133/
“Burn the Mmonwu” Contradictions and Contestations in Masquerade Performance in Uga, Anambra State in Southeastern Nigeria
Gore, Charles
African Studies Center, University of California
2008-10
Journal Article
PeerReviewed
application/pdf
en
https://eprints.soas.ac.uk/6133/1/BurntheMmonwu.pdf
Gore, Charles (2008) '“Burn the Mmonwu” Contradictions and Contestations in Masquerade Performance in Uga, Anambra State in Southeastern Nigeria.' African Arts, 41 (4). pp. 60-73.
http://www.mitpressjournals.org/toc/afar/41/4
10.1162/afar.2008.41.4.60info:eu-repo/semantics/objectFileinfo:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:7246
2021-05-26T12:57:18Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:44:32313030
7375626A656374733D58:42:31353530
74797065733D626F6F6B
https://eprints.soas.ac.uk/id/eprint/72462021-05-26T12:57:18Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/7246/
African Film and Literature: Adapting Violence to the Screen
Dovey, Lindiwe
PN1990 Broadcasting
Analyzing a range of South African and West African films inspired by African and non-African literature, Lindiwe Dovey identifies a specific trend in contemporary African filmmaking-one in which filmmakers are using the embodied audiovisual medium of film to offer a critique of physical and psychological violence. Against a detailed history of the medium's savage introduction and exploitation by colonial powers in two very different African contexts, Dovey examines the complex ways in which African filmmakers are preserving, mediating, and critiquing their own cultures while seeking a united vision of the future. More than merely representing socio-cultural realities in Africa, these films engage with issues of colonialism and postcolonialism, "updating" both the history and the literature they adapt to address contemporary audiences in Africa and elsewhere. Through this deliberate and radical re-historicization of texts and realities, Dovey argues that African filmmakers have developed a method of filmmaking that is altogether distinct from European and American forms of adaptation.
Columbia University Press
2009-04-03
Authored Books
PeerReviewed
Dovey, Lindiwe (2009) African Film and Literature: Adapting Violence to the Screen. New York: Columbia University Press.
10.7312/dove14754info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:7247
2020-04-16T14:33:29Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:44:32313030
7375626A656374733D58:42:31353530
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/72472020-04-16T14:33:29Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/7247/
"Eyes Wide Shut": Kubrick and the Representation of Gender
Dovey, Lindiwe
PN1990 Broadcasting
McFarland
Rhodes, Gary
2008
Book Chapters
PeerReviewed
Dovey, Lindiwe (2008) '"Eyes Wide Shut": Kubrick and the Representation of Gender.' In: Rhodes, Gary, (ed.), Stanley Kubrick: Essays on His Films and Legacy. Jefferson: McFarland. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:7411
2022-09-12T12:15:02Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:44:32313030
7375626A656374733D58:42:31353530
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/74112022-09-12T12:15:02Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/7411/
Subjects of exile: Alienation in Francophone West African cinema
Dovey, Lindiwe
Based on research conducted at the French Ministry of Foreign Affairs' African Cinémathèque, this article explores the narrative and aesthetic manifestations of alienation in francophone West African films of the past five decades. Rather than examine ‘immigration’ films, it focuses on francophone West African films that interrogate the concept of alienation from points of view firmly grounded within Africa, such as Sembene's Niaye (1964), La Noire de… (1966), and Xala (1974), Samb-Makharam's Et La Neige N'Était Plus (1965), Mambety's Touki Bouki (1973), and Sissako's Waiting for Happiness (2002). The choice to ‘centre’ Africa in this way within Francophone Studies has political value, and seeks to acknowledge the ‘internal’ (psychological) as well as ‘external’ (bodily) dimensions of exile. After a theoretical consideration of alienation in relation to contemporary Africa, the article identifies and analyses similarities that traverse specific films dealing with exilic experience, attempting to account for the prevalence of images of feet, the inscription of voices, and a palimpsestic aesthetic. Ultimately, the article acknowledges the painful and repetitive nature of exile while also arguing that alienation, in the context of francophone West African cinema, has become a source of creativity and psychological survival against hostility from both without and within.
Intellect
2009-04
Journal Article
PeerReviewed
Dovey, Lindiwe (2009) 'Subjects of exile: Alienation in Francophone West African cinema.' International Journal of Francophone Studies, 12 (1). pp. 55-75.
