Impey, Angela (2007) 'Sound, memory and dis/placement: Exploring sound, song and performance as oral history in the southern African borderlands.' Oral History Journal, 36 (1). pp. 33-44.
This paper draws on research conducted in the borderlands of South Africa, Mozambique and Swaziland. It proposes that sound, song and the affect of music-making represent a much under-utilised historical research resource, particularly in contexts of spatial and social rupture. Through the revitalisation of two traditional mouthbows and the jews harp – instruments once played by young Nguni women while walking, but remembered now by elderly women only – it explores music’s capacity to operate as both historical text and oral testimony, providing a focus for mobilising collective evocations of self and place, and aimed at raising the level of the voices of a community whose livelihood and sociality are at variance with broader socio-economic and environmental development processes in the region.
|SOAS Departments & Centres:||Faculty of Arts and Humanities > Department of Music|
|Depositing User:||Users 1566 not found.|
|Date Deposited:||02 Mar 2010 14:20|
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