[ skip to content ]

World Music: Whose Music and Whose World?

Howard, Keith (2010) 'World Music: Whose Music and Whose World?' OMNES: The Journal of Migration and Society, 1 (2). pp. 1-34.

Full text not available from this repository.

Abstract

An investigation of commercialized and commodified world music, as it existed in 2010, using industry data as well as looking at ethnomusicological criticisms. Data was also culled from an on-line forum, with commentaries on my inaugural professorial lecture in 2008 and subsequent discussions of the issues raised. This paper was first presented as a keynote at the 2010 Cultural Diversity in Music Education conference in Sydney.

Item Type: Articles
Keywords: world music, commercialism, commodification, traditional music, multiculturalism, cross-cultural, inter-cultural
SOAS Departments & Centres: Faculty of Arts and Humanities > Department of Music
Subjects: G Geography. Anthropology. Recreation > GN Anthropology
M Music and Books on Music > ML Literature of music
M Music and Books on Music > MT Musical instruction and study
ISSN: 20935498
Depositing User: Keith Howard
Date Deposited: 29 Jun 2012 14:29
URI: http://eprints.soas.ac.uk/id/eprint/13875

Statistics

Item downloaded times since 29 Jun 2012 14:29.

View statistics for "World Music: Whose Music and Whose World?"

Repository staff only

View Item View Item