10.1386/ijfs.12.1.55_1info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:7421
2022-08-16T07:12:38Z
7374617475733D707562
7375626A656374733D53:38353930:38363130
7375626A656374733D58:42:393030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/74212022-08-16T07:12:38Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/7421/
An introduction to the Sukawati style of Balinese gender wayang
Gray, Nick
Taylor and Francis
1990
Journal Article
NonPeerReviewed
Gray, Nick (1990) 'An introduction to the Sukawati style of Balinese gender wayang.' Indonesia Circle, 18 (52). pp. 45-54.
10.1080/03062849008729736info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:7422
2022-08-10T19:50:23Z
7374617475733D707562
7375626A656374733D53:38353930:38363130
7375626A656374733D58:42:393030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/74222022-08-10T19:50:23Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/7422/
Sulendra: an example of petegak in the Balinese gender wayang repertory
Gray, Nick
Taylor and Francis
1992
Journal Article
PeerReviewed
Gray, Nick (1992) 'Sulendra: an example of petegak in the Balinese gender wayang repertory.' British Journal of Ethnomusicology, 1 (1). pp. 1-16.
http://www.jstor.org/stable/pdfplus/3060724.pdf
10.1080/09681229208567197info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:8115
2022-12-01T12:01:00Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:44:32313030
7375626A656374733D58:42:31353530
74797065733D626F6F6B5F726576696577
https://eprints.soas.ac.uk/id/eprint/81152022-12-01T12:01:00Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/8115/
Review of 'The Devil you Dance With: Film Culture in the New South Africa'
Dovey, Lindiwe
Cineaste Publishers, Inc.
2009
Book Reviews
PeerReviewed
Dovey, Lindiwe (2009) 'Review of 'The Devil you Dance With: Film Culture in the New South Africa'.' Cineaste, 35 (1). pp. 80-82.
https://www.jstor.org/stable/41690870info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:8379
2023-03-19T13:15:20Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:44:32313030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/83792023-03-19T13:15:20Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/8379/
'African Jim': sound, politics, and pleasure in early 'black' South African cinema
Dovey, Lindiwe
Impey, Angela
This article offers a new take on the film African Jim (popularly known as Jim Comes to Joburg), the first feature-length entertainment film made with a black cast and specifically for black audiences in South Africa (in 1949). In contrast to earlier interpretations of the film, which focus predominantly on the film's images, its problematic production context, and its patronizing narrative, we focus on and offer interpretation of the film's aural/oral aspects. Through analysis of the ways in which the film's black performers mobilize African languages and music as ‘hidden transcripts’ (a concept we borrow from James Scott), we argue that the film is invested with certain political subtexts that have not previously been acknowledged. These subtexts, we suggest, must have been all the more powerful at the time the film was made since, in this context, the political efficacy of music was vested largely in its ability to simultaneously convey pleasure and pain, and to be both uplifting and subversive, thus concealing its essential meanings from the white power establishment. In bringing to our rereading of African Jim a sense of the importance and specificity of sound and music in black South African culture of the late 1940s, we hope to show how virtually impossible it is to give a complete reading of the film while ignoring the film's aural/oral components. This rereading also suggests that within film studies in general, and African film studies in particular, it would seem vital to acknowledge the need for more profound studies of the complex ways in which African soundscapes – African music and African languages – contribute to the multiple meanings of films that are made in this context.
Taylor and Francis
2010-06
Journal Article
PeerReviewed
Dovey, Lindiwe and Impey, Angela (2010) ''African Jim': sound, politics, and pleasure in early 'black' South African cinema.' Journal of African Cultural Studies, 22 (1). pp. 57-73.
10.1080/13696810903488595info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:8380
2020-04-16T14:33:31Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:44:32313030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/83802020-04-16T14:33:31Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/8380/
Directors' Cut: In Defence of African Film Festivals outside Africa
Dovey, Lindiwe
St Andrews Film Studies
Iordanova, Dina
Cheung, Ruby
2010-01
Book Chapters
PeerReviewed
Dovey, Lindiwe (2010) 'Directors' Cut: In Defence of African Film Festivals outside Africa.' In: Iordanova, Dina and Cheung, Ruby, (eds.), Film Festival Yearbook 2: Film Festivals and Imagined Communities. St. Andrews: St Andrews Film Studies, pp. 45-73. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:8381
2023-03-19T13:15:25Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:44:32313030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/83812023-03-19T13:15:25Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/8381/
Editorial: 'African film and video: pleasure, politics, performance'
Dovey, Lindiwe
Taylor and Francis
2010-06
Journal Article
PeerReviewed
Dovey, Lindiwe (2010) 'Editorial: 'African film and video: pleasure, politics, performance'.' Journal of African Cultural Studies, 22 (1). pp. 1-6.
10.1080/13696810903488538info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:8467
2022-04-19T08:17:08Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:44:32313030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/84672022-04-19T08:17:08Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/8467/
Coetzee on Film
Dovey, Lindiwe
Dovey, Teresa
Ashgate
Bradshaw, Graham
Neill, Michael
2010
Book Chapters
PeerReviewed
Dovey, Lindiwe and Dovey, Teresa (2010) 'Coetzee on Film.' In: Bradshaw, Graham and Neill, Michael, (eds.), J.M. Coetzee's Austerities. Surrey, England; Burlington, USA: Ashgate, pp. 57-78. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:8469
2020-02-25T10:46:53Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/84692020-02-25T10:46:53Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/8469/
The Spread and Assimilation of Chinese Bronze Mirrors in Early Korean Society
Horlyck, Charlotte
Association for Korean Studies in Europe
DeCeuster, Koen
van den Haak, Martina
2009
Book Chapters
NonPeerReviewed
Horlyck, Charlotte (2009) 'The Spread and Assimilation of Chinese Bronze Mirrors in Early Korean Society.' In: DeCeuster, Koen and van den Haak, Martina, (eds.), Proceedings of the Association for Korean Studies in Europe, 24th Biennial Conference. Leiden: Association for Korean Studies in Europe. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:8470
2020-02-25T10:46:54Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/84702020-02-25T10:46:54Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/8470/
Looking at the Overlooked: Art by Women and for Women in Pre-Modern Korea
Horlyck, Charlotte
Mills College Art Museum
Chinn, Lori
2008
Book Chapters
NonPeerReviewed
Horlyck, Charlotte (2008) 'Looking at the Overlooked: Art by Women and for Women in Pre-Modern Korea.' In: Chinn, Lori, (ed.), The Offering Table. Women Activist Artists from Korea. Oakland, Calif.: Mills College Art Museum, pp. 40-50. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:8473
2020-02-25T10:46:55Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/84732020-02-25T10:46:55Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/8473/
Kkoktu – Guides, Guardians and Keepers of the Soul
Horlyck, Charlotte
The Korea Society
Frederick, Carriere
2007
Book Chapters
NonPeerReviewed
Horlyck, Charlotte (2007) 'Kkoktu – Guides, Guardians and Keepers of the Soul.' In: Frederick, Carriere, (ed.), Korean Funerary Figures: Companions to the Journey to the Other World. New York: The Korea Society, pp. 227-230. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:8474
2020-02-25T10:46:55Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/84742020-02-25T10:46:55Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/8474/
Purity of thought and emptiness of mind: The placing of mirrors in Korean relic deposits
Horlyck, Charlotte
Academy of Korean Studies
2006
Book Chapters
NonPeerReviewed
Horlyck, Charlotte (2006) 'Purity of thought and emptiness of mind: The placing of mirrors in Korean relic deposits.' In: Cultural Interaction with Korea: from Silk Road to Korean wave. Proceedings of the World Congress of Korean Studies, vol.2. Seongnam: Academy of Korean Studies, pp. 431-450. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:8475
2020-02-25T10:46:55Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/84752020-02-25T10:46:55Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/8475/
Celadons Koryo: el seu desenvolupament, ascension i declivi
Horlyck, Charlotte
Fundació per a la Universitat Oberta de Catalunya
Cervera, Isabel
2004
Book Chapters
NonPeerReviewed
Horlyck, Charlotte (2004) 'Celadons Koryo: el seu desenvolupament, ascension i declivi.' In: Cervera, Isabel, (ed.), L’art de ‘Àsia oriental. Barcelona: Fundació per a la Universitat Oberta de Catalunya, pp. 9-20. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:8476
2022-09-30T10:13:16Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/84762022-09-30T10:13:16Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/8476/
Burial Offerings to Objets d’Art: Celadon Wares of the Koryŏ Kingdom (AD918-1392)
Horlyck, Charlotte
Oriental Ceramic Society
2010
Journal Article
NonPeerReviewed
Horlyck, Charlotte (2010) 'Burial Offerings to Objets d’Art: Celadon Wares of the Koryŏ Kingdom (AD918-1392).' Transactions of the Oriental Ceramic Society, 73 (2008-2009). pp. 79-89. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:8477
2022-10-02T12:48:03Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/84772022-10-02T12:48:03Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/8477/
Confucian Burial Practices in the Late Goryeo and Early Joseon Periods
Horlyck, Charlotte
This article questions notions of continuation and, in particular, change as reflected in burial traditions of the late Goryeo and early Joseon kingdoms. People of Goryeo largely buried their dead in the ways of their ancestors, but the introduction to Korea of Zhu Xi’s the Family Rituals in the late thirteenth century marked the beginnings of a new means of interment. Zhu Xi’s writings were to have a paramount influence on burial procedures as they were increasingly adhered to over the course of the Joseon period. In detailing how funerals should be carried out and in outlining how people should be buried, Zhu Xi mapped out ‘proper’ Confucian ways of dealing with death. In focusing on archaeological material, this article discusses how the increasing influence of Zhu Xi’s writings on rituals is reflected in ways of burial over the course of the late Goryeo and early Joseon periods. It will be demonstrated that the Confucianization of burial practices is seen first and foremost in the ways in which graves were made, followed by how objects were placed inside the burial pit and, finally, in the types of burial goods used
Academy of Korean Studies
2008
Journal Article
PeerReviewed
Horlyck, Charlotte (2008) 'Confucian Burial Practices in the Late Goryeo and Early Joseon Periods.' The Review of Korean Studies, 11 (2). pp. 33-58. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:8478
2022-09-15T08:52:50Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/84782022-09-15T08:52:50Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/8478/
Meaningful Commodities – Mirrors, Merchandise and Market Policies in the Koryŏ Period
Horlyck, Charlotte
International Society of Korean Studies
2008
Journal Article
PeerReviewed
Horlyck, Charlotte (2008) 'Meaningful Commodities – Mirrors, Merchandise and Market Policies in the Koryŏ Period.' International Journal of Korean Studies, 12. pp. 239-257. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:8479
2022-08-04T11:21:43Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/84792022-08-04T11:21:43Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/8479/
Colour in Korean Textiles
Horlyck, Charlotte
Arts of Asia Publications
2003
Journal Article
PeerReviewed
Horlyck, Charlotte (2003) 'Colour in Korean Textiles.' Arts of Asia, 33 (2). pp. 110-117. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:8480
2020-02-25T10:46:56Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/84802020-02-25T10:46:56Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/8480/
Korean Bronze Mirrors and Their Chinese and Japanese Influences
Horlyck, Charlotte
Hong Kong : Pacific Communications
2002
Journal Article
PeerReviewed
Horlyck, Charlotte (2002) 'Korean Bronze Mirrors and Their Chinese and Japanese Influences.' Orientations, 33 (9). pp. 48-53. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:8481
2022-09-19T10:34:51Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/84812022-09-19T10:34:51Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/8481/
Tracking chronological changes within burials of the Koryŏ period
Horlyck, Charlotte
Brill
2001
Journal Article
PeerReviewed
Horlyck, Charlotte (2001) 'Tracking chronological changes within burials of the Koryŏ period.' Journal of East Asian Archaeology, 3 (3-4). pp. 199-218.
10.1163/156852301760238300info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:8482
2020-02-25T10:46:56Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/84822020-02-25T10:46:56Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/8482/
Combining the new with the old: collecting contemporary Korean art at the Victoria and Albert Museum
Horlyck, Charlotte
2000
Journal Article
PeerReviewed
Horlyck, Charlotte (2000) 'Combining the new with the old: collecting contemporary Korean art at the Victoria and Albert Museum.' Korean Journal of Museum Studies, 3. pp. 130-145. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:8483
2022-09-20T16:11:33Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/84832022-09-20T16:11:33Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/8483/
Understanding Korean Ceramics
Horlyck, Charlotte
International Cultural Society of Korea
1999
Journal Article
PeerReviewed
Horlyck, Charlotte (1999) 'Understanding Korean Ceramics.' Koreana, 13 (4). pp. 4-11.
http://koreana.kf.or.kr/viewPdf.asp?filename=1999_WINTER_E004.pdfinfo:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:8484
2020-02-25T10:46:56Z
oai:eprints.soas.ac.uk:8485
2020-02-25T10:46:56Z
oai:eprints.soas.ac.uk:8548
2020-04-16T14:33:32Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:44:32313030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/85482020-04-16T14:33:32Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/8548/
Bizet in Khayelitsha: U-Carmen eKhayelitsha as audio-visual transculturation
Dovey, Lindiwe
Davies, James
Intellect
2010
Journal Article
PeerReviewed
Dovey, Lindiwe and Davies, James (2010) 'Bizet in Khayelitsha: U-Carmen eKhayelitsha as audio-visual transculturation.' Journal of African Media Studies, 2 (1). pp. 39-53.
10.1386/jams.2.1.39/1info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:8549
2020-04-16T14:33:32Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:44:32313030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/85492020-04-16T14:33:32Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/8549/
Editorial: Towards interpretation of screen media in Africa
Dovey, Lindiwe
Intellect
2010
Journal Article
PeerReviewed
Dovey, Lindiwe (2010) 'Editorial: Towards interpretation of screen media in Africa.' Journal of African Media Studies, 2 (1). pp. 3-7.
10.1386/jams.2.1.3/2info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:10253
2022-03-25T08:50:46Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/102532022-03-25T08:50:46Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/10253/
Iconography and Images: Art
Branfoot, Crispin
Brill
Jacobsen, Knut A.
2010
Book Chapters
PeerReviewed
Branfoot, Crispin (2010) 'Iconography and Images: Art.' In: Jacobsen, Knut A., (ed.), Brill Encyclopaedia of Hinduism, Vol. II: Texts, Rituals, Arts, Concepts. Leiden: Brill, pp. 536-550. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:11061
2024-03-02T08:51:45Z
7374617475733D707562
7375626A656374733D53:38353930:38363130
7375626A656374733D58:42:393030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/110612024-03-02T08:51:45Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/11061/
Implicit Rāga Knowledge in the Kathmandu Valley
Widdess, Richard
The term rāga is current not only in the classical traditions of North and South Indian music, where it is the subject of an extensive written and oral theory, but also in many non-classical traditions especially of religious music in South Asia. For example, devotional songs (dāphā) sung by groups of Newar farmers in the Kathmandu Valley, Nepal, are regularly attributed to rāgas; but there is little explicit (i.e. verbally expressed) knowledge about rāga among the performers. The question whether the concept has any musical meaning in terms of melodic structure can only be investigated through comparative musical analysis combined with ethnographic observation. An earlier study (Grandin 1997) concluded that dāphā song melodies in one rāga share a set of characteristic melodic formulae and are thus constructed in a rāga-like way. The present study suggests that rāga-preludes sung before each dāphā song constitute melodic models that underlie song melodies. A common stock of preludes is known by different groups, but singers are not aware of this commonality. There is thus an implicit melodic system that does not depend on performers’ explicit knowledge. This situation can be understood in historical and social terms.
Analytical Approaches to World Music
2011
Journal Article
PeerReviewed
text
en
https://eprints.soas.ac.uk/11061/1/Widdess_AAWM_Vol_1_1.pdf
Widdess, Richard (2011) 'Implicit Rāga Knowledge in the Kathmandu Valley.' Analytical Approaches to World Music, 1 (1).
http://iftawm.org/journal/oldsite/articles/2011a/Widdess_AAWM_Vol_1_1.htminfo:eu-repo/semantics/objectFileinfo:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:11551
2019-12-12T11:34:51Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/115512019-12-12T11:34:51Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/11551/
In a Land of Kings: donors, elites and temple sculpture
Branfoot, Crispin
Oxford University Press
Dallapiccola, Anna L.
Verghese, Anila
2011
Book Chapters
NonPeerReviewed
Branfoot, Crispin (2011) 'In a Land of Kings: donors, elites and temple sculpture.' In: Dallapiccola, Anna L. and Verghese, Anila, (eds.), South India under Vijayanagara: Art and Archaeology. New Delhi: Oxford University Press, pp. 249-262. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:11800
2022-03-20T11:18:03Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/118002022-03-20T11:18:03Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/11800/
Minaksi's wedding: painting the sacred marriage in early modern Madurai
Branfoot, Crispin
Niyogi Publications
Dallapiccola, Anna L.
2011
Book Chapters
NonPeerReviewed
Branfoot, Crispin (2011) 'Minaksi's wedding: painting the sacred marriage in early modern Madurai.' In: Dallapiccola, Anna L., (ed.), Indian Painting: The Lesser Known Traditions. New Delhi: Niyogi Publications, pp. 172-189. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:12062
2022-10-25T08:53:09Z
7374617475733D707562
7375626A656374733D53:38353930:38363130
7375626A656374733D58:42:393030
74797065733D61727469636C65
https://eprints.soas.ac.uk/id/eprint/120622022-10-25T08:53:09Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/12062/
Of one family? Improvisation, variation and composition in Balinese gendér wayang
Gray, Nick
The Society for Ethnomusicology
2010
Journal Article
PeerReviewed
Gray, Nick (2010) 'Of one family? Improvisation, variation and composition in Balinese gendér wayang.' Ethnomusicology, 54 (2). pp. 224-256.
http://www.jstor.org/stable/10.5406/ethnomusicology.54.2.0224
10.5406/ethnomusicology.54.2.0224info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:12535
2022-12-12T12:10:01Z
7374617475733D707562
7375626A656374733D53:38353930:38363130
7375626A656374733D58:42:393030
74797065733D626F6F6B
https://eprints.soas.ac.uk/id/eprint/125352022-12-12T12:10:01Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/12535/
Improvisation and composition in Balinese gendér wayang: music of the moving shadows
Gray, Nick
This book is an examination of the music of the Balinese gendér wayang, the quartet of metallophones (gendér) that accompanies the Balinese shadow puppet play (wayang kulit). It focuses on processes of musical variation, the main means of creating new music in this genre, and the implications of these processes for the social and historical study of Balinese music, musical aesthetics, concepts of creativity and compositional methods.
Firstly, it studies the processes of composition and variation-making in this unnotated tradition. Secondly, it examines the relationship between pre-composition and spontaneous variation-making. Thirdly, it explores concepts of musical composition, variation, improvisation and creativity in gendér wayang, which shed light on attitudes to these processes in Bali in general. These processes are examined in two main geographical areas: Sukawati in South Bali and, secondly, the contrasting area of East Bali, particularly the villages of Budakeling and Tenganan.
Part 1 describes the context of gendér wayang within Balinese musical and ritual life and situates the argument in the light of current research on Balinese music and ethnomusicological theories of improvisation and composition. In part 2, I examine compositional techniques in gendér wayang in more depth, as well as aspects of regional variation, before analysing the processes at work in a spectrum from the more improvised to the more pre-composed, illuminated by players’ comments. Finally, in part 3, I draw out and bring into focus certain themes raised by the processes described in the previous chapters, particularly those that relate to changing social contexts for the music.
Ashgate
2011-11
Authored Books
PeerReviewed
Gray, Nick (2011) Improvisation and composition in Balinese gendér wayang: music of the moving shadows. Farnham, Surrey: Ashgate. (SOAS Musicology Series)
http://www.ashgate.com/isbn/9781409418320
10.4324/9781315252520info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:12636
2019-12-12T11:34:53Z
7374617475733D707562
7375626A656374733D53:38353930:38363030
7375626A656374733D58:42:333030
74797065733D626F6F6B5F73656374696F6E
https://eprints.soas.ac.uk/id/eprint/126362019-12-12T11:34:53Zinfo:eu-repo/semantics/descriptiveMetadata
https://eprints.soas.ac.uk/12636/
Making Space for the Sacred: Hindu Art and Material Religion
Branfoot, Crispin
Sage
Bailey, Greg
2017-02
Book Chapters
NonPeerReviewed
Branfoot, Crispin (2017) 'Making Space for the Sacred: Hindu Art and Material Religion.' In: Bailey, Greg, (ed.), Hinduism in India: The Early Period. New Delhi: Sage, pp. 179-207. info:eu-repo/semantics/humanStartPage
oai:eprints.soas.ac.uk:12637
2019-12-12T11:34:53Z
oai:eprints.soas.ac.uk:12638
2019-12-12T11:34:53Z
metadataPrefix%3Ddidl%26offset%3D12639%26set%3D7375626A656374733D53%253A38353